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# gnome-help Korean translation
#
# Jihui Choi <jihui.choi@gmail.com>, 2003-2009.
# Sangdo Jun <sebuls@gmail.com>, 2018.
msgid ""
msgstr ""
"Project-Id-Version: gimp-help 2.10\n"
"POT-Creation-Date: 2026-01-24 16:24+0000\n"
"PO-Revision-Date: 2020-03-29 18:01+0900\n"
"Last-Translator: Sangdo Jun <sebuls@gmail.com>\n"
"Language-Team: Korean <gnome-kr@googlegroups.com>\n"
"Language: ko\n"
"MIME-Version: 1.0\n"
"Content-Type: text/plain; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
"X-Generator: Poedit 1.8.11\n"
"Plural-Forms: nplurals=1; plural=0;\n"

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:63(None)
#: src/appendix/tone-mapping-tutorial.xml:505(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/before-auto-stretch-contrast.jpg'; "
"md5=1fd6f5066a3ccd0ed10d1c917c3eeac7"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:72(None)
#: src/appendix/tone-mapping-tutorial.xml:526(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/power-lines.jpg'; "
"md5=5e7a0dae673917dd3858d09c1b103687"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:107(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/tree-exposed-for-sky-ground-is-"
"dark.jpg'; md5=002d070cf749bdeb28ddda9ce5836c1b"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:181(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/add-one-stop-positive-exposure-"
"compensation.png'; md5=8193ed3746c1459fd061884119df0bed"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:201(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/1-stop-positive-exposure-"
"compensation-added.jpg'; md5=5634957afdde2f37024edcefaf705501"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:252(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/add-inverse-grayscale-mask.png'; "
"md5=b4500f9e8a8c93677fa21f0233a27880"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:270(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/inverse-grayscale-mask-added.jpg'; "
"md5=20a00bb8afbf0d52a0ccc038d427ad47"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:295(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/auto-stretch-contrast-mask.png'; "
"md5=d6000f3af1cb7529e60103c952f77fc3"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:310(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/gegl-exposure-mask-auto-"
"stretched.jpg'; md5=8d54a31fcdd8a4f2c2d729db8b2676b4"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:420(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/apple-orchard-truck-from-"
"camera.jpg'; md5=4b32987e8be399e5377a41b69d5bd4a4"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:432(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/apple-orchard-truck-tone-mapped-with-"
"Exposur.jpg'; md5=27d3dd1ae0c4c02b77bd9f996bae56e4"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:443(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/truck-tone-mapped-using-gegl-"
"mantuik.jpg'; md5=1bbe49faeb4f22b9a3b91661f498b6f1"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:460(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/orchard-truck-layer-stack.jpg'; "
"md5=b6ac70f48872e2844f4efb64cc01bfea"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:516(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/after-auto-stretch-contrast.jpg'; "
"md5=2fb281c9d9e7e9a7c60b3a2de5a4c51d"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:609(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/histogram-specular-highlights.png'; "
"md5=d1cc0f7e0a60a16c90b76f7ae459e13a"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:685(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/without-bilateral-smoothing-of-"
"mask.jpg'; md5=41aa9e4a2917f17fe50025bf2fcb2429"
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/tone-mapping-tutorial.xml:696(None)
msgid ""
"@@image: 'images/tutorials/tone-mapping/with-bilateral-smoothing-of-"
"mask.jpg'; md5=89fdd3574d292a3ae857f1509b8afbf5"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:6(title)
#, fuzzy
msgid ""
"Tone Mapping and Shadow Recovery Using GIMP’s <menuchoice><guimenu>Colors</"
"guimenu><guimenuitem>Exposure…</guimenuitem></menuchoice>"
msgstr ""
"<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
"menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#: src/appendix/tone-mapping-tutorial.xml:10(para)
msgid ""
"This tutorial comes from www.gimp.org/tutorials and was created by Elle "
"Stone. It is presented here for translations."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:15(para)
msgid ""
"A very common editing problem is how to lighten the shadows and midtones of "
"an image while retaining highlight details, a task sometimes referred to as "
"“shadow recovery” and more generally speaking as “tone mapping”. This step-"
"by-step tutorial shows you how to use high bit depth GIMP’s floating point "
"Exposure operation to add one or more stops of positive exposure "
"compensation to an image’s shadows and midtones while retaining highlight "
"details."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:27(title)
msgid ""
"High bit depth GIMP’s floating point Exposure operation: much better than "
"Curves for lightening the shadows and midtones of an image without blowing "
"the highlights"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:32(para)
msgid ""
"A very common editing problem is how to lighten the shadows and midtones of "
"an image without blowing out the highlights, which problem is very often "
"encountered when dealing with photographs of scenes lit by direct sunlight. "
"Precanned algorithms for accomplishing this task are often referred to as "
"“shadow recovery” algorithms. But really these algorithms are special-"
"purpose tone-mapping algorithms, which sometimes work pretty well, and "
"sometimes not so well, depending on the algorithm, the image, and your "
"artistic intentions for the image."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:42(para)
msgid ""
"This step-by-step tutorial shows you how to use GIMP’s unbounded floating "
"point Exposure operation to recover shadow information—that is, add one or "
"more stops of positive exposure compensation to an image’s shadows and "
"midtones—without blowing out or unduly compressing the image highlights. The "
"procedure is completely “hand-tunable” using masks and layers, and is as "
"close as you can get to non-destructive image editing using high bit depth "
"GIMP."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:52(para)
msgid "<emphasis role=\"bold\">Figure 1:</emphasis> power lines at noon"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:55(para)
msgid ""
"Before and after tone mapping (aka “shadow recovery”) using high bit depth "
"GIMP’s floating point Exposure operation."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:67(emphasis)
msgid "Scene-referred interpolated raw file."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:76(emphasis)
msgid "After tone mapping/shadow recovery using GIMP unbounded Levels."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:79(para)
msgid ""
"High bit depth GIMP is my primary image editor, and I’ve used the procedure "
"described below for the last couple of years as my “go to” way to modify "
"image tonality. The same general procedure can be used to darken as well as "
"lighten portions of an image, again controlling the effect using a layer "
"mask. This isn’t exactly nondestructive editing because at some point you "
"need to make a “New from Visible” layer. But unlike using Curves, using high "
"bit depth GIMP’s floating point Exposure operation doesn’t clip RGB channel "
"values and allows you to fine-tune the results by modifying and re-modifying "
"the layer mask until you are completely happy with the resulting tonality."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:95(title)
msgid ""
"A step-by-step example showing how to recover shadow information using high "
"bit depth GIMP’s floating point <menuchoice><guimenu>Colors</"
"guimenu><guimenuitem>Exposure…</guimenuitem></menuchoice> operation"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:101(emphasis)
msgid "Figure 2"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:110(para)
msgid ""
"Using high bit depth GIMP’s Exposure operation to lighten the ground by one "
"stop without blowing out portions of the sky."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:116(para)
msgid ""
"<emphasis>Left</emphasis>: The original image, an interpolated camera raw "
"file that was deliberately underexposed in camera to avoid blowing out the "
"sky. It might not appear to be the case, but this image is already very "
"close to having out of gamut RGB channel values in the sky, and a simple "
"Auto Stretch Contrast won’t lighten the image at all."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:127(para)
msgid ""
"<emphasis>Right</emphasis>: The same image after using high bit depth GIMP’s "
"Exposure operation at 32-bit floating point linear precision to add one stop "
"of positive exposure compensation. An inverse grayscale mask was used to "
"keep the highlights from blowing out."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:136(para)
msgid ""
"This step-by-step example provides a sample image and is broken down into "
"five steps, starting with downloading the image. Steps 3, 4, and 5 describe "
"the actual procedure."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:143(para)
msgid ""
"<emphasis role=\"bold\">Download</emphasis><ulink url=\"https://www.gimp.org/"
"tutorials/Tone_Mapping_Using_GIMP_Levels/tree.png\"> tree.png</ulink>, which "
"is a 16-bit integer sRGB image. High bit depth GIMP really is an “sRGB only” "
"image editor, so it’s best if you don’t even try to edit in other RGB "
"working spaces."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:153(para)
msgid ""
"<emphasis role=\"bold\">Open tree.png with GIMP and assign the GIMP built-in "
"sRGB profile (the image colors won’t change a bit). Then convert the image "
"to 32-bit floating point linear precision</emphasis>: Select "
"<menuchoice><guimenu>Image</guimenu><guisubmenu>Encoding</"
"guisubmenu><guimenuitem>32 bit floating point</guimenuitem></menuchoice>, "
"and in the <guilabel>Encoding Conversion</guilabel> dialog, select "
"<guilabel>Linear light</guilabel> (this ensures that the Normal blend mode "
"produces radiometrically correct results)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:165(para)
msgid ""
"Make a copy of the “tree.png” layer via <menuchoice><guimenu>Layer</"
"guimenu><guimenuitem>New Layer…</guimenuitem></menuchoice> or "
"<menuchoice><guimenu>Layer</guimenu><guimenuitem>New from Visible</"
"guimenuitem></menuchoice>, and label it “+1 stop exposure comp”. Then use "
"<menuchoice><guimenu>Colors</guimenu><guimenuitem> Exposure…</guimenuitem></"
"menuchoice> to add one stop of positive exposure compensation. Figure 3 "
"below shows the proper settings for the Exposure operation dialog, and "
"Figure 4 shows the result:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:175(emphasis)
msgid "Figure 3"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:185(emphasis)
msgid ""
"Using the Exposure operation to add one stop of positive exposure "
"compensation."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:188(para)
msgid ""
"When using the Exposure operation to add one stop of positive exposure "
"compensation, make sure the image really is at floating point precision, "
"because integer precision will clip the highlights."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:194(emphasis)
msgid "Figure 4"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:204(para)
msgid ""
"At floating point precision, GIMP’s Exposure operation is unbounded. This "
"means you can use the Exposure operation to add positive exposure "
"compensation without blowing out the highlights."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:210(para)
msgid ""
"Notice the RGB channel values for the four sample points: the channel "
"information that would have been clipped using integer precision is encoded "
"using channel values that are greater than 1.0 floating point."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:216(para)
msgid ""
"The image in Figure 4 clearly has “blown” highlights in the sky. But the "
"highlights aren’t really blown (that is, clipped to 1.0 in one or more "
"channels). Instead the highlight information is still there, but the RGB "
"channel values fall outside the RGB <ulink url=\"https://"
"ninedegreesbelow.com/photography/display-referred-scene-referred.html\"> "
"display channel value</ulink> range of 0.0f to 1.0f. The sample points "
"dialog in Figure 4 above shows four sample points that have RGB channel "
"values that are greater than 1.0. As shown in Figure 5 below, adding a mask "
"allows you to recover these highlights by bringing them back down into the "
"display range."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:230(para)
msgid ""
"If you had used integer precision instead of floating point, the highlights "
"really would be blown: The sample points would have a maximum channel values "
"of 255, 65535 or 4294967295, depending on the bit depth. And masking would "
"only “recover” a solid expanse of gray, completely lacking any details (try "
"for yourself and see what happens)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:240(para)
msgid ""
"<emphasis role=\"bold\">Add an inverse grayscale layer mask</emphasis>: "
"Right-click on the layer and select <menuchoice><guimenu>Layer</"
"guimenu><guisubmenu>Mask</guisubmenu><guimenuitem>Add Layer Masks…</"
"guimenuitem></menuchoice>, and when the <guilabel>Add Layer Mask</guilabel> "
"dialog pops up, choose <guilabel>Grayscale copy of layer</guilabel> and "
"check the <guilabel>Invert mask</guilabel> box."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:255(para)
msgid ""
"As shown in Figure 5 below, at this point the highlights will be brought "
"back into the display range, meaning all RGB channel values are between 0.0f "
"and 1.0f. But the image will probably look a little odd (sort of cloudy and "
"flat), and depending on the image, the brightest highlights might actually "
"have dark splotches—don’t worry! this is temporary."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:264(emphasis)
msgid "Figure 5"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:273(para)
msgid ""
"Result of adding an inverse grayscale layer mask to bring the highlights "
"back into the display range."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:277(para)
msgid ""
"Adding an inverse grayscale layer mask brings the highlights back into the "
"display range, but at this point most images will look flat and cloudy, and "
"some images will have dark splotches in the highlights. The next step—“Auto "
"Stretch Contrast” performed on the mask—will take care of this problem."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:286(para)
#, fuzzy
msgid ""
"<emphasis role=\"bold\">Click on the layer mask to select it for editing, "
"and then select <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice></"
"emphasis>: <placeholder-1/>"
msgstr ""
"<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
"menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#: src/appendix/tone-mapping-tutorial.xml:299(emphasis)
msgid ""
"“Keep Colors” should be checked (though it doesn’t really matter on "
"grayscale images such as layer masks)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:303(para)
msgid ""
"<emphasis role=\"bold\">Figure 6</emphasis> below shows the final result: "
"<placeholder-1/>"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:314(emphasis)
msgid ""
"Doing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> on the "
"layer mask removes the “cloudy” appearance, leaving a nicely brightened "
"image with intact highlights."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:320(para)
msgid ""
"<menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> on the "
"mask is necessary because just like the image layer has out of gamut RGB "
"channel values, the inverted grayscale mask contains out of gamut grayscale "
"values. <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> brings "
"all the mask grayscale values back into the display range, allowing the mask "
"to proportionately compensate for the layer’s otherwise out-of-gamut RGB "
"channel values, masking more in the layer highlights and less/not at all in "
"the image’s shadows and midtones."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:335(emphasis)
msgid ""
"Notice that one of the sample points still has a blue RGB channel value that "
"is slightly out of gamut. The easiest way to deal with this is to use "
"<menuchoice><guimenu>Colors</guimenu><guimenuitem>Levels…</guimenuitem></"
"menuchoice> and drag the <link linkend=\"gimp-tool-levels\">middle slider "
"triangle</link> to make a Gamma adjustment of 0.45 on the mask, not on the "
"actual image layer. You can make this Gamma adjustment either on the entire "
"mask (works well, less effort). Or else you can make the adjustment just on "
"the mask shadows (which correspond to the layer highlights), in which case "
"you’d load the mask as a selection, invert the selection, and make the Gamma "
"adjustment. Or if the remaining out of gamut channel values are only very "
"slightly out of gamut, make a “New from Visible” layer and then "
"<menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> the "
"result to bring the remaining channel values back into gamut."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:352(para)
msgid ""
"That’s the whole procedure for using the Exposure operation to add a stop of "
"positive exposure compensation to the shadows without blowing out the "
"highlights. Now you can either fine-tune the mask, or else just make a “New "
"from Visible” layer and continue editing your nicely brightened image. "
"Depending on the image and also on your artistic intentions for the image, "
"the mask might not need fine-tuning. But very often you’ll want to modify "
"the resulting tonal distribution by doing a gamma correction, or perhaps a "
"Curves operation on the mask, or else by painting directly on the mask. And "
"sometimes you’ll want to blur the mask to <link linkend=\"restore-micro-"
"contrast\">restore micro contrast</link>."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:370(title)
msgid "Use Notes"
msgstr ""

#. 1
#: src/appendix/tone-mapping-tutorial.xml:373(para)
msgid ""
"Depending on your particular artistic intentions for an image, some images "
"are more likely than others to benefit from being tone mapped using floating "
"point Exposure operation. Your mileage may vary, but typically the procedure "
"described on this page works best for photographs of scenes with a "
"pronounced tonal difference between the highlights and shadows, as per "
"typical sunny day “sky-ground” photographs."
msgstr ""

