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--- aylet-0.5/aylet.1 2004-10-02 00:32:36.000000000 +0200
+++ aylet-0.5/aylet.1.new 2007-09-24 16:20:04.000000000 +0200
@@ -99,8 +99,8 @@
rather than the default `wide' separation.
.TP
.B -s
-output sample data to stdout rather than playing it; implies `-n'. The
-sample is 44.1kHz 16-bit stereo (or mono if using `-m'). Don't be
+output sample data to stdout rather than playing it; implies `\-n'. The
+sample is 44.1kHz 16-bit stereo (or mono if using `\-m'). Don't be
surprised if the sample takes a little while to generate, as it still
has to emulate the Z80.
.TP
@@ -137,7 +137,7 @@
total silence. And a track may never end at all; aylet fades it out
after 3 minutes by default. (Yes, 3 minutes be may too soon to allow
some tracks to `finish', but you have to strike the balance somewhere,
-and it's only a default. Use `-A' or press `s' to change it.)
+and it's only a default. Use `\-A' or press `s' to change it.)
.\"
.\"------------------------------------------------------------------
.\"
@@ -193,7 +193,7 @@
In xaylet, you can also use the matching buttons for most of the
above.
.PP
-When using `aylet -n', the interactivity is scaled down dramatically,
+When using `aylet \-n', the interactivity is scaled down dramatically,
leaving just the one control:
.TP
.I Ctrl-C
@@ -217,7 +217,7 @@
To convert ysfollin.ay to a mono sample in .wav format (requires
`sox'):
.PP
-aylet -sm ysfollin.ay |sox -r 44100 -t sw - tune.wav
+aylet \-sm ysfollin.ay |sox \-r 44100 \-t sw \- tune.wav
.\"
.\"------------------------------------------------------------------
.\"
|