#. 2
#: src/appendix/tone-mapping-tutorial.xml:384(para)
msgid ""
"<emphasis role=\"bold\">For adding just one stop of positive exposure "
"compensation, the procedure described on this page works really well</"
"emphasis>. Depending on the image you might want to blur the mask using an "
"edge-respecting blur algorithm, and/or tweak the mask using the Exposure "
"operation, Curves, etc. But only modify the mask after using Auto Stretch "
"Contrast on the mask. Otherwise results will be unpredictable: <ulink "
"url=\"https://ninedegreesbelow.com/photography/unbounded-srgb-levels-gamma-"
"slider.html\"> Gamma adjustments produce odd results when operating on out "
"of gamut values</ulink>, and Curves will summarily clip out of gamut values."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:399(para)
msgid ""
"<emphasis role=\"bold\">For adding more than one stop of exposure "
"compensation, you can use one or more than one positive-exposure-"
"compensation layers</emphasis>. Either way the layer mask(s) will need "
"careful tweaking that’s very image-specific and also specific to your "
"intended result. Figure 7 shows an example of using two exposure "
"compensation layers to add two and a half stops of exposure compensation to "
"the shadows and midtones of an image:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:409(para)
msgid ""
"Using GIMP’s floating point unbounded Levels plus layer masks to add two "
"stops of positive exposure compensation to the shadows and midtones of a "
"photograph of an apple orchard truck that was taken in bright sunshine."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:415(emphasis)
msgid "Figure 7"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:423(emphasis)
msgid "Image from the camera, underexposed to avoid blowing out highlights."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:435(emphasis)
msgid ""
"After tone mapping/shadow recovery using high bit depth GIMP's floating "
"point Exposure operation."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:446(emphasis)
msgid "For comparison, Mantuik tone mapping using the GEGL default settings."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:450(para)
msgid ""
"Using GIMP’s floating point Exposure operation plus layer masks to add two "
"and a half stops of positive exposure compensation to the shadows and "
"midtones of a “bright sun” photograph of an apple orchard truck."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:463(emphasis)
msgid ""
"A screenshot of the layer stack that I used to tone-map the photograph of "
"the apple orchard truck. Tone-mapping by hand gives you complete control "
"over the resulting image. Mantuik and other “automagic” tone-mapping "
"algorithms are CPU-intensive, unpredictable, and often produce unnatural-"
"looking results."
msgstr ""

#. 4
#: src/appendix/tone-mapping-tutorial.xml:475(para)
msgid ""
"Before using the Exposure operation to add positive exposure compensation, "
"<emphasis>the base layer should already be stretched to its maximum dynamic "
"range</emphasis>. The easiest way to stretch the base layer to its maximum "
"dynamic range is to do <menuchoice><guimenu>Colors</"
"guimenu><guisubmenu>Auto</guisubmenu><guimenuitem>Stretch Contrast…</"
"guimenuitem></menuchoice> and make sure that <guilabel>Keep colors</"
"guilabel> is checked."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:485(para)
msgid ""
"If you’ve never used an unbounded floating point image editor before, "
"<menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> can "
"produce an unexpected result: The image might actually end up with a "
"severely reduced dynamic range, having either lighter shadows or darker "
"highlights or both:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:493(para)
msgid ""
"Before and after doing <menuchoice><guimenu>Colors</"
"guimenu><guisubmenu>Auto</guisubmenu><guimenuitem>Stretch Contrast…</"
"guimenuitem></menuchoice> on the base layer, plus the final image after tone "
"mapping using <menuchoice><guimenu>Colors</guimenu><guimenuitem>Exposure…</"
"guimenuitem></menuchoice>:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:499(emphasis)
msgid "Figure 8"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:500(para)
msgid "1. Image from the camera"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:508(para)
#, fuzzy
msgid ""
"2. After doing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice>."
msgstr ""
"<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
"menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#: src/appendix/tone-mapping-tutorial.xml:519(para)
msgid "3. Final \"Power lines\" image."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:531(para)
msgid ""
"This scene-referred interpolated raw file from the PhotoFlow raw processor "
"(which provides a GIMP plug-in for easy opening of raw files) has out-of-"
"display-range RGB channel values that will be brought back into the display "
"range by doing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice>."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:541(para)
msgid ""
"After doing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice>, "
"shadows are lighter and highlights are darker because the dynamic range has "
"been compressed to fit within the display range. This looks like an editing "
"step in the wrong direction! but actually it’s necessary."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:551(para)
msgid ""
"Here’s the final “Power lines” image after tone mapping the scene-referred "
"interpolated raw file using the procedure described in this tutorial."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:558(para)
msgid ""
"As captured by the raw file, this picture of power lines marching into the "
"distance is a typical result of taking a photograph at noon on a bright "
"sunny day: The sky and clouds looked pretty good right out of the camera, "
"but the ground was far too dark. So the image could benefit from some tone "
"mapping to raise the shadows and midtones. The first step is to select "
"<menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> to "
"bring any channel values that are less than 0.0f or greater than 1.0f back "
"within the display range of 0.0 to 1.0 floating point."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:570(para)
msgid ""
"Performing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> to "
"bring the channel values back inside the display range doesn’t exactly look "
"like an editing step in the right direction for tone-mapping this particular "
"image! but really it is. Using <menuchoice><guimenu>Colors</"
"guimenu><guimenuitem>Exposure…</guimenuitem></menuchoice> to add positive "
"exposure compensation to the shadows and midtones won’t work if the image "
"has channel values that fall outside the display range."
msgstr ""

#. 5
#: src/appendix/tone-mapping-tutorial.xml:582(para)
msgid ""
"<emphasis role=\"bold\">Dispensing with “useless” shadow and highlight "
"information:</emphasis> Sometimes interpolated raw files of photographs of "
"high dynamic range scenes end up with a sprinkling of highlight and shadow "
"pixels that contains essentially no useful information. The easiest thing to "
"do with such pixels is to use the Exposure operation to set the desired "
"black and white points, and then clip the resulting out of gamut channel "
"information."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:594(para)
msgid ""
"<emphasis role=\"bold\">Useless highlight information:</emphasis> For the "
"“Power lines” picture shown in Figure 8 above, after applying "
"<menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice>, a "
"measly 48 pixels occupied nearly half the tonal range (see the histogram to "
"the right). A little investigation with GIMP’s Threshold tool revealed that "
"all 48 pixels are the peak values of specular highlights on the ceramic "
"insulators on the power line pole in the foreground."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:612(para)
msgid ""
"In cases where nearly half the histogram is occupied by a sprinkling of "
"specular highlights, clipping the pixels is often the best and easiest "
"solution. For the “Power lines” image, the 48 pixels in question carried "
"essentially zero information. Use <menuchoice><guimenu>Colors</"
"guimenu><guimenuitem>Exposure…</guimenuitem></menuchoice> to raise the white "
"point, and then <menuchoice><guimenu>Colors</guimenu><guimenuitem>RGB Clip…</"
"guimenuitem></menuchoice> to actually clip the channel information in the "
"highlights (this time making sure the <guilabel>Clip high pixel values</"
"guilabel> box was checked)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:626(para)
msgid ""
"<emphasis role=\"bold\">Useless shadow information:</emphasis> Some raw "
"processors can output images with negative channel values. And previous "
"edits using high bit depth GIMP might have produced negative channel values. "
"If doing <menuchoice><guimenu>Colors</guimenu><guisubmenu>Auto</"
"guisubmenu><guimenuitem>Stretch Contrast…</guimenuitem></menuchoice> on your "
"base image layer makes the image a whole lot lighter in the shadows, the "
"problem is negative RGB channel values. One solution is to use "
"<menuchoice><guimenu>Colors</guimenu><guimenuitem>Exposure…</guimenuitem></"
"menuchoice> to move the black point to where you want it to be, and then "
"clip the negative channel values. Here are two ways to clip negative channel "
"values:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:643(para)
msgid ""
"Use <menuchoice><guimenu>Colors</guimenu><guimenuitem>RGB Clip…</"
"guimenuitem></menuchoice>, making sure to uncheck the <guilabel>Clip high "
"pixel values</guilabel> box."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:650(para)
msgid ""
"Or else create a solid black layer above your base image layer, set the "
"blend mode to “Lighten only”, and make a “New from Visible” layer."
msgstr ""

#. 6
#: src/appendix/tone-mapping-tutorial.xml:661(para)
msgid ""
"<emphasis role=\"bold\">Blurring the mask to restore micro contrast:</"
"emphasis> Putting an inverse mask on a layer that’s used to add positive "
"exposure compensation necessarily slightly flattens micro contrast. "
"Depending on your artistic intentions for the image, you might want to blur "
"the mask to restore micro contrast. The trick is how to blur the mask "
"without introducing “halos” around the edges of objects in the image. Small "
"radius Gaussian blurs produce small but distressingly obvious halos around "
"dark edges. A large radius gaussian blur sometimes works but just as often "
"produces a large obvious halo separating the brighter and darker portions of "
"the image. For many images a better solution is to blur the mask use an edge-"
"respecting filter such as the GIMP G’MIC bilateral smooth filter:"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:676(para)
msgid ""
"Adding exposure compensation with and without bilateral smoothing of the "
"mask."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:680(emphasis)
msgid "Figure 9"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:688(emphasis)
msgid ""
"Without applying bilateral smoothing to the mask, micro contrast is "
"flattened."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:699(emphasis)
msgid ""
"After applying bilateral smoothing to the mask, micro contrast is restored."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:703(para)
msgid ""
"Adding exposure compensation combined with an inverse grayscale mask does "
"flatten micro contrast, which might or might not be desirable depending on "
"your artistic intentions for the image. To restore micro contrast, try using "
"an edge-respecting blur such as G’MIC’s bilateral smoothing filter. GIMP "
"G’MIC doesn’t work on layer masks. A workaround is to turn the unblurred "
"mask into a selection, save the selection as a channel, and then drag the "
"channel to the layer stack for blurring."
msgstr ""

#. 7
#: src/appendix/tone-mapping-tutorial.xml:715(para)
msgid ""
"An essential component of the procedure for using the Exposure operation to "
"add positive exposure compensation to images with dark shadows and midtones "
"needs to be explicitly mentioned: Not only is the high bit depth GIMP’s "
"Exposure operation unbounded at floating point precision — <ulink "
"url=\"https://gitlab.gnome.org/GNOME/gimp/-/issues/595\">layer masks are "
"also unbounded</ulink>."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:724(para)
msgid ""
"If the inverted grayscale masks were summarily clipped (as is the case when "
"editing at integer precision), then the procedure described in this tutorial "
"wouldn’t work."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:733(title)
msgid "Conclusion"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:734(para)
msgid ""
"Photographs taken in bright direct sunlight typically are of high dynamic "
"range scenes, and the resulting camera file usually requires careful tone "
"mapping to produce a satisfactory final image. High bit depth GIMP’s "
"floating point Exposure operation provides a very useful tool for dealing "
"with this type of image, and of course is equally useful for any image where "
"the goal is to raise the shadows and midtones without blowing out the "
"highlights."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:743(para)
msgid ""
"High bit depth GIMP’s floating point Exposure operation combined with a "
"suitable layer mask can also be used to darken portions of the image, either "
"by moving the upper left Value slider to the right (darkens the image by "
"increasing contrast and also increases saturation; requires careful masking "
"to avoid producing regions of solid black), or moving the lower right Value "
"slider to the left (darkens the image by decreasing contrast, useful for de-"
"emphasizing portions of the image)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:752(para)
msgid ""
"This is a GIMP-specific tutorial. However, the same technique can be "
"employed using the PhotoFlow raw processor and possibly other image editors "
"that allow for 32-bit floating point processing using unbounded RGB channel "
"values. The neat thing about using this technique in PhotoFlow is that "
"PhotoFlow uses nodes, which allows for completely non-destructive editing of "
"the inverted grayscale mask that’s used to recover the highlight detail "
"after applying positive exposure compensation to raise the tonality of the "
"shadows and midtones (even if you close and reopen the image, if you save "
"the image’s PFI file)."
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:764(subscript)
msgid ""
"The original tutorial this was adapted from can be and is reproduced "
"courtesy of Elle Stone"
msgstr ""

#: src/appendix/tone-mapping-tutorial.xml:770(subscript)
msgid ""
"GIMP Tutorial - Tone Mapping Using GIMP Levels (text and images) by Elle "
"Stone is licensed under a Creative Commons Attribution-ShareAlike 3.0 "
"Unported License."
msgstr ""

#: src/appendix/fdl.xml:10(title)
msgid "GNU Free Documentation License"
msgstr "GNU 자유 사용 허가서"

#: src/appendix/fdl.xml:11(subtitle)
msgid "Version 1.2, November 2002"
msgstr "버전 1.2, 2002년 11월"

#. NOTE TO TRANSLATORS:
#.
#.      Replace the text in the msgid with the text here below.
#.      Do NOT translate the content of the para tags, neither
#.      the text here below.
#.      This text must not be translated but kept in english as it is,
#.      only the <YOUR LANGUAGE> tags should be changed, but not translated,
#.      to fit your own language:
#.
#.      "This is an unofficial translation of the GNU Free Documentation
#.      License into <YOUR LANGUAGE>. It was not published by the Free
#.      Software Foundation, and does not legally state the distribution terms
#.      for software that uses the GNU FDL-only the <ulink
#.      url="../en/legal.html">original English text of the GNU FDL</ulink>
#.      does that. However, we hope that this translation will help <YOUR
#.      LANGUAGE> speakers understand the GNU FDL better."
#: src/appendix/fdl.xml:32(para)
msgid ""
"Note that any translations of the GNU Free Documentation License are not "
"published by the Free Software Foundation, and do not legally state the "
"distribution terms for software that uses the GNU FDL-only the original "
"English text of the GNU FDL does that."
msgstr ""

#. NOTE TO TRANSLATORS:
#.
#.      Replace the text in the msgid with the translation of this piece
#.      of text:
#.
#.      "This is an unofficial translation of the GNU Free Documentation
#.      License into <YOUR LANGUAGE>. It was not published by the Free
#.      Software Foundation, and does not legally state the distribution terms
#.      for software that uses the GNU FDL-only the <ulink
#.      url="../en/legal.html">original English text of the GNU FDL</ulink>
#.      does that. However, we hope that this translation will help <YOUR
#.      LANGUAGE> speakers understand the GNU FDL better."
#: src/appendix/fdl.xml:52(para)
msgid "The <acronym>GIMP</acronym> Documentation Team"
msgstr "<acronym>김프</acronym> 문서팀"

#: src/appendix/fdl.xml:56(para)
msgid ""
"Copyright (C) 2000,2001,2002 Free Software Foundation, Inc. 59 Temple Place, "
"Suite 330, Boston, MA 02111-1307 USA. Everyone is permitted to copy and "
"distribute verbatim copies of this license document, but changing it is not "
"allowed."
msgstr ""

#: src/appendix/fdl.xml:65(title)
msgid "PREAMBLE"
msgstr ""

#: src/appendix/fdl.xml:66(para)
msgid ""
"The purpose of this License is to make a manual, textbook, or other "
"functional and useful document <quote>free</quote> in the sense of freedom: "
"to assure everyone the effective freedom to copy and redistribute it, with "
"or without modifying it, either commercially or noncommercially. "
"Secondarily, this License preserves for the author and publisher a way to "
"get credit for their work, while not being considered responsible for "
"modifications made by others."
msgstr ""

#: src/appendix/fdl.xml:75(para)
msgid ""
"This License is a kind of <quote>copyleft</quote>, which means that "
"derivative works of the document must themselves be free in the same sense. "
"It complements the GNU General Public License, which is a copyleft license "
"designed for free software."
msgstr ""

#: src/appendix/fdl.xml:81(para)
msgid ""
"We have designed this License in order to use it for manuals for free "
"software, because free software needs free documentation: a free program "
"should come with manuals providing the same freedoms that the software does. "
"But this License is not limited to software manuals; it can be used for any "
"textual work, regardless of subject matter or whether it is published as a "
"printed book. We recommend this License principally for works whose purpose "
"is instruction or reference."
msgstr ""

#: src/appendix/fdl.xml:92(title)
msgid "APPLICABILITY AND DEFINITIONS"
msgstr "적용 및 정의"

#: src/appendix/fdl.xml:93(para)
msgid ""
"This License applies to any manual or other work, in any medium, that "
"contains a notice placed by the copyright holder saying it can be "
"distributed under the terms of this License. Such a notice grants a world-"
"wide, royalty-free license, unlimited in duration, to use that work under "
"the conditions stated herein. The <quote>Document</quote>, below, refers to "
"any such manual or work. Any member of the public is a licensee, and is "
"addressed as <quote>you</quote>. You accept the license if you copy, modify "
"or distribute the work in a way requiring permission under copyright law."
msgstr ""

#: src/appendix/fdl.xml:104(para)
msgid ""
"A <quote>Modified Version</quote> of the Document means any work containing "
"the Document or a portion of it, either copied verbatim, or with "
"modifications and/or translated into another language."
msgstr ""

#: src/appendix/fdl.xml:110(para)
msgid ""
"A <quote>Secondary Section</quote> is a named appendix or a front-matter "
"section of the Document that deals exclusively with the relationship of the "
"publishers or authors of the Document to the Document's overall subject (or "
"to related matters) and contains nothing that could fall directly within "
"that overall subject. (Thus, if the Document is in part a textbook of "
"mathematics, a Secondary Section may not explain any mathematics.) The "
"relationship could be a matter of historical connection with the subject or "
"with related matters, or of legal, commercial, philosophical, ethical or "
"political position regarding them."
msgstr ""

#: src/appendix/fdl.xml:122(para)
msgid ""
"The <quote>Invariant Sections</quote> are certain Secondary Sections whose "
"titles are designated, as being those of Invariant Sections, in the notice "
"that says that the Document is released under this License. If a section "
"does not fit the above definition of Secondary then it is not allowed to be "
"designated as Invariant. The Document may contain zero Invariant Sections. "
"If the Document does not identify any Invariant Sections then there are none."
msgstr ""

#: src/appendix/fdl.xml:131(para)
msgid ""
"The <quote>Cover Texts</quote> are certain short passages of text that are "
"listed, as Front-Cover Texts or Back-Cover Texts, in the notice that says "
"that the Document is released under this License. A Front-Cover Text may be "
"at most 5 words, and a Back-Cover Text may be at most 25 words."
msgstr ""

#: src/appendix/fdl.xml:139(para)
msgid ""
"A <quote>Transparent</quote> copy of the Document means a machine-readable "
"copy, represented in a format whose specification is available to the "
"general public, that is suitable for revising the document straightforwardly "
"with generic text editors or (for images composed of pixels) generic paint "
"programs or (for drawings) some widely available drawing editor, and that is "
"suitable for input to text formatters or for automatic translation to a "
"variety of formats suitable for input to text formatters. A copy made in an "
"otherwise Transparent file format whose markup, or absence of markup, has "
"been arranged to thwart or discourage subsequent modification by readers is "
"not Transparent. An image format is not Transparent if used for any "
"substantial amount of text. A copy that is not <quote>Transparent</quote> is "
"called <quote>Opaque</quote>."
msgstr ""

#: src/appendix/fdl.xml:154(para)
msgid ""
"Examples of suitable formats for Transparent copies include plain ASCII "
"without markup, Texinfo input format, LaTeX input format, SGML or XML using "
"a publicly available DTD, and standard-conforming simple HTML, PostScript or "
"PDF designed for human modification. Examples of transparent image formats "
"include PNG, XCF and JPG. Opaque formats include proprietary formats that "
"can be read and edited only by proprietary word processors, SGML or XML for "
"which the DTD and/or processing tools are not generally available, and the "
"machine-generated HTML, PostScript or PDF produced by some word processors "
"for output purposes only."
msgstr ""

#: src/appendix/fdl.xml:166(para)
msgid ""
"The <quote>Title Page</quote> means, for a printed book, the title page "
"itself, plus such following pages as are needed to hold, legibly, the "
"material this License requires to appear in the title page. For works in "
"formats which do not have any title page as such, <quote>Title Page</quote> "
"means the text near the most prominent appearance of the work's title, "
"preceding the beginning of the body of the text."
msgstr ""

#: src/appendix/fdl.xml:176(para)
msgid ""
"A section <quote>Entitled XYZ</quote> means a named subunit of the Document "
"whose title either is precisely XYZ or contains XYZ in parentheses following "
"text that translates XYZ in another language. (Here XYZ stands for a "
"specific section name mentioned below, such as <quote>Acknowledgements</"
"quote>, <quote>Dedications</quote>, <quote>Endorsements</quote>, or "
"<quote>History</quote>.) To <quote>Preserve the Title</quote> of such a "
"section when you modify the Document means that it remains a section "
"<quote>Entitled XYZ</quote> according to this definition."
msgstr ""

#: src/appendix/fdl.xml:187(para)
msgid ""
"The Document may include Warranty Disclaimers next to the notice which "
"states that this License applies to the Document. These Warranty Disclaimers "
"are considered to be included by reference in this License, but only as "
"regards disclaiming warranties: any other implication that these Warranty "
"Disclaimers may have is void and has no effect on the meaning of this "
"License."
msgstr ""

#: src/appendix/fdl.xml:197(title)
msgid "VERBATIM COPYING"
msgstr "동일 복사"

#: src/appendix/fdl.xml:198(para)
msgid ""
"You may copy and distribute the Document in any medium, either commercially "
"or noncommercially, provided that this License, the copyright notices, and "
"the license notice saying this License applies to the Document are "
"reproduced in all copies, and that you add no other conditions whatsoever to "
"those of this License. You may not use technical measures to obstruct or "
"control the reading or further copying of the copies you make or distribute. "
"However, you may accept compensation in exchange for copies. If you "
"distribute a large enough number of copies you must also follow the "
"conditions in <link linkend=\"gfdl-3\">section 4</link>."
msgstr ""

#: src/appendix/fdl.xml:210(para)
msgid ""
"You may also lend copies, under the same conditions stated above, and you "
"may publicly display copies."
msgstr ""

#: src/appendix/fdl.xml:216(title)
msgid "COPYING IN QUANTITY"
msgstr "대량 복제"

#: src/appendix/fdl.xml:217(para)
msgid ""
"If you publish printed copies (or copies in media that commonly have printed "
"covers) of the Document, numbering more than 100, and the Document's license "
"notice requires Cover Texts, you must enclose the copies in covers that "
"carry, clearly and legibly, all these Cover Texts: Front-Cover Texts on the "
"front cover, and Back-Cover Texts on the back cover. Both covers must also "
"clearly and legibly identify you as the publisher of these copies. The front "
"cover must present the full title with all words of the title equally "
"prominent and visible. You may add other material on the covers in addition. "
"Copying with changes limited to the covers, as long as they preserve the "
"title of the Document and satisfy these conditions, can be treated as "
"verbatim copying in other respects."
msgstr ""

#: src/appendix/fdl.xml:231(para)
msgid ""
"If the required texts for either cover are too voluminous to fit legibly, "
"you should put the first ones listed (as many as fit reasonably) on the "
"actual cover, and continue the rest onto adjacent pages."
msgstr ""

#: src/appendix/fdl.xml:237(para)
msgid ""
"If you publish or distribute Opaque copies of the Document numbering more "
"than 100, you must either include a machine-readable Transparent copy along "
"with each Opaque copy, or state in or with each Opaque copy a computer-"
"network location from which the general network-using public has access to "
"download using public-standard network protocols a complete Transparent copy "
"of the Document, free of added material. If you use the latter option, you "
"must take reasonably prudent steps, when you begin distribution of Opaque "
"copies in quantity, to ensure that this Transparent copy will remain thus "
"accessible at the stated location until at least one year after the last "
"time you distribute an Opaque copy (directly or through your agents or "
"retailers) of that edition to the public."
msgstr ""

#: src/appendix/fdl.xml:251(para)
msgid ""
"It is requested, but not required, that you contact the authors of the "
"Document well before redistributing any large number of copies, to give them "
"a chance to provide you with an updated version of the Document."
msgstr ""

#: src/appendix/fdl.xml:258(title)
msgid "MODIFICATIONS"
msgstr "변경"

#: src/appendix/fdl.xml:259(para)
msgid ""
"You may copy and distribute a Modified Version of the Document under the "
"conditions of sections <link linkend=\"gfdl-2\">3</link> and <link "
"linkend=\"gfdl-3\">4</link> above, provided that you release the Modified "
"Version under precisely this License, with the Modified Version filling the "
"role of the Document, thus licensing distribution and modification of the "
"Modified Version to whoever possesses a copy of it. In addition, you must do "
"these things in the Modified Version:"
msgstr ""

#: src/appendix/fdl.xml:271(simpara)
msgid ""
"Use in the Title Page (and on the covers, if any) a title distinct from that "
"of the Document, and from those of previous versions (which should, if there "
"were any, be listed in the History section of the Document). You may use the "
"same title as a previous version if the original publisher of that version "
"gives permission."
msgstr ""

#: src/appendix/fdl.xml:280(simpara)
msgid ""
"List on the Title Page, as authors, one or more persons or entities "
"responsible for authorship of the modifications in the Modified Version, "
"together with at least five of the principal authors of the Document (all of "
"its principal authors, if it has fewer than five), unless they release you "
"from this requirement."
msgstr ""

#: src/appendix/fdl.xml:289(simpara)
msgid ""
"State on the Title page the name of the publisher of the Modified Version, "
"as the publisher."
msgstr ""

#: src/appendix/fdl.xml:295(simpara)
msgid "Preserve all the copyright notices of the Document."
msgstr ""

#: src/appendix/fdl.xml:298(simpara)
msgid ""
"Add an appropriate copyright notice for your modifications adjacent to the "
"other copyright notices."
msgstr ""

#: src/appendix/fdl.xml:304(simpara)
msgid ""
"Include, immediately after the copyright notices, a license notice giving "
"the public permission to use the Modified Version under the terms of this "
"License, in the form shown in the <link linkend=\"gfdl-addendum\">Addendum</"
"link> below."
msgstr ""

#: src/appendix/fdl.xml:313(simpara)
msgid ""
"Preserve in that license notice the full lists of Invariant Sections and "
"required Cover Texts given in the Document's license notice."
msgstr ""

#: src/appendix/fdl.xml:319(simpara)
msgid "Include an unaltered copy of this License."
msgstr ""

#: src/appendix/fdl.xml:322(simpara)
msgid ""
"Preserve the section Entitled <quote>History</quote>, Preserve its Title, "
"and add to it an item stating at least the title, year, new authors, and "
"publisher of the Modified Version as given on the Title Page. If there is no "
"section Entitled <quote>History</quote> in the Document, create one stating "
"the title, year, authors, and publisher of the Document as given on its "
"Title Page, then add an item describing the Modified Version as stated in "
"the previous sentence."
msgstr ""

#: src/appendix/fdl.xml:335(simpara)
msgid ""
"Preserve the network location, if any, given in the Document for public "
"access to a Transparent copy of the Document, and likewise the network "
"locations given in the Document for previous versions it was based on. These "
"may be placed in the <quote>History</quote> section. You may omit a network "
"location for a work that was published at least four years before the "
"Document itself, or if the original publisher of the version it refers to "
"gives permission."
msgstr ""

#: src/appendix/fdl.xml:347(simpara)
msgid ""
"For any section Entitled <quote>Acknowledgements</quote> or "
"<quote>Dedications</quote>, Preserve the Title of the section, and preserve "
"in the section all the substance and tone of each of the contributor "
"acknowledgements and/or dedications given therein."
msgstr ""

#: src/appendix/fdl.xml:356(simpara)
msgid ""
"Preserve all the Invariant Sections of the Document, unaltered in their text "
"and in their titles. Section numbers or the equivalent are not considered "
"part of the section titles."
msgstr ""

#: src/appendix/fdl.xml:363(simpara)
msgid ""
"Delete any section Entitled <quote>Endorsements</quote>. Such a section may "
"not be included in the Modified Version."
msgstr ""

#: src/appendix/fdl.xml:369(simpara)
msgid ""
"Do not retitle any existing section to be Entitled <quote>Endorsements</"
"quote> or to conflict in title with any Invariant Section."
msgstr ""

#: src/appendix/fdl.xml:376(simpara)
msgid "Preserve any Warranty Disclaimers."
msgstr ""

#: src/appendix/fdl.xml:379(para)
msgid ""
"If the Modified Version includes new front-matter sections or appendices "
"that qualify as Secondary Sections and contain no material copied from the "
"Document, you may at your option designate some or all of these sections as "
"invariant. To do this, add their titles to the list of Invariant Sections in "
"the Modified Version's license notice. These titles must be distinct from "
"any other section titles."
msgstr ""

#: src/appendix/fdl.xml:387(para)
msgid ""
"You may add a section Entitled <quote>Endorsements</quote>, provided it "
"contains nothing but endorsements of your Modified Version by various "
"parties-for example, statements of peer review or that the text has been "
"approved by an organization as the authoritative definition of a standard."
msgstr ""

#: src/appendix/fdl.xml:394(para)
msgid ""
"You may add a passage of up to five words as a Front-Cover Text, and a "
"passage of up to 25 words as a Back-Cover Text, to the end of the list of "
"Cover Texts in the Modified Version. Only one passage of Front-Cover Text "
"and one of Back-Cover Text may be added by (or through arrangements made by) "
"any one entity. If the Document already includes a cover text for the same "
"cover, previously added by you or by arrangement made by the same entity you "
"are acting on behalf of, you may not add another; but you may replace the "
"old one, on explicit permission from the previous publisher that added the "
"old one."
msgstr ""

#: src/appendix/fdl.xml:406(para)
msgid ""
"The author(s) and publisher(s) of the Document do not by this License give "
"permission to use their names for publicity for or to assert or imply "
"endorsement of any Modified Version."
msgstr ""

#: src/appendix/fdl.xml:413(title)
msgid "COMBINING DOCUMENTS"
msgstr "문서 병합"

#: src/appendix/fdl.xml:414(para)
msgid ""
"You may combine the Document with other documents released under this "
"License, under the terms defined in <link linkend=\"gfdl-4\">section 5 </"
"link> above for modified versions, provided that you include in the "
"combination all of the Invariant Sections of all of the original documents, "
"unmodified, and list them all as Invariant Sections of your combined work in "
"its license notice, and that you preserve all their Warranty Disclaimers."
msgstr ""

#: src/appendix/fdl.xml:423(para)
msgid ""
"The combined work need only contain one copy of this License, and multiple "
"identical Invariant Sections may be replaced with a single copy. If there "
"are multiple Invariant Sections with the same name but different contents, "
"make the title of each such section unique by adding at the end of it, in "
"parentheses, the name of the original author or publisher of that section if "
"known, or else a unique number. Make the same adjustment to the section "
"titles in the list of Invariant Sections in the license notice of the "
"combined work."
msgstr ""

#: src/appendix/fdl.xml:433(para)
msgid ""
"In the combination, you must combine any sections Entitled <quote>History</"
"quote> in the various original documents, forming one section Entitled "
"<quote>History</quote>; likewise combine any sections Entitled "
"<quote>Acknowledgements</quote>, and any sections Entitled "
"<quote>Dedications</quote>. You must delete all sections Entitled "
"<quote>Endorsements</quote>."
msgstr ""

#: src/appendix/fdl.xml:443(title)
msgid "COLLECTIONS OF DOCUMENTS"
msgstr "문서 수집"

#: src/appendix/fdl.xml:444(para)
msgid ""
"You may make a collection consisting of the Document and other documents "
"released under this License, and replace the individual copies of this "
"License in the various documents with a single copy that is included in the "
"collection, provided that you follow the rules of this License for verbatim "
"copying of each of the documents in all other respects."
msgstr ""

#: src/appendix/fdl.xml:451(para)
msgid ""
"You may extract a single document from such a collection, and distribute it "
"individually under this License, provided you insert a copy of this License "
"into the extracted document, and follow this License in all other respects "
"regarding verbatim copying of that document."
msgstr ""

#: src/appendix/fdl.xml:459(title)
msgid "AGGREGATION WITH INDEPENDENT WORKS"
msgstr ""

#: src/appendix/fdl.xml:460(para)
msgid ""
"A compilation of the Document or its derivatives with other separate and "
"independent documents or works, in or on a volume of a storage or "
"distribution medium, is called an <quote>aggregate</quote> if the copyright "
"resulting from the compilation is not used to limit the legal rights of the "
"compilation's users beyond what the individual works permit. When the "
"Document is included in an aggregate, this License does not apply to the "
"other works in the aggregate which are not themselves derivative works of "
"the Document."
msgstr ""

#: src/appendix/fdl.xml:470(para)
msgid ""
"If the Cover Text requirement of <link linkend=\"gfdl-3\">section 4</link> "
"is applicable to these copies of the Document, then if the Document is less "
"than one half of the entire aggregate, the Document's Cover Texts may be "
"placed on covers that bracket the Document within the aggregate, or the "
"electronic equivalent of covers if the Document is in electronic form. "
"Otherwise they must appear on printed covers that bracket the whole "
"aggregate."
msgstr ""

#: src/appendix/fdl.xml:481(title)
msgid "TRANSLATION"
msgstr "번역"

#: src/appendix/fdl.xml:482(para)
msgid ""
"Translation is considered a kind of modification, so you may distribute "
"translations of the Document under the terms of <link "
"linkend=\"gfdl-4\">section 5</link>. Replacing Invariant Sections with "
"translations requires special permission from their copyright holders, but "
"you may include translations of some or all Invariant Sections in addition "
"to the original versions of these Invariant Sections. You may include a "
"translation of this License, and all the license notices in the Document, "
"and any Warranty Disclaimers, provided that you also include the original "
"English version of this License and the original versions of those notices "
"and disclaimers. In case of a disagreement between the translation and the "
"original version of this License or a notice or disclaimer, the original "
"version will prevail."
msgstr ""

#: src/appendix/fdl.xml:497(para)
msgid ""
"If a section in the Document is Entitled <quote>Acknowledgements</quote>, "
"<quote>Dedications</quote>, or <quote>History</quote>, the requirement "
"(<link linkend=\"gfdl-4\">section 5</link>) to Preserve its Title (<link "
"linkend=\"gfdl-1\">section 2</link>) will typically require changing the "
"actual title."
msgstr ""

#: src/appendix/fdl.xml:506(title)
msgid "TERMINATION"
msgstr ""

#: src/appendix/fdl.xml:507(para)
msgid ""
"You may not copy, modify, sublicense, or distribute the Document except as "
"expressly provided for under this License. Any other attempt to copy, "
"modify, sublicense or distribute the Document is void, and will "
"automatically terminate your rights under this License. However, parties who "
"have received copies, or rights, from you under this License will not have "
"their licenses terminated so long as such parties remain in full compliance."
msgstr ""

#: src/appendix/fdl.xml:518(title)
msgid "FUTURE REVISIONS OF THIS LICENSE"
msgstr ""

#: src/appendix/fdl.xml:519(para)
msgid ""
"The Free Software Foundation may publish new, revised versions of the GNU "
"Free Documentation License from time to time. Such new versions will be "
"similar in spirit to the present version, but may differ in detail to "
"address new problems or concerns. See <ulink url=\"https://www.gnu.org/"
"copyleft/\">https://www.gnu.org/copyleft/</ulink>."
msgstr ""

#: src/appendix/fdl.xml:527(para)
msgid ""
"Each version of the License is given a distinguishing version number. If the "
"Document specifies that a particular numbered version of this License "
"<quote>or any later version</quote> applies to it, you have the option of "
"following the terms and conditions either of that specified version or of "
"any later version that has been published (not as a draft) by the Free "
"Software Foundation. If the Document does not specify a version number of "
"this License, you may choose any version ever published (not as a draft) by "
"the Free Software Foundation."
msgstr ""

#: src/appendix/fdl.xml:539(title)
msgid "ADDENDUM: How to use this License for your documents"
msgstr ""

#: src/appendix/fdl.xml:540(para)
msgid ""
"To use this License in a document you have written, include a copy of the "
"License in the document and put the following copyright and license notices "
"just after the title page:"
msgstr ""

#: src/appendix/fdl.xml:546(para)
msgid ""
"Copyright (c) YEAR YOUR NAME. Permission is granted to copy, distribute and/"
"or modify this document under the terms of the GNU Free Documentation "
"License, Version 1.2 or any later version published by the Free Software "
"Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-"
"Cover Texts. A copy of the license is included in the section entitled "
"<quote>GNU Free Documentation License</quote>."
msgstr ""

#: src/appendix/fdl.xml:556(para)
msgid ""
"If you have Invariant Sections, Front-Cover Texts and Back-Cover Texts, "
"replace the <quote>with...Texts.</quote> line with this:"
msgstr ""

#: src/appendix/fdl.xml:561(para)
msgid ""
"with the Invariant Sections being LIST THEIR TITLES, with the Front-Cover "
"Texts being LIST, and with the Back-Cover Texts being LIST."
msgstr ""

#: src/appendix/fdl.xml:567(para)
msgid ""
"If you have Invariant Sections without Cover Texts, or some other "
"combination of the three, merge those two alternatives to suit the situation."
msgstr ""

#: src/appendix/fdl.xml:572(para)
msgid ""
"If your document contains nontrivial examples of program code, we recommend "
"releasing these examples in parallel under your choice of free software "
"license, such as the GNU General Public License, to permit their use in free "
"software."
msgstr ""

#. When image changes, this message will be marked fuzzy or untranslated for you.
#. It doesn't matter what you translate it to: it's not used at all.
#: src/appendix/contributing.xml:440(None)
msgid ""
"@@image: 'images/contribute/xml-tags.png'; "
"md5=6b7e682efd4abdaf4694086de617e0a8"
msgstr ""

#. TO TRANSLATORS: No need to translate this document since only English
#.     knowing peoples can contribute
#: src/appendix/contributing.xml:11(title)
msgid "How to Contribute"
msgstr ""

#: src/appendix/contributing.xml:14(primary) src/appendix/bugs.xml:15(primary)
#: src/appendix/bibliography.xml:259(abbrev)
msgid "GIMP"
msgstr "김프"

#: src/appendix/contributing.xml:15(secondary)
msgid "How to contribute"
msgstr ""

#: src/appendix/contributing.xml:17(para)
msgid "Welcome to the GIMP-Help team!"
msgstr ""

#: src/appendix/contributing.xml:21(para)
msgid ""
"This tutorial is intended for writing documentation. If you want to "
"<emphasis>translate</emphasis> the documentation or the user interface, "
"please go to \"https://l10n.gnome.org/teams/xx\" where \"xx\" is your "
"language code: ISO 639-1 language codes can be found at <ulink url=\"https://"
"www.loc.gov/standards/iso639-2/php/code_list.php\"/>."
msgstr ""

#: src/appendix/contributing.xml:30(title)
msgid "Prerequisites"
msgstr ""

#: src/appendix/contributing.xml:33(title)
msgid "Join Discourse"
msgstr ""

#: src/appendix/contributing.xml:34(para)
msgid ""
"You can join <ulink url=\"https://discourse.gnome.org/\">Gnome's Discourse "
"server</ulink> and subscribe to the <ulink url=\"https://discourse.gnome.org/"
"tag/gimp\">gimp</ulink> and <ulink url=\"https://discourse.gnome.org/tag/"
"documentation\">documentation</ulink> tags. Please, feel free to ask "
"questions. If you do, remember to set the relevant tags, or we may not see "
"the message."
msgstr ""

#: src/appendix/contributing.xml:44(title)
msgid "Create a Local Working Copy of Code"
msgstr ""

#: src/appendix/contributing.xml:45(para)
msgid ""
"The GIMP help Manual is lodged in a central repository at https://"
"gitlab.gnome.org/GNOME/gimp-help. Creating a local copy of this repository "
"to work on makes sure that everyone can work on his own without fuzzing "
"around into works of other contributors."
msgstr ""

#: src/appendix/contributing.xml:51(para)
msgid ""
"As a newbie, you will access the git repository anonymously (without an "
"account). Open a terminal and type: <emphasis> git clone https://"
"gitlab.gnome.org/GNOME/gimp-help.git </emphasis>."
msgstr ""

#: src/appendix/contributing.xml:58(para)
msgid ""
"If you have a GNOME account, the command is: <emphasis> git clone "
"git@gitlab.gnome.org:GNOME/gimp-help.git </emphasis>."
msgstr ""

#: src/appendix/contributing.xml:64(para)
msgid ""
"This will create a <quote>gimp-help</quote> folder in your current "
"directory. Be patient! That's a big download: about 700 MB."
msgstr ""

#: src/appendix/contributing.xml:71(title)
msgid "Installing your sandbox"
msgstr ""

#: src/appendix/contributing.xml:72(para)
msgid ""
"After downloading your local copy, run: <emphasis>cd gimp-help</emphasis> "
"then <emphasis>./autogen.sh --without-gimp ALL_LINGUAS=\"en xx\"</emphasis>."
msgstr ""

#: src/appendix/contributing.xml:78(para)
msgid ""
"When running ./autogen.sh, you can notice some not found packages, for "
"example <quote>checking for dblatex... no</quote>. Most of them are related "
"to PDF files and you have to install them before running ./autogen.sh again "
"if you want to create PDF files."
msgstr ""

#: src/appendix/contributing.xml:87(title)
msgid "The gimp-help folder"
msgstr ""

#: src/appendix/contributing.xml:88(para)
msgid ""
"The GIMP User Manual is maintained in the xml files of the <quote>src</"
"quote> folder. You will use these xml files to work on."
msgstr ""

#: src/appendix/contributing.xml:96(title)
msgid "Workflow"
msgstr ""

#: src/appendix/contributing.xml:98(title)
#, fuzzy
msgid "Writing"
msgstr "스크립트"

#: src/appendix/contributing.xml:99(para)
msgid "The language is English (USA)."
msgstr ""

#: src/appendix/contributing.xml:107(para)
msgid "English-US language."
msgstr ""

#: src/appendix/contributing.xml:112(para)
msgid ""
"Indent with 2 spaces (the <keycap>Tab</keycap> key must move pointer by two "
"spaces)."
msgstr ""

#: src/appendix/contributing.xml:118(para)
msgid ""
"Replace tabs with spaces (for compatibility with all text editors and web "
"browsers)."
msgstr ""

#: src/appendix/contributing.xml:124(para)
msgid "80 characters per line."
msgstr ""

#: src/appendix/contributing.xml:129(para)
msgid "Automatic spell checking with English (USA) for default language."
msgstr ""

#: src/appendix/contributing.xml:102(para)
msgid ""
"To edit XML files, use your preferred text editor (this guide's author "
"prefers the free editor Kate). You must set the editor for: <placeholder-1/>"
msgstr ""

#: src/appendix/contributing.xml:137(para)
msgid ""
"Source files are written in the XML language according to the DocBook DTD. "
"DocBook specifications can be found at <ulink url=\"https://tdg.docbook.org/"
"tdg/4.5/docbook.html\"/>."
msgstr ""

#: src/appendix/contributing.xml:143(para)
msgid ""
"Don't be afraid. We don't use all these items and you will learn XML "
"progressively reading existing XML files. For new files, please use the "
"templates you can find in the gimp-help/docs/templates folder."
msgstr ""

#: src/appendix/contributing.xml:150(para)
msgid ""
"If you write a new file, you must add it in the src/gimp.xml file, or in the "
"XML file that calls it (for example, the src/menus/edit.xml file calls "
"undo.xml, redo.xml, fade.xml, and so on)."
msgstr ""

#: src/appendix/contributing.xml:160(title)
msgid "Validating"
msgstr ""

#: src/appendix/contributing.xml:165(para)
msgid ""
"For a single file, you can use the following command line: <command>xmllint "
"--noout --nonet --valid your-file.xml</command>. This command displays "
"nothing if your file is OK. When an error is found it will show a message "
"indicating the kind of error and where in your file it was encountered."
msgstr ""

#: src/appendix/contributing.xml:172(para)
msgid ""
"This command can be used for quickly checking an xml file. It can miss or "
"may not find some errors. In case of external references to other files it "
"also may show incorrect error messages, because this command only checks a "
"single file."
msgstr ""

#: src/appendix/contributing.xml:178(para)
msgid ""
"(The Kate editor has an option (a plug-in) to validate the active xml file.)"
msgstr ""

#: src/appendix/contributing.xml:184(para)
msgid ""
"When you want to check multiple files or the whole gimp-help repository you "
"should run <command>make validate-en</command>. You should get a <quote>No "
"error</quote> message."
msgstr ""

#: src/appendix/contributing.xml:189(para)
msgid ""
"If not, a list of validity errors is displayed with line numbers referring "
"to the en.xml log file that you can find in the /log folder."
msgstr ""

#: src/appendix/contributing.xml:194(para)
msgid ""
"Open this en.xml file in a text editor, use the <quote>jump to line</quote> "
"command of your editor (the Kate editor command is <keycombo><keycap>Ctrl</"
"keycap><keycap>G</keycap></keycombo>), and enter the line number to jump to "
"the concerned line in the en.xml file. There, you will find the error."
msgstr ""

#: src/appendix/contributing.xml:202(para)
msgid ""
"If you have worked on several XML files, look above in the en.xml file to "
"find (in the <quote>xml:base</quote> field of the <quote>id</quote> tag), in "
"which xml file the error is."
msgstr ""

#: src/appendix/contributing.xml:208(para)
msgid ""
"Fix the error. Don't forget to save the file and run <command>make validate-"
"en</command> again."
msgstr ""

#: src/appendix/contributing.xml:213(para)
msgid ""
"A common mistake is editing the en.xml log file instead of the XML file."
msgstr ""

#: src/appendix/contributing.xml:161(para)
msgid ""
"When you have finished writing, you should validate your work: "
"<placeholder-1/>"
msgstr ""

#: src/appendix/contributing.xml:224(title)
msgid "Images"
msgstr ""

#: src/appendix/contributing.xml:230(para)
msgid ""
"reduce screenshot area as much as possible cropping the window manager "
"borders and disabling the help button (you can do it in the preference "
"dialog),"
msgstr ""

#: src/appendix/contributing.xml:237(para)
#, fuzzy
msgid ""
"set the image mode to indexed 255 colors <menuchoice><guimenu>Image</"
"guimenu><guisubmenu>Mode</guisubmenu><guimenuitem>Indexed</guimenuitem></"
"menuchoice>"
msgstr ""
"<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
"menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#: src/appendix/contributing.xml:245(para)
msgid ""
"This is not necessary for icons and if your image has only few colors. In "
"these cases, indexed images are bigger than non-indexed."
msgstr ""

#: src/appendix/contributing.xml:252(para)
#, fuzzy
msgid ""
"set print resolution to 144 ppi (not for small images like icons). You can "
"do this easily with GIMP from <menuchoice><guimenu>Image</"
"guimenu><guisubmenu>Print Size…</guisubmenu></menuchoice>"
msgstr ""
"<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
"menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#: src/appendix/contributing.xml:262(para)
msgid "Export images in the PNG format."
msgstr ""

#: src/appendix/contributing.xml:225(para)
msgid ""
"You also have to manage screenshots. Here are some hints for making good "
"screenshots: <placeholder-1/>"
msgstr ""

#: src/appendix/contributing.xml:269(para)
msgid ""
"Don't include English text in images. Translators can't translate it and "
"many users don't like that. Use XML captions instead, or provide a .xcf file "
"in the <menuchoice><guimenu>Docs</guimenu><guisubmenu>xcf images</"
"guisubmenu></menuchoice> folder, indicating it by a comment in the XML file: "
"<markup>&lt;!--TO TRANSLATORS: Corresponding .xcf file is in https://"
"gitlab.gnome.org/GNOME/gimp-help/tree/master/docs/xcf%20images --&gt;</"
"markup>"
msgstr ""

#: src/appendix/contributing.xml:281(para)
msgid ""
"Icons for GIMP are in <filename class=\"directory\">/usr/share/gimp//icons/</"
"filename>. GTK icons are in <filename class=\"directory\">/usr/share/icons/</"
"filename>."
msgstr ""

#: src/appendix/contributing.xml:288(para)
msgid ""
"To include an icon in the text: <markup> &lt;guiicon&gt; "
"&lt;inlinemediaobject&gt; &lt;imageobject&gt; &lt;imagedata fileref=\"path-"
"to-icon\"/&gt; &lt;/imageobject&gt; &lt;/inlinemediaobject&gt; &lt;/"
"guiicon&gt; </markup>"
msgstr ""

#: src/appendix/contributing.xml:301(para)
msgid ""
"<command>make check-image-resolutions-en</command>: gives the references of "
"images whose resolution is not 144 ppi."
msgstr ""

#: src/appendix/contributing.xml:307(para)
msgid ""
"<command>make check-images-en</command>: give references of missing or "
"orphaned images."
msgstr ""

#: src/appendix/contributing.xml:313(para)
msgid ""
"<command>mogrify units PixelsPerTrack -density 144x144 *.png</command> to "
"set the print resolution of all PNG images."
msgstr ""

#: src/appendix/contributing.xml:297(para)
msgid "Three commands to manage your images: <placeholder-1/>"
msgstr ""

#: src/appendix/contributing.xml:323(title)
msgid "Create HTML Files"
msgstr ""

#: src/appendix/contributing.xml:324(para)
msgid ""
"Once XML files have been validated, run <command>make html-en</command>. "
"Creating HTML files is important to have an idea about what users will see. "
"You will probably notice some improvements to be made on your XML file."
msgstr ""

#: src/appendix/contributing.xml:330(para)
msgid ""
"You can make an HTML draft (when the folder xml/en has been created during "
"validation) for a single source xml file, by running, for instance, the "
"command <command>make preview-xml/en/path-to-file.xml</command>. This "
"creates draft.html file in the html folder."
msgstr ""

#: src/appendix/contributing.xml:337(para)
msgid ""
"You can also use <acronym>yelp</acronym> and run <command>yelp file:///your-"
"file.xml</command>."
msgstr ""

#: src/appendix/contributing.xml:344(title)
msgid "Sending your files"
msgstr ""

#: src/appendix/contributing.xml:345(para)
msgid "When your files are ready:"
msgstr ""

#: src/appendix/contributing.xml:350(term)
msgid "You don't have a GNOME account"
msgstr ""

#: src/appendix/contributing.xml:352(para)
msgid ""
"if you don't have a GNOME account, you must find a correspondent who accepts "
"to \"push\" files for you; that will not be difficult if you send a message "
"to the list. Either you send your xml files and the attached images in a "
"compressed file, (in a tree reproducing that of the src and images folders "
"if you send several files to make your correspondent's task easier), or you "
"send a \"patch\" that you have to create."
msgstr ""

#: src/appendix/contributing.xml:361(para)
msgid ""
"Before creating a patch, you have to get all your xml files and images in "
"the index. Being in the gimp-help folder, do <command>git status</command>. "
"If you have files in the Untracked files section, run <command>git add -A</"
"command>."
msgstr ""

#: src/appendix/contributing.xml:367(para)
msgid ""
"Then run <command>git diff --full-index --binary origin &gt; name-of-the-"
"patch</command> to create the patch."
msgstr ""

#: src/appendix/contributing.xml:375(term)
msgid "You have a GNOME account"
msgstr ""

#: src/appendix/contributing.xml:377(para)
msgid ""
"All being well, you know how to manage Git. There are many tutorials for "
"that on the Web."
msgstr ""

#: src/appendix/contributing.xml:380(para)
msgid "A common workflow is:"
msgstr ""

#: src/appendix/contributing.xml:383(para)
msgid "- make validate-en"
msgstr ""

#: src/appendix/contributing.xml:384(para)
#: src/appendix/contributing.xml:387(para)
#: src/appendix/contributing.xml:391(para)
msgid "- git status"
msgstr ""

#: src/appendix/contributing.xml:385(para)
msgid "- git stash"
msgstr ""

#: src/appendix/contributing.xml:386(para)
msgid "- git pull"
msgstr ""

#: src/appendix/contributing.xml:388(para)
msgid "- git stash apply"
msgstr ""

#: src/appendix/contributing.xml:389(para)
msgid "- Fix any conflicts"
msgstr ""

#: src/appendix/contributing.xml:390(para)
msgid "- git add -A"
msgstr ""

#: src/appendix/contributing.xml:392(para)
msgid "- git commit -m \"a message\""
msgstr ""

#: src/appendix/contributing.xml:393(para)
msgid "- git push"
msgstr ""

#: src/appendix/contributing.xml:401(title)
msgid "Annexes"
msgstr ""

#: src/appendix/contributing.xml:405(term)
msgid "XML notes"
msgstr ""

#: src/appendix/contributing.xml:407(emphasis)
msgid "ID's"
msgstr ""

#: src/appendix/contributing.xml:408(para)
msgid ""
"ID's, which identify commands and are used when pressing the F1 key in the "
"GIMP interface, are in https://git.gnome.org/browse/gimp/tree/app/widgets/"
"gimphelp-ids.h"
msgstr ""

#: src/appendix/contributing.xml:414(emphasis)
msgid "XML Tags Examples"
msgstr ""

#: src/appendix/contributing.xml:415(para)
msgid "<emphasis>procedure</emphasis>: in using/web.xml."
msgstr ""

#: src/appendix/contributing.xml:418(para)
msgid "<emphasis>table</emphasis>: in toolbox/tools-painting.xml."
msgstr ""

#: src/appendix/contributing.xml:422(para)
msgid "<emphasis>programlisting</emphasis>: in using/script-fu-tutorial.xml."
msgstr ""

#: src/appendix/contributing.xml:426(para)
msgid ""
"<emphasis>segmentedlist</emphasis>: in dialogs/path-dialog.xml for a n "
"columns list."
msgstr ""

#: src/appendix/contributing.xml:434(term)
msgid "Parents and Children"
msgstr ""

#: src/appendix/contributing.xml:436(para)
msgid "Here is a diagram I often use. <placeholder-1/>"
msgstr ""

#: src/appendix/contributing.xml:450(title)
msgid "Working under Windows"
msgstr ""

#: src/appendix/contributing.xml:451(para)
msgid ""
"The documentation here was outdated. For now, please refer to <ulink "
"url=\"https://gitlab.gnome.org/GNOME/gimp-help/-/blob/master/README.md#how-"
"to-help-writing-the-manual\">our README</ulink> for the gimp-help repository."
msgstr ""

#: src/appendix/bugs.xml:12(title)
msgid "Reporting Bugs and Requesting Enhancements"
msgstr ""

#: src/appendix/bugs.xml:16(secondary) src/appendix/bugs.xml:19(primary)
msgid "Bugs"
msgstr ""

#: src/appendix/bugs.xml:22(para)
msgid ""
"Sad to say, no version of <acronym>GIMP</acronym> has yet been absolutely "
"perfect. Even sadder, it is likely that no version ever will be. In spite of "
"all efforts to make everything work, a program as complicated as "
"<acronym>GIMP</acronym> is bound to screw things up occasionally, or even "
"crash."
msgstr ""

#: src/appendix/bugs.xml:29(para)
msgid ""
"But the fact that bugs are unavoidable does not mean that they should be "
"passively accepted. If you find a bug in <acronym>GIMP</acronym>, the "
"developers would like to know about it so they can at least try to fix it."
msgstr ""

#: src/appendix/bugs.xml:34(para)
msgid ""
"Suppose, then, that you have found a bug, or at least think you have: you "
"try to do something, and the results are not what you expect. What should "
"you do? How should you report it?"
msgstr ""

#: src/appendix/bugs.xml:40(para)
msgid ""
"The procedure for making an <emphasis>enhancement request</emphasis>that is, "
"for asking the developers to add a missing featureis the same as the "
"procedure for reporting a bug."
msgstr ""

#: src/appendix/bugs.xml:47(para)
msgid ""
"In common with many other free software projects, <acronym>GIMP</acronym> "
"uses a bug-reporting mechanism called <emphasis>GitLab</emphasis>. This is a "
"very powerful web-based system, capable of managing thousands of bug reports "
"without losing track. In fact, <acronym>GIMP</acronym> shares its GitLab "
"database with the entire Gnome project."
msgstr ""

#: src/appendix/bugs.xml:57(title)
msgid "Making sure it's a Bug"
msgstr ""

#: src/appendix/bugs.xml:58(para)
msgid ""
"The first thing you should do, before reporting a bug, is to make an effort "
"to verify that what you are seeing really <emphasis>is</emphasis> a bug. It "
"is hard to give a method for doing this that applies to all situations, but "
"reading the documentation will often be useful, and discussing the question "
"on IRC or on Discourse may also be quite helpful. If you are seeing a "
"<emphasis>crash</emphasis>, as opposed to mere misbehavior, the odds that it "
"is a true bug are pretty high: well written software programs are not "
"designed to crash under <emphasis>any</emphasis> circumstances. In any case, "
"if you have made a conscious effort to decide whether it is really a bug, "
"and at the end still aren't sure, then please go ahead and report it: the "
"worst that can happen is that you will waste a bit of time for the "
"development team."
msgstr ""

#: src/appendix/bugs.xml:75(para)
msgid ""
"Actually there are a few things that are known to cause <acronym>GIMP</"
"acronym> to crash but have turned out to be too inconvenient to be worth "
"fixing. One of them is asking <acronym>GIMP</acronym> to do something that "
"requires vast amounts of memory, such as creating an image one million "
"pixels on a side."
msgstr ""

#: src/appendix/bugs.xml:83(para)
msgid ""
"You should also make sure that you are using an up-to-date version of "
"<acronym>GIMP</acronym>: reporting bugs that have already been fixed is just "
"a waste of everybody's time. (<acronym>GIMP</acronym> 1 is no longer "
"maintained, so if you use it and find bugs, either upgrade to <acronym>GIMP</"
"acronym> 2 or live with them.) Particularly if you are using the development "
"version of <acronym>GIMP</acronym>, make sure that you can see the bug in "
"the latest release before filing a report."
msgstr ""

#: src/appendix/bugs.xml:93(para)
msgid ""
"If after due consideration you still think you have a legitimate bug report "
"or enhancement request, the next step is to go to <acronym>GIMP</acronym>'s "
"list of issues (<ulink url=\"https://gitlab.gnome.org/GNOME/gimp/issues/\"/"
">), and try to see whether somebody else has already reported the same thing."
msgstr ""

#: src/appendix/bugs.xml:103(title)
msgid "Find a Specific Bug"
msgstr "특정 버그 찾기"

#: src/appendix/bugs.xml:104(para)
msgid ""
"Enter some (space separated) search terms, e.g. <placeholder-1/> in the "
"\"Search or filter results...\" text box and press Enter. By default you "
"only see open reports; you can change this by clicking \"All\" above the "
"search field."
msgstr ""

#: src/appendix/bugs.xml:115(para)
msgid ""
"The result is either a list of bug reports hopefully not too long or a "
"message saying <quote>Sorry, your filter produced no results</quote>. If you "
"don't find a related bug report by doing this, it may be worth trying "
"another search with different terms. If in spite of your best efforts, you "
"file a bug report and it ends up being closed as a duplicate, don't be too "
"upset: it has happened repeatedly to the author of this documentation."
msgstr ""

#: src/appendix/bugs.xml:129(title)
msgid "Reporting the Bug"
msgstr "버그 보고"

#: src/appendix/bugs.xml:130(para)
msgid ""
"Okay, so you have done everything you could to make sure, and you still "
"think it's probably a bug. You should then go ahead and file a bug report on "
"the GitLab page."
msgstr ""

#: src/appendix/bugs.xml:136(para)
msgid ""
"The first time you file a bug report, you will be asked to create a GitLab "
"account. The process is easy and painless, and you probably won't even get "
"any spam as a result."
msgstr ""

#: src/appendix/bugs.xml:144(title)
msgid "File a New Issue"
msgstr ""

#: src/appendix/bugs.xml:145(para)
msgid ""
"Go to <ulink url=\"https://gitlab.gnome.org/GNOME/gimp/issues\"/>, and "
"select <guibutton>New issue</guibutton>."
msgstr ""

#. IMHO a screenshot is not useful here (ude 2009-08-25)
#: src/appendix/bugs.xml:150(para)
msgid ""
"If you are not logged in, you are automatically redirected to the login "
"page. After entering your user name (login) and password, you get back to "
"the <quote>New Issue</quote> page."
msgstr ""

#: src/appendix/bugs.xml:158(title)
msgid "Fill out the Template"
msgstr ""

#: src/appendix/bugs.xml:159(para)
msgid ""
"Select <guimenu>Choose a template</guimenu> and choose whether you plan to "
"report a bug or to request a feature. Note that most of the information you "
"enter can be changed later by the developers if you get it wrong, so try to "
"get it right but don't be obsessive about it."
msgstr ""

#: src/appendix/bugs.xml:168(term)
msgid "Title"
msgstr ""

#: src/appendix/bugs.xml:170(para)
msgid ""
"Give a one-sentence summary that is descriptive enough so that somebody "
"searching for similar bugs would find your bug report on the basis of the "
"words this summary contains."
msgstr ""

#: src/appendix/bugs.xml:178(term)
msgid "Description"
msgstr "설명"

#: src/appendix/bugs.xml:180(para)
msgid ""
"Describe the problem. Be as specific as you can, try to provide all the "
"information requested from you, and include all information that you think "
"might possibly be relevant. The classic totally useless bug report is, "
"<quote>GIMP crashes. This program sucks</quote>. There is no hope that the "
"developers can solve a problem if they can't tell what it is."
msgstr ""

#: src/appendix/bugs.xml:191(para)
msgid ""
"Sometimes it is very helpful to augment a bug report with a screenshot or "
"some other type of data. If you need to do this, click on the button "
"<guibutton>Attachafile</guibutton>, and follow the directions. But please "
"don't do this unless you think the attachment is really going to be "
"usefuland if you need to attach a screenshot, don't make it any larger than "
"necessary. Bug reports are likely to remain on the system for years, so "
"there is no sense in wasting memory."
msgstr ""

#: src/appendix/bugs.xml:201(para)
msgid ""
"When you have filled out all of these things, press the <guibutton>Submit "
"issue</guibutton> button and your bug report will be submitted. It will be "
"assigned a number, which you may want to make note of; you will, however, be "
"emailed any time somebody makes a comment on your bug report or otherwise "
"alters it, so you will receive reminders in any case. You can see the "
"current state of your bug report at any time by going to <ulink "
"url=\"https://gitlab.gnome.org/GNOME/gimp/issues/\"/>."
msgstr ""

#: src/appendix/bibliography.xml:11(title)
msgid "Bibliography"
msgstr ""

#: src/appendix/bibliography.xml:14(title)
msgid "Books"
msgstr "책"

#: src/appendix/bibliography.xml:15(para)
msgid ""
"We maintain a listing of books published about <acronym>GIMP</acronym> on "
"our website."
msgstr ""

#: src/appendix/bibliography.xml:20(title)
msgid ""
"See <ulink url=\"https://www.gimp.org/books/\">Recent Books about GIMP</"
"ulink>"
msgstr ""

#: src/appendix/bibliography.xml:28(title)
msgid "Online resources"
msgstr "온라인 자료"

#: src/appendix/bibliography.xml:30(abbrev)
msgid "AdobeRGB"
msgstr ""

#: src/appendix/bibliography.xml:31(title)
msgid "Adobe RGB (1998) ICC Profile"
msgstr ""

#: src/appendix/bibliography.xml:33(ulink)
msgid "https://www.adobe.com/digitalimag/adobergb.html"
msgstr ""

#: src/appendix/bibliography.xml:39(abbrev)
msgid "AdvanceMAME"
msgstr ""

#: src/appendix/bibliography.xml:40(title)
msgid "AdvanceMAME project"
msgstr ""

#: src/appendix/bibliography.xml:42(ulink)
#, fuzzy
msgid "https://www.advancemame.it/"
msgstr "http://advancemame.sourceforge.net/"

#: src/appendix/bibliography.xml:48(abbrev)
msgid "APOD"
msgstr "APOD"

#: src/appendix/bibliography.xml:49(title)
msgid "Astronomy Picture of the Day"
msgstr "오늘의 천체사진(Astronomy Picture of the Day)"

#: src/appendix/bibliography.xml:51(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/"
msgstr "http://antwrp.gsfc.nasa.gov/apod/"

#: src/appendix/bibliography.xml:57(abbrev)
msgid "APOD01"
msgstr "APOD01"

#: src/appendix/bibliography.xml:58(title)
msgid "Astronomy Picture of the Day (today)"
msgstr ""

#: src/appendix/bibliography.xml:60(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/astropix.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/astropix.html"

#: src/appendix/bibliography.xml:66(abbrev)
msgid "APOD02"
msgstr "APOD02"

#: src/appendix/bibliography.xml:67(title)
msgid ""
"Astronomy Picture of the Day - The Hubble Ultra Deep Field (2004 March 9)"
msgstr ""

#: src/appendix/bibliography.xml:72(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap040309.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap040309.html"

#: src/appendix/bibliography.xml:78(abbrev)
msgid "APOD03"
msgstr "APOD03"

#: src/appendix/bibliography.xml:79(title)
msgid "Astronomy Picture of the Day - M51: Cosmic Whirlpool (2002 July 10)"
msgstr ""

#: src/appendix/bibliography.xml:83(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap020710.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap020710.html"

#: src/appendix/bibliography.xml:89(abbrev)
msgid "APOD04"
msgstr "APOD04"

#: src/appendix/bibliography.xml:90(title)
msgid ""
"Astronomy Picture of the Day - Saturn: Lord of the Rings (2002 February 15)"
msgstr ""

#: src/appendix/bibliography.xml:95(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap020215.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap020215.html"

#: src/appendix/bibliography.xml:101(abbrev)
msgid "APOD05"
msgstr "APOD05"

#: src/appendix/bibliography.xml:102(title)
msgid ""
"Astronomy Picture of the Day - NGC 6369: The Little Ghost Nebula (2002 "
"November 8)"
msgstr ""

#: src/appendix/bibliography.xml:107(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap021108.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap021108.html"

#: src/appendix/bibliography.xml:113(abbrev)
msgid "APOD06"
msgstr "APOD06"

#: src/appendix/bibliography.xml:114(title)
msgid ""
"Astronomy Picture of the Day - Disorder in Stephan's Quintet (2000 November "
"13)"
msgstr ""

#: src/appendix/bibliography.xml:119(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap001113.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap001113.html"

#: src/appendix/bibliography.xml:125(abbrev)
msgid "APOD07"
msgstr "APOD07"

#: src/appendix/bibliography.xml:126(title)
msgid ""
"Astronomy Picture of the Day - The Sharpest View of the Sun (2002 November "
"14)"
msgstr ""

#: src/appendix/bibliography.xml:131(ulink)
#, fuzzy
msgid "https://apod.nasa.gov/apod/ap021114.html"
msgstr "http://antwrp.gsfc.nasa.gov/apod/ap021114.html"

#: src/appendix/bibliography.xml:137(abbrev)
msgid "ARGYLLCMS"
msgstr ""

#: src/appendix/bibliography.xml:138(title)
msgid "Argyll Color Management System Home Page"
msgstr ""

#: src/appendix/bibliography.xml:140(ulink)
#, fuzzy
msgid "https://www.argyllcms.com/"
msgstr "http://www.argyllcms.com/"

#: src/appendix/bibliography.xml:146(abbrev)
msgid "BABL"
msgstr ""

#: src/appendix/bibliography.xml:147(title)
msgid "babl (pixel format translation library)"
msgstr ""

#: src/appendix/bibliography.xml:149(ulink)
#, fuzzy
msgid "https://www.gegl.org/babl/"
msgstr "http://www.gegl.org/babl"

#: src/appendix/bibliography.xml:153(abbrev)
msgid "BACH04"
msgstr ""

#: src/appendix/bibliography.xml:154(title)
msgid "Face in blocks"
msgstr ""

#: src/appendix/bibliography.xml:160(year)
#: src/appendix/bibliography.xml:337(year)
#: src/appendix/bibliography.xml:583(year)
#: src/appendix/bibliography.xml:599(year)
msgid "2004"
msgstr "2004"

#: src/appendix/bibliography.xml:161(holder)
msgid "Michael Bach"
msgstr "Michael Bach"

#: src/appendix/bibliography.xml:164(ulink)
#, fuzzy
msgid "https://michaelbach.de/ot/fcs-mosaic/"
msgstr "http://www.michaelbach.de/ot/fcs_mosaic/"

#: src/appendix/bibliography.xml:170(abbrev)
msgid "BUDIG01"
msgstr ""

#: src/appendix/bibliography.xml:171(title)
msgid "Golden Text"
msgstr ""

#: src/appendix/bibliography.xml:173(ulink)
#, fuzzy
msgid "https://www.home.unix-ag.org/simon/gimp/golden.html"
msgstr "http://www.home.unix-ag.org/simon/gimp/golden.html"

#: src/appendix/bibliography.xml:179(abbrev)
msgid "CAIRO"
msgstr ""

#: src/appendix/bibliography.xml:180(title)
msgid "Cairo"
msgstr ""

#: src/appendix/bibliography.xml:182(ulink)
#, fuzzy
msgid "https://www.cairographics.org"
msgstr "http://www.cairographics.org"

#: src/appendix/bibliography.xml:188(abbrev)
msgid "DARWINPORTS"
msgstr ""

#: src/appendix/bibliography.xml:189(title)
msgid "Darwin Ports Package Manager for OS X"
msgstr ""

#: src/appendix/bibliography.xml:191(ulink)
#, fuzzy
msgid "https://www.macports.org/"
msgstr "http://www.color.org/"

#: src/appendix/bibliography.xml:195(abbrev)
msgid "ECI"
msgstr ""

#: src/appendix/bibliography.xml:196(title)
msgid "ECI (European Color Initiative) Profiles"
msgstr ""

#: src/appendix/bibliography.xml:198(ulink)
#, fuzzy
msgid "http://www.eci.org/doku.php?id=en:downloads"
msgstr "http://www.eci.org/eci/en/060_downloads.php"

#: src/appendix/bibliography.xml:204(abbrev)
msgid "FDL-TRANSLATION"
msgstr "FDL-TRANSLATION"

#: src/appendix/bibliography.xml:205(title)
msgid "Unofficial translation of the GNU Free Documentation License"
msgstr ""

#: src/appendix/bibliography.xml:210(abbrev)
msgid "FINK"
msgstr ""

#: src/appendix/bibliography.xml:211(title)
msgid "Fink Package Manager for OS X"
msgstr ""

#: src/appendix/bibliography.xml:213(ulink)
#, fuzzy
msgid "https://www.finkproject.org/"
msgstr "http://www.inkscape.org"

#: src/appendix/bibliography.xml:217(abbrev)
msgid "FREETYPE"
msgstr ""

#: src/appendix/bibliography.xml:218(title)
msgid "Freetype 2 home page"
msgstr "Freetype 2 홈페이지"

#: src/appendix/bibliography.xml:220(ulink)
#, fuzzy
msgid "https://www.freetype.org/"
msgstr "http://www.unicode.org"

#: src/appendix/bibliography.xml:226(abbrev)
msgid "GEGL"
msgstr "GEGL"

#: src/appendix/bibliography.xml:227(title)
msgid "GEGL (Generic Graphics Library)"
msgstr ""

#: src/appendix/bibliography.xml:229(ulink)
#, fuzzy
msgid "https://gegl.org"
msgstr "http://gegl.org"

#: src/appendix/bibliography.xml:233(abbrev)
msgid "GEORGIEV01"
msgstr ""

#: src/appendix/bibliography.xml:234(title)
msgid "Image Reconstruction Invariant to Relighting"
msgstr ""

#: src/appendix/bibliography.xml:240(year)
msgid "2005"
msgstr "2005"

#: src/appendix/bibliography.xml:241(holder)
msgid "Todor Georgiev"
msgstr ""

#: src/appendix/bibliography.xml:244(ulink)
#, fuzzy
msgid "https://www.tgeorgiev.net/Invariant.pdf"
msgstr "http://www.tgeorgiev.net/Invariant.pdf"

#: src/appendix/bibliography.xml:250(abbrev)
msgid "GHOSTSCRIPT"
msgstr "GHOSTSCRIPT"

#: src/appendix/bibliography.xml:251(title)
#, fuzzy
msgid "Ghostscript project page"
msgstr "GIMP 문서화 프로젝트 페이지"

#: src/appendix/bibliography.xml:253(ulink)
#, fuzzy
msgid "https://www.ghostscript.com/"
msgstr "http://www.argyllcms.com/"

#: src/appendix/bibliography.xml:260(title)
msgid "GIMP - The Gnu Image Manipulation Program"
msgstr "GIMP - The Gnu Image Manipulation Program"

#: src/appendix/bibliography.xml:262(ulink)
#, fuzzy
msgid "https://gimp.org"
msgstr "http://gimp.org"

#: src/appendix/bibliography.xml:266(abbrev)
msgid "GIMP-DEV"
msgstr "GIMP-DEV"

#: src/appendix/bibliography.xml:267(title)
msgid "GIMP Development"
msgstr "GIMP 개발"

#: src/appendix/bibliography.xml:269(ulink)
#, fuzzy
msgid "https://developer.gimp.org"
msgstr "http://developer.gimp.org"

#: src/appendix/bibliography.xml:275(abbrev)
msgid "GIMP-DEV-PLUGIN"
msgstr "GIMP-DEV-PLUGIN"

#: src/appendix/bibliography.xml:276(title)
#, fuzzy
msgid "GIMP Plug-In Development"
msgstr "GIMP 플러그인 개발"

#: src/appendix/bibliography.xml:278(ulink)
#, fuzzy
msgid "https://developer.gimp.org/resource/writing-a-plug-in/"
msgstr "http://developer.gimp.org/plug-ins.html"

#: src/appendix/bibliography.xml:284(abbrev)
msgid "GIMP-DOCS"
msgstr "GIMP-DOCS"

#: src/appendix/bibliography.xml:285(title)
msgid "GIMP Documentation project page"
msgstr "GIMP 문서화 프로젝트 페이지"

#: src/appendix/bibliography.xml:287(ulink)
#, fuzzy
msgid "https://www.gimp.org/docs/"
msgstr "http://www.siox.org/"

#: src/appendix/bibliography.xml:293(abbrev)
msgid "GIMP-FONTS"
msgstr "GIMP-FONTS"

#: src/appendix/bibliography.xml:294(title)
#, fuzzy
msgid "Fonts in GIMP 2.0"
msgstr "김프 2.10의 새로운 점은 ?"

#: src/appendix/bibliography.xml:296(ulink)
#, fuzzy
msgid "https://gimp.org/unix/fonts.html"
msgstr "http://gimp.org/unix/fonts.html"

#: src/appendix/bibliography.xml:302(abbrev)
msgid "GIMP-NEWSYM26"
msgstr "GIMP-NEWSYM26"

#: src/appendix/bibliography.xml:303(title)
msgid "List of new symbols in GIMP 2.6"
msgstr "김프 2.6 의 새로운 기호 목록"

#: src/appendix/bibliography.xml:306(ulink)
msgid ""
"https://web.archive.org/web/20220807190931/https://developer.gimp.org/api/"
"2.0/libgimp/libgimp-index-new-in-2-6.html"
msgstr ""

#: src/appendix/bibliography.xml:312(abbrev)
msgid "GROKKING01"
msgstr ""

#: src/appendix/bibliography.xml:313(title)
msgid "Grokking the GIMP"
msgstr "Grokking the GIMP"

#: src/appendix/bibliography.xml:315(ulink)
#, fuzzy
msgid ""
"https://web.archive.org/web/20170515161709/http://gimp-savvy.com/BOOK/"
"index.html"
msgstr "http://gimp-savvy.com/BOOK/index.html"

#: src/appendix/bibliography.xml:321(abbrev)
msgid "GROKKING02"
msgstr ""

#: src/appendix/bibliography.xml:322(title)
msgid "Grokking the GIMP (9.2 Clickable Image Maps)"
msgstr ""

#: src/appendix/bibliography.xml:324(ulink)
#, fuzzy
msgid ""
"https://web.archive.org/web/20170403234151/http://gimp-savvy.com/BOOK/"
"index.html?node81.html"
msgstr "http://gimp-savvy.com/BOOK/index.html?node81.html"

#: src/appendix/bibliography.xml:330(abbrev)
msgid "GUNTHER04"
msgstr ""

#: src/appendix/bibliography.xml:331(title)
msgid "Making shapes in GIMP"
msgstr "김프에서 모양 만들기"

#: src/appendix/bibliography.xml:338(holder)
msgid "Dale (Gunther)"
msgstr ""

#: src/appendix/bibliography.xml:341(ulink)
#, fuzzy
msgid ""
"https://web.archive.org/web/20151004100006/http://gug.criticalhit.dk/"
"tutorials/gunther1/"
msgstr "http://gug.criticalhit.dk/tutorials/gunther1"

#: src/appendix/bibliography.xml:347(abbrev)
msgid "ICC"
msgstr "ICC"

#: src/appendix/bibliography.xml:348(title)
msgid "INTERNATIONAL COLOR CONSORTIUM"
msgstr "INTERNATIONAL COLOR CONSORTIUM"

#: src/appendix/bibliography.xml:350(ulink)
#, fuzzy
msgid "https://www.color.org/"
msgstr "http://www.color.org/"

#: src/appendix/bibliography.xml:354(abbrev)
msgid "ICCsRGB"
msgstr ""

#: src/appendix/bibliography.xml:355(title)
msgid "ICC sRGB PROFILES"
msgstr "ICC sRGB PROFILES"

#: src/appendix/bibliography.xml:357(ulink)
#, fuzzy
msgid "https://www.color.org/srgbprofiles.xalter"
msgstr "http://www.color.org/srgbprofiles.html"

#: src/appendix/bibliography.xml:363(abbrev)
msgid "GPL"
msgstr ""

#: src/appendix/bibliography.xml:364(title)
msgid "General Public License (GPL)"
msgstr "General Public License (GPL)"

#: src/appendix/bibliography.xml:366(ulink)
#, fuzzy
msgid "https://www.gnu.org/licenses/gpl-3.0.html"
msgstr "http://www.fsf.org/licensing/licenses/gpl.html"

#: src/appendix/bibliography.xml:372(abbrev)
msgid "GEEQIE"
msgstr ""

#: src/appendix/bibliography.xml:373(title)
msgid "Homepage of Geeqie, an image browser"
msgstr ""

#: src/appendix/bibliography.xml:375(ulink)
#, fuzzy
msgid "https://www.geeqie.org/"
msgstr "http://www.unicode.org"

#: src/appendix/bibliography.xml:381(abbrev)
msgid "GTHUMB"
msgstr ""

#: src/appendix/bibliography.xml:382(title)
msgid "gThumb - An Image Viewer and Browser for the GNOME Desktop"
msgstr ""

#: src/appendix/bibliography.xml:386(ulink)
#, fuzzy
msgid "https://gitlab.gnome.org/GNOME/gthumb/#gthumb"
msgstr "http://bugzilla.gnome.org"

#: src/appendix/bibliography.xml:392(abbrev)
msgid "INKSCAPE"
msgstr ""

#: src/appendix/bibliography.xml:393(title)
msgid "Inkscape is an Open Source vector graphics editor"
msgstr ""

#: src/appendix/bibliography.xml:395(ulink)
#, fuzzy
msgid "https://inkscape.org"
msgstr "http://www.inkscape.org"

#: src/appendix/bibliography.xml:410(abbrev)
msgid "LPROF"
msgstr "LPROF"

#: src/appendix/bibliography.xml:411(title)
#, fuzzy
msgid "LPROF ICC Profiler (2006)"
msgstr "LPROF ICC 프로필러"

#: src/appendix/bibliography.xml:413(ulink)
#, fuzzy
msgid "https://lprof.sourceforge.net/"
msgstr "http://lprof.sourceforge.net/"

#: src/appendix/bibliography.xml:441(abbrev)
msgid "OPENCLIPART-GRADIENT"
msgstr "OPENCLIPART-GRADIENT"

#: src/appendix/bibliography.xml:442(title)
msgid "Open Clipart - Gradients"
msgstr "Open Clipart - 그라디언트"

#: src/appendix/bibliography.xml:444(ulink)
#, fuzzy
msgid "https://openclipart.org/"
msgstr "http://openclipart.org/"

#: src/appendix/bibliography.xml:448(abbrev)
msgid "OPENICC"
msgstr ""

#: src/appendix/bibliography.xml:449(title)
msgid "The OpenICC project"
msgstr "The OpenICC project"

#: src/appendix/bibliography.xml:451(ulink)
#, fuzzy
msgid "https://freedesktop.org/wiki/OpenIcc/"
msgstr "http://freedesktop.org/wiki/OpenIcc"

#: src/appendix/bibliography.xml:468(abbrev)
msgid "PLUGIN-FLAMES"
msgstr "PLUGIN-FLAMES"

#: src/appendix/bibliography.xml:469(title)
#, fuzzy
msgid "GIMP-Plug-In Flames"
msgstr "GIMP-플러그인 화염"

#: src/appendix/bibliography.xml:470(releaseinfo)
msgid ""
"<ulink url=\"https://draves.org/gimp/flame.html\"> https://draves.org/gimp/"
"flame.html </ulink>; <ulink url=\"https://flam3.com/\">https://flam3.com/</"
"ulink>"
msgstr ""

#: src/appendix/bibliography.xml:501(abbrev)
msgid "PLUGIN-RESYNTH"
msgstr "PLUGIN-RESYNTH"

#: src/appendix/bibliography.xml:502(title)
msgid "Resynthesizer is a Gimp plug-in for texture synthesis"
msgstr ""

#: src/appendix/bibliography.xml:504(ulink)
#, fuzzy
msgid "https://github.com/bootchk/resynthesizer"
msgstr "http://www.logarithmic.net/pfh/resynthesizer"

#: src/appendix/bibliography.xml:510(abbrev)
msgid "PLUGIN-RETINEX"
msgstr "PLUGIN-RETINEX"

#: src/appendix/bibliography.xml:511(title)
msgid "A plug-in providing the Retinex algorithm for GIMP"
msgstr ""

#: src/appendix/bibliography.xml:513(ulink)
#, fuzzy
msgid ""
"https://web.archive.org/web/20200220014231/http://www-prima.inrialpes.fr/"
"pelisson/MSRCR.php"
msgstr "http://www-prima.inrialpes.fr/pelisson/MSRCR.php"

#: src/appendix/bibliography.xml:519(abbrev)
msgid "PLUGIN-SEPARATE"
msgstr "PLUGIN-SEPARATE"

#: src/appendix/bibliography.xml:520(title)
msgid "A plug-in providing rudimentary CMYK support for GIMP"
msgstr ""

#: src/appendix/bibliography.xml:522(ulink)
#, fuzzy
msgid "https://www.blackfiveservices.co.uk/separate.shtml"
msgstr "http://www.blackfiveservices.co.uk/separate.shtml"

#: src/appendix/bibliography.xml:528(abbrev)
msgid "PYTHON"
msgstr "PYTHON"

#: src/appendix/bibliography.xml:529(title)
msgid "Python Programming Language"
msgstr "파이썬 프로그래밍 언어"

#: src/appendix/bibliography.xml:531(ulink)
#, fuzzy
msgid "https://www.python.org"
msgstr "http://www.python.org"

#: src/appendix/bibliography.xml:535(abbrev)
msgid "SCALE2X"
msgstr ""

#: src/appendix/bibliography.xml:536(title)
msgid "Scale2x"
msgstr ""

#: src/appendix/bibliography.xml:538(ulink)
#, fuzzy
msgid "https://www.scale2x.it/"
msgstr "http://www.siox.org/"

#: src/appendix/bibliography.xml:544(abbrev)
msgid "SCRIBUS"
msgstr "SCRIBUS"

#: src/appendix/bibliography.xml:545(title)
msgid "Scribus :: Open Source Desktop Publishing"
msgstr ""

#: src/appendix/bibliography.xml:547(ulink)
#, fuzzy
msgid "https://www.scribus.net/"
msgstr "http://www.scribus.net/"

#: src/appendix/bibliography.xml:551(abbrev)
msgid "SIOX"
msgstr "SIOX"

#: src/appendix/bibliography.xml:552(title)
msgid "Simple Interactive Object Extraction"
msgstr ""

#: src/appendix/bibliography.xml:554(ulink)
#, fuzzy
msgid "https://www.siox.org/"
msgstr "http://www.siox.org/"

#: src/appendix/bibliography.xml:558(abbrev)
msgid "TUT01"
msgstr "TUT01"

#: src/appendix/bibliography.xml:559(title)
msgid "Tutorial: How to draw straight lines"
msgstr ""

#: src/appendix/bibliography.xml:565(year)
msgid "2002"
msgstr "2002"

#: src/appendix/bibliography.xml:566(holder)
msgid "Seth Burgess"
msgstr ""

#: src/appendix/bibliography.xml:569(ulink)
#, fuzzy
msgid "https://www.gimp.org/tutorials/Straight_Line"
msgstr "http://www.gimp.org/tutorials/Straight_Line"

#: src/appendix/bibliography.xml:575(abbrev)
msgid "TUT02"
msgstr "TUT02"

#: src/appendix/bibliography.xml:576(title)
msgid "Tutorial: GIMPLite Quickies"
msgstr "강좌: GIMPLite 쉽게 배우기"

#: src/appendix/bibliography.xml:584(holder)
msgid "Carol Spears"
msgstr "Carol Spears"

#: src/appendix/bibliography.xml:587(ulink)
#, fuzzy
msgid "https://next.gimp.org/tutorials/Lite_Quickies/"
msgstr "http://next.gimp.org/tutorials/Lite_Quickies/"

#: src/appendix/bibliography.xml:593(abbrev)
msgid "WIKIPEDIA"
msgstr "WIKIPEDIA"

#: src/appendix/bibliography.xml:594(title)
msgid "Wikipedia"
msgstr "위키백과"

#: src/appendix/bibliography.xml:600(holder)
msgid "Wikipedia Foundation Inc."
msgstr "위키백과 재단 Inc."

#: src/appendix/bibliography.xml:603(ulink)
#, fuzzy
msgid "https://www.wikipedia.org"
msgstr "http://www.wikipedia.org"

#: src/appendix/bibliography.xml:607(abbrev)
msgid "WKPD-ALPHA"
msgstr "WKPD-ALPHA"

#: src/appendix/bibliography.xml:608(title)
msgid "Wikipedia - Alpha channel"
msgstr "위키백과 - 알파 채널"

#: src/appendix/bibliography.xml:610(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Alpha_channel"
msgstr "http://ko.wikipedia.org/wiki/%EC%95%8C%ED%8C%8C_%EC%B1%84%EB%84%90"

#: src/appendix/bibliography.xml:616(abbrev)
msgid "WKPD-BEZIER"
msgstr "WKPD-BEZIER"

#: src/appendix/bibliography.xml:617(title)
#, fuzzy
msgid "Wikipedia - Bzier curve"
msgstr "위키백과 - 베지어 곡선"

#: src/appendix/bibliography.xml:619(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Bezier_curve"
msgstr ""
"http://ko.wikipedia.org/wiki/%EB%B2%A0%EC%A7%80%EC%97%90_%EA%B3%A1%EC%84%A0"

#: src/appendix/bibliography.xml:625(abbrev)
msgid "WKPD-BUMP"
msgstr "WKPD-BUMP"

#: src/appendix/bibliography.xml:626(title)
msgid "Wikipedia - Bumpmap"
msgstr "위키백과 - 범프맵"

#: src/appendix/bibliography.xml:628(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Bump_Mapping"
msgstr "http://ko.wikipedia.org/wiki/%EB%B2%94%ED%94%84_%EB%A7%A4%ED%95%91"

#: src/appendix/bibliography.xml:635(abbrev)
msgid "WKPD-BURN"
msgstr "WKPD-BURN"

#: src/appendix/bibliography.xml:636(title)
msgid "Wikipedia - Burning"
msgstr "위키백과 - 버닝(Burning)"

#: src/appendix/bibliography.xml:638(ulink)
#: src/appendix/bibliography.xml:701(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Dodging_and_burning"
msgstr "http://en.wikipedia.org/wiki/Dodging_and_burning"

#: src/appendix/bibliography.xml:644(abbrev)
msgid "WKPD-CA"
msgstr "WKPD-CA"

#: src/appendix/bibliography.xml:645(title)
msgid "Wikipedia - Cellular Automata"
msgstr "위키백과 - 셀룰러오토마타(Cellular Automata)"

#: src/appendix/bibliography.xml:647(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Cellular_Automata"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EC%9C%A0%ED%95%9C_%EC%83%81%ED%83%9C_%EA%B8%B0%EA%B3%84#.EC.85.80.EB.A3.B0.EB.9F.AC_.EC.98.A4.ED.86.A0.EB.A7.88.ED.83.80"

#: src/appendix/bibliography.xml:653(abbrev)
msgid "WKPD-CMYK"
msgstr "WKPD-CMYK"

#: src/appendix/bibliography.xml:654(title)
msgid "Wikipedia - CMYK"
msgstr "위키백과 - CMYK"

#: src/appendix/bibliography.xml:656(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/CMYK"
msgstr "http://ko.wikipedia.org/wiki/CMYK_%EA%B0%90%EC%82%B0%ED%98%BC%ED%95%A9"

#: src/appendix/bibliography.xml:662(abbrev)
msgid "WKPD-COLORSPACE"
msgstr "WKPD-COLORSPACE"

#: src/appendix/bibliography.xml:663(title)
msgid "Wikipedia - Colorspace"
msgstr "위키백과 - 색상 공간"

#: src/appendix/bibliography.xml:665(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Colorspace"
msgstr "http://ko.wikipedia.org/wiki/%EC%83%89_%EA%B3%B5%EA%B0%84"

#: src/appendix/bibliography.xml:671(abbrev)
msgid "WKPD-DEFLATE"
msgstr "WKPD-DEFLATE"

#: src/appendix/bibliography.xml:672(title)
msgid "Wikipedia - Deflate"
msgstr "Wikipedia - Deflate"

#: src/appendix/bibliography.xml:674(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/deflate"
msgstr "http://ko.wikipedia.org/wiki/DEFLATE"

#: src/appendix/bibliography.xml:680(abbrev)
msgid "WKPD-DEINTERLACE"
msgstr "WKPD-DEINTERLACE"

#: src/appendix/bibliography.xml:681(title)
msgid "Wikipedia - Deinterlace"
msgstr "위키백과 - 디인터레이스(deInterlace)"

#: src/appendix/bibliography.xml:683(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Deinterlace"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EB%94%94%EC%9D%B8%ED%84%B0%EB%A0%88%EC%9D%B4%EC%8A%A4"

#: src/appendix/bibliography.xml:689(abbrev)
msgid "WKPD-DITHERING"
msgstr "WKPD-DITHERING"

#: src/appendix/bibliography.xml:690(title)
msgid "Wikipedia - Dithering"
msgstr "위키백과 - 디더링"

#: src/appendix/bibliography.xml:692(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Dithering"
msgstr "http://ko.wikipedia.org/wiki/%EB%94%94%EB%8D%94%EB%A7%81"

#: src/appendix/bibliography.xml:698(abbrev)
msgid "WKPD-DODGE"
msgstr "WKPD-DODGE"

#: src/appendix/bibliography.xml:699(title)
msgid "Wikipedia - Dodging"
msgstr "위키백과 - 닷지(Dodging)"

#: src/appendix/bibliography.xml:707(abbrev)
msgid "WKPD-EXIF"
msgstr "WKPD-EXIF"

#: src/appendix/bibliography.xml:708(title)
msgid "Wikipedia - EXIF"
msgstr "위키백과 - EXIF 데이터"

#: src/appendix/bibliography.xml:710(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/EXIF"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EA%B5%90%ED%99%98_%EC%9D%B4%EB%AF%B8%EC%A7%80_%ED%8C%8C%EC%9D%BC_%ED%98%95%EC%8B%9D"

#: src/appendix/bibliography.xml:716(abbrev)
msgid "WKPD-FILEFORMAT"
msgstr "WKPD-FILEFORMAT"

#: src/appendix/bibliography.xml:717(title)
msgid "Wikipedia - Fileformat"
msgstr "위키백과 - 파일 형식"

#: src/appendix/bibliography.xml:719(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Image_file_format"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EC%9D%B4%EB%AF%B8%EC%A7%80_%ED%8C%8C%EC%9D%BC_%ED%98%95%EC%8B%9D"

#: src/appendix/bibliography.xml:725(abbrev)
msgid "WKPD-GAMUT"
msgstr "WKPD-GAMUT"

#: src/appendix/bibliography.xml:726(title)
msgid "Wikipedia - Gamut"
msgstr "위키백과 - 개멋(Gamut)"

#: src/appendix/bibliography.xml:728(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Gamut"
msgstr "http://ko.wikipedia.org/wiki/%EC%83%89%EC%97%AD"

#: src/appendix/bibliography.xml:734(abbrev)
msgid "WKPD-GIF"
msgstr "WKPD-GIF"

#: src/appendix/bibliography.xml:735(title)
msgid "Wikipedia - GIF"
msgstr "위키백과 - GIF"

#: src/appendix/bibliography.xml:737(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/GIF"
msgstr "http://ko.wikipedia.org/wiki/GIF"

#: src/appendix/bibliography.xml:743(abbrev)
msgid "WKPD-GNU"
msgstr "WKPD-GNU"

#: src/appendix/bibliography.xml:744(title)
msgid "Wikipedia - GNU"
msgstr "위키백과 - GNU"

#: src/appendix/bibliography.xml:746(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/GNU"
msgstr "http://ko.wikipedia.org/wiki/GNU"

#: src/appendix/bibliography.xml:752(abbrev)
msgid "WKPD-HISTOGRAM"
msgstr "WKPD-HISTOGRAM"

#: src/appendix/bibliography.xml:753(title)
msgid "Wikipedia - Histogram"
msgstr "위키백과 - 히스토그램"

#: src/appendix/bibliography.xml:755(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Image_histogram"
msgstr "http://en.wikipedia.org/wiki/Image_histogram"

#: src/appendix/bibliography.xml:761(abbrev)
msgid "WKPD-HSV"
msgstr "WKPD-HSV"

#: src/appendix/bibliography.xml:762(title)
msgid "Wikipedia - HSV"
msgstr "위키백과 - HSV"

#: src/appendix/bibliography.xml:764(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/HSL_and_HSV"
msgstr "http://ko.wikipedia.org/wiki/HSV_%EC%83%89_%EA%B3%B5%EA%B0%84"

#: src/appendix/bibliography.xml:770(abbrev)
msgid "WKPD-ICC"
msgstr "WKPD-ICC"

#: src/appendix/bibliography.xml:771(title)
msgid "Wikipedia - ICC Profile"
msgstr "위키백과 - ICC 프로필"

#: src/appendix/bibliography.xml:773(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/ICC_Profile"
msgstr "http://ko.wikipedia.org/wiki/ICC_%ED%94%84%EB%A1%9C%ED%8C%8C%EC%9D%BC"

#: src/appendix/bibliography.xml:779(abbrev)
msgid "WKPD-INTERPOL"
msgstr "WKPD-INTERPOL"

#. Police?
#: src/appendix/bibliography.xml:780(title)
msgid "Wikipedia - Interpolation"
msgstr "위키백과 - 보간법"

#: src/appendix/bibliography.xml:782(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Interpolation"
msgstr "http://ko.wikipedia.org/wiki/%EB%B3%B4%EA%B0%84%EB%B2%95"

#: src/appendix/bibliography.xml:788(abbrev)
msgid "IPTC"
msgstr ""

#: src/appendix/bibliography.xml:789(title)
msgid "IPTC Metadata Format"
msgstr ""

#: src/appendix/bibliography.xml:792(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/IPTC_Information_Interchange_Model"
msgstr "http://ko.wikipedia.org/wiki/URL"

#: src/appendix/bibliography.xml:798(abbrev)
msgid "WKPD-JPEG"
msgstr "WKPD-JPEG"

#: src/appendix/bibliography.xml:799(title)
msgid "Wikipedia - JPEG"
msgstr "위키백과 - JPEG"

#: src/appendix/bibliography.xml:801(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/JPEG"
msgstr "http://ko.wikipedia.org/wiki/JPEG"

#: src/appendix/bibliography.xml:807(abbrev)
msgid "WKPD-LAB"
msgstr "WKPD-LAB"

#: src/appendix/bibliography.xml:808(title)
msgid "Wikipedia - L*a*b"
msgstr "위키백과 - L*a*b"

#: src/appendix/bibliography.xml:810(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Lab_color_space"
msgstr "http://en.wikipedia.org/wiki/Lab_color_space"

#: src/appendix/bibliography.xml:816(abbrev)
msgid "WKPD-LZW"
msgstr "WKPD-LZW"

#: src/appendix/bibliography.xml:817(title)
msgid "Wikipedia - LZW"
msgstr "위키백과 - LZW"

#: src/appendix/bibliography.xml:819(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/LZW"
msgstr "http://ko.wikipedia.org/wiki/LZW"

#: src/appendix/bibliography.xml:825(abbrev)
msgid "WKPD-MOIRE"
msgstr "WKPD-MOIRE"

#: src/appendix/bibliography.xml:826(title)
msgid "Wikipedia - Moire"
msgstr "위키백과 - Moire"

#: src/appendix/bibliography.xml:828(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Moire"
msgstr "http://ko.wikipedia.org/wiki/%EB%AC%B4%EC%95%84%EB%A0%88"

#: src/appendix/bibliography.xml:834(abbrev)
msgid "WKPD-PACKBITS"
msgstr "WKPD-PACKBITS"

#: src/appendix/bibliography.xml:835(title)
msgid "Wikipedia - PackBits"
msgstr "위키백과 - PackBits"

#: src/appendix/bibliography.xml:837(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/PackBits"
msgstr "http://en.wikipedia.org/wiki/PackBits"

#: src/appendix/bibliography.xml:843(abbrev)
msgid "WKPD-PNG"
msgstr "WKPD-PNG"

#: src/appendix/bibliography.xml:844(title)
msgid "Wikipedia - PNG"
msgstr "위키백과 - PNG"

#: src/appendix/bibliography.xml:846(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Portable_Network_Graphics"
msgstr "http://ko.wikipedia.org/wiki/PNG"

#: src/appendix/bibliography.xml:852(abbrev)
msgid "WKPD-RASTER"
msgstr "WKPD-RASTER"

#: src/appendix/bibliography.xml:853(title)
msgid "Wikipedia - Raster Graphics"
msgstr "위키백과 - 래스터 그래픽"

#: src/appendix/bibliography.xml:855(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Raster_graphics"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EB%9E%98%EC%8A%A4%ED%84%B0_%EA%B7%B8%EB%9E%98%ED%94%BD%EC%8A%A4"

#: src/appendix/bibliography.xml:861(abbrev)
msgid "WKPD-RI"
msgstr "WKPD-RI"

#: src/appendix/bibliography.xml:862(title)
msgid "Wikipedia - Rendering Intent"
msgstr "위키백과 - 화면 처리(Rendering Intent)"

#: src/appendix/bibliography.xml:864(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Rendering_intent"
msgstr "http://ko.wikipedia.org/wiki/%EC%83%89_%EA%B4%80%EB%A6%AC"

#: src/appendix/bibliography.xml:870(abbrev)
msgid "WKPD-RETINA"
msgstr "WKPD-RETINA"

#: src/appendix/bibliography.xml:871(title)
msgid "Wikipedia - Retina"
msgstr "위키백과 - Retina"

#: src/appendix/bibliography.xml:873(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Retina"
msgstr "http://ko.wikipedia.org/wiki/%EB%A7%9D%EB%A7%89"

#: src/appendix/bibliography.xml:879(abbrev)
msgid "WKPD-SEPIA"
msgstr "WKPD-SEPIA"

#: src/appendix/bibliography.xml:880(title)
msgid "Wikipedia - Sepia"
msgstr "위키백과 - 세피아(Sepia)"

#: src/appendix/bibliography.xml:882(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Sepia"
msgstr "http://en.wikipedia.org/wiki/Sepia"

#: src/appendix/bibliography.xml:888(abbrev)
msgid "WKPD-SUBSAMPLING"
msgstr "WKPD-SUBSAMPLING"

#: src/appendix/bibliography.xml:889(title)
msgid "Wikipedia - Chroma subsampling"
msgstr "위키백과 - 크로마 서브샘플링"

#: src/appendix/bibliography.xml:891(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Chroma_Subsampling"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%ED%81%AC%EB%A1%9C%EB%A7%88_%EC%84%9C%EB%B8%8C%EC%83%98%ED%94%8C%EB%A7%81"

#: src/appendix/bibliography.xml:897(abbrev)
msgid "WKPD-SVG"
msgstr "WKPD-SVG"

#: src/appendix/bibliography.xml:898(title)
msgid "Wikipedia - SVG"
msgstr "위키백과 - SVG"

#: src/appendix/bibliography.xml:900(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Scalable_Vector_Graphics"
msgstr "http://ko.wikipedia.org/wiki/SVG"

#: src/appendix/bibliography.xml:906(abbrev)
msgid "WKPD-URI"
msgstr "WKPD-URI"

#: src/appendix/bibliography.xml:907(title)
msgid "Wikipedia - URI"
msgstr "위키백과 - URI"

#: src/appendix/bibliography.xml:909(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Uniform_Resource_Identifier"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%ED%86%B5%ED%95%A9_%EC%9E%90%EC%9B%90_%EC%8B%9D%EB%B3%84%EC%9E%90"

#: src/appendix/bibliography.xml:915(abbrev)
msgid "WKPD-URL"
msgstr "WKPD-URL"

#: src/appendix/bibliography.xml:916(title)
msgid "Wikipedia - URL"
msgstr "위키백과 - URL"

#: src/appendix/bibliography.xml:918(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Uniform_Resource_Locator"
msgstr "http://ko.wikipedia.org/wiki/URL"

#: src/appendix/bibliography.xml:924(abbrev)
msgid "WKPD-Web-colors"
msgstr "WKPD-Web-colors"

#: src/appendix/bibliography.xml:925(title)
msgid "Wikipedia - Web-colors"
msgstr "위키백과 - 웹색상"

#: src/appendix/bibliography.xml:927(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Web_colors"
msgstr "http://ko.wikipedia.org/wiki/%EC%9B%B9_%EC%83%89%EC%83%81"

#: src/appendix/bibliography.xml:933(abbrev)
msgid "XMP"
msgstr ""

#: src/appendix/bibliography.xml:934(title)
#, fuzzy
msgid "Wikipedia - Extensible Metadata Platform"
msgstr "위키백과 - 파일 형식"

#: src/appendix/bibliography.xml:936(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/Extensible_Metadata_Platform"
msgstr ""
"http://ko.wikipedia.org/wiki/"
"%EC%9D%B4%EB%AF%B8%EC%A7%80_%ED%8C%8C%EC%9D%BC_%ED%98%95%EC%8B%9D"

#: src/appendix/bibliography.xml:942(abbrev)
msgid "WKPD-YCBCR"
msgstr "WKPD-YCBCR"

#: src/appendix/bibliography.xml:943(title)
msgid "Wikipedia - YCbCr"
msgstr "위키백과 - YCbCr"

#: src/appendix/bibliography.xml:945(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/YCbCr"
msgstr "http://ko.wikipedia.org/wiki/YCbCr"

#: src/appendix/bibliography.xml:951(abbrev)
msgid "WKPD-YUV"
msgstr "WKPD-YUV"

#: src/appendix/bibliography.xml:952(title)
msgid "Wikipedia - YUV"
msgstr "위키백과 - YUV"

#: src/appendix/bibliography.xml:954(ulink)
#, fuzzy
msgid "https://en.wikipedia.org/wiki/YUV"
msgstr "http://en.wikipedia.org/wiki/YUV"

#: src/appendix/bibliography.xml:960(abbrev)
msgid "XDS"
msgstr "XDS"

#: src/appendix/bibliography.xml:961(title)
msgid "Direct Save Protocol (XDS)"
msgstr "직접 저장 프로토콜(XDS)"

#: src/appendix/bibliography.xml:963(ulink)
#, fuzzy
msgid "https://freedesktop.org/wiki/Specifications/XDS/"
msgstr "http://freedesktop.org/wiki/Specifications/XDS"

#. Put one translator per line, in the form of NAME <EMAIL>, YEAR1, YEAR2
#: src/appendix/bibliography.xml:0(None)
msgid "translator-credits"
msgstr ""
"Jihui Choi <jihui.choi@gmail.com>, 2006-2009.\n"
"Sangdo Jun <sebuls@gmail.com>, 2018."

#~ msgid "Version 2.0"
#~ msgstr "버전 2.0"

#~ msgid "Basic tools"
#~ msgstr "기본 도구"

#~ msgid "Tool options"
#~ msgstr "도구 옵션"

#~ msgid "User Interface"
#~ msgstr "사용자 인터페이스"

#~ msgid "Handling Tabs and Docks"
#~ msgstr "댑과 독(dock) 조절 기능"

#~ msgid "Scripting"
#~ msgstr "스크립트"

#~ msgid "The Text Tool"
#~ msgstr "텍스트 도구"

#~ msgid "The Path Tool"
#~ msgstr "경로 도구"

#, fuzzy
#~ msgid "Other improvements"
#~ msgstr "사용성 향상"

#, fuzzy
#~ msgid ""
#~ "If there is an active selection, you can crop the image directly to the "
#~ "selection size using image menu <menuchoice><guimenu>Image</"
#~ "guimenu><guisubmenu>Crop</guisubmenu></menuchoice>."
#~ msgstr ""
#~ "<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
#~ "menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#, fuzzy
#~ msgid ""
#~ "A channel mixer filter, previously available from the web as an add-on, "
#~ "appears in <menuchoice><guimenu>Filters</guimenu><guisubmenu>Colors</"
#~ "guisubmenu></menuchoice>."
#~ msgstr ""
#~ "<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
#~ "menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#, fuzzy
#~ msgid "What's New in GIMP 2.2?"
#~ msgstr "김프 2.10의 새로운 점은 ?"

#, fuzzy
#~ msgid ""
#~ "Here is a brief summary of some of the most important new features "
#~ "introduced in <acronym>GIMP</acronym> 2.2. There are many other smaller "
#~ "changes that long-time users will notice and appreciate (or complain "
#~ "about!). There are also important changes at the level of plug-in "
#~ "programming and Script-Fu creating that are not covered here."
#~ msgstr ""
#~ "여기서는 <acronym>김프</acronym> 2.2의 중요한 몇 가지 기능들에 대해 간략"
#~ "한 소개를 할 것입니다. 그 외에 오랫동안 김프를 사용해온 유저라면 눈치챌 "
#~ "수 있는 자잘한 변화들이나 플러그인 프로그래밍과 script-fu 생성 차원에서의 "
#~ "중요한 변화가 있지만 여기서는 다루지 않을 것입니다."

#~ msgid "Interoperability and Standards Support"
#~ msgstr "상호 호환 처리와 표준지원"

#~ msgid ""
#~ "You can drag-and-drop or copy-and-paste image data from the "
#~ "<acronym>GIMP</acronym> to any application which supports image/png drops "
#~ "(currently <application>Abiword</application> and <application>Kword</"
#~ "application> at least) and image/xml+svg drops (<application>Inkscape</"
#~ "application> supports this one). So you can copy-and-paste curves into "
#~ "the <acronym>GIMP</acronym> from <application>Inkscape</application>, and "
#~ "then drag a selection into <application>Abiword</application> to include "
#~ "it inline in your document."
#~ msgstr ""
#~ "<acronym>김프</acronym> 에서 image/png 드랍을 지원하는 프로그램"
#~ "(<application>Abiword</application>, <application>Kword</application> 등)"
#~ "이나 image/xml+svg 드랍을 지원하는 프로그램(<application>Inkscape</"
#~ "application> 등)으로 이미지 데이터를 끌어놓기하거나 복사하기/붙여넣기를 "
#~ "할 수 있습니다. 따라서 <application>Inkscape</application>에서 <acronym>김"
#~ "프</acronym>로 곡선을 끌어놓기할 수 있으며, 선택을 끌어서 "
#~ "<application>Abiword</application>의 문서에 삽입할 수도 있습니다."

#~ msgid ""
#~ "Patterns can now be any supported <classname>GtkPixbuf</classname> "
#~ "format, including png, jpeg, xbm and others."
#~ msgstr ""
#~ "png, jpeg, xbm 등의 모든 <classname>GtkPixbuf</classname> 포맷에서 무늬를 "
#~ "사용할 수 있습니다."

#~ msgid ""
#~ "<acronym>GIMP</acronym> can load gradients from SVG files, and palettes "
#~ "from ACT and RIFF files."
#~ msgstr ""
#~ "<acronym>김프</acronym>는 SVG 파일로부터 그라디언트를 읽어 들일 수 있으"
#~ "며, ACT와 RIFF 파일로부터 팔레트를 읽어 들일 수 있습니다."

#~ msgid ""
#~ "Drag-and-drop support has been extended. You can now drop files and URIs "
#~ "onto an image window, where they will be opened in the existing image as "
#~ "new layers."
#~ msgstr ""
#~ "확장된 끌어놓기를 통해 이미지 창 위에 파일을 끌어놓거나 URI를 통해 파일을 "
#~ "기존 이미지의 새 레이어로 열 수 있습니다."

#~ msgid "Shortcut Editor"
#~ msgstr "단축키 편집기"

#~ msgid ""
#~ "You can now edit your shortcuts in a dedicated dialog, as well as "
#~ "continue to use the little-known dynamic shortcuts feature (which has "
#~ "been there since 1.2)."
#~ msgstr ""
#~ "제공된 대화 상자 내의 단축키를 편집할 수 있으며, 잘 알려지지 않은 동적 바"
#~ "로가기 기능을 사용할 수도 있습니다(이 기능은 김프 1.2부터 지원되었습니다)."

#~ msgid "Plug-in Previews"
#~ msgstr "플러그인 미리보기"

#~ msgid ""
#~ "We have provided a standard preview widget for plug-in authors which "
#~ "greatly reduces the amount of code required to support previews. David "
#~ "Odin has integrated this widget into all the current filters, so that now "
#~ "many more filters in the <acronym>GIMP</acronym> include a preview which "
#~ "updates in real time, and the various previews behave much more "
#~ "consistently."
#~ msgstr ""
#~ "플러그인 제작자들을 위해 미리보기 지원에 필요한 코드의 양을 획기적으로 줄"
#~ "인 표준 미리보기 위젯을 제공합니다. David Odin 는 기존의 모든 필터안에 이 "
#~ "위젯을 통합하였고, 이에 따라 <acronym>김프</acronym>에서 제공되는 더 많은 "
#~ "필터들이 실시간으로 업데이트되며, 일관되게 동작하는 다양한 미리 보기를 제"
#~ "공할 수 있게 되었습니다."

#~ msgid "Real-Time Previews of Transform Operations"
#~ msgstr "변형 작업에서의 실시간 미리보기"

#~ msgid ""
#~ "The transform tools (shear, scale, perspective and rotate) can now show a "
#~ "real-time preview of the result of the operation when the tool is in "
#~ "<quote>Traditional</quote> mode. Previously, only a transforming grid was "
#~ "shown."
#~ msgstr ""
#~ "변형 도구(기울이기, 크기 조정, 원근법 및 회전)를 <quote>전통적</quote> 모"
#~ "드에서 사용할 경우, 그 동작 결과를 실시간으로 미리볼 수 있습니다. 그전에"
#~ "는 변형되는 모눈으로만 볼 수 있었습니다."

#~ msgid "GNOME Human Interface Guide Conformance"
#~ msgstr "그놈 휴먼 인터페이스 적용"

#~ msgid ""
#~ "A lot of work has been done on making the <acronym>GIMP</acronym>'s "
#~ "interface simpler and more usable for newcomers. Most dialogs now follows "
#~ "the <acronym>GNOME</acronym> HIG to the best of our knowledge. In "
#~ "addition, dialogs have separated out or removed many <quote>Advanced</"
#~ "quote> options, and replaced them with sane defaults or hidden them in an "
#~ "expander."
#~ msgstr ""
#~ "새로운 사용자에게 조금더 친근하고 편리한 <acronym>김프</acronym> 인터페이"
#~ "스를 만드는데 많은 노력이 할애되었습니다. 그 결과로 대부분의 대화 상자들"
#~ "은 우리가 아는 한 가장 훌륭한 인터페이스인 그놈 휴먼 인터페이스(GNOME HIG)"
#~ "를 적용했습니다. 그리고 대화 상자들은 많은 <quote>고급</quote> 옵션을 분리"
#~ "하거나 제거할 수 있으며, 기본값으로 되돌리거나 확장에서 숨길 수도 있습니"
#~ "다."

#~ msgid "GTK+ 2.4 Migration"
#~ msgstr "GTK+ 2.4 적용"

#~ msgid ""
#~ "Menus use the <classname>GtkUIManager</classname> to generate menu "
#~ "structure dynamically from XML data files."
#~ msgstr ""
#~ "메뉴들은 XML 데이터 파일로부터 동적으로 메뉴 구조를 생성하는 "
#~ "<classname>GtkUIManager</classname> 를 이용합니다."

#~ msgid ""
#~ "A completely revamped File Chooser is used everywhere in the "
#~ "<acronym>GIMP</acronym> for opening or saving files. The best thing about "
#~ "it is that it lets you create a set of <quote>bookmarks</quote>, making "
#~ "it possible to navigate quickly and easily to commonly used directories."
#~ msgstr ""
#~ "완전히 바뀐 파일 선택기는 어디에서든지 파일을 열거나 저장하는 등의 일을 "
#~ "할 수 있습니다. 이것의 가장 좋은 점은 이전에 사용했던 디렉토리들을 쉽고 빠"
#~ "르게 이동할 수 있도록 <quote>즐겨찾기</quote> 를 만들 수 있다라는 점입니"
#~ "다."

#~ msgid ""
#~ "<acronym>GIMP</acronym> now supports fancy ARGB cursors when they are "
#~ "available on the system."
#~ msgstr ""
#~ "<acronym>김프</acronym>는 시스템에서 지원할 경우 fancy ARGB 커서를 지원합"
#~ "니다."

#~ msgid "Basic Vector Support"
#~ msgstr "기본 벡터 지원"

#~ msgid ""
#~ "Using the GFig plug-in, the <acronym>GIMP</acronym> now supports the "
#~ "basic functionality of vector layers. The GFig plug-in supports a number "
#~ "of vector graphics features such as gradient fills, Bezier curves and "
#~ "curve stroking. It is also the easiest way to create regular or irregular "
#~ "polygons in the <acronym>GIMP</acronym>. In the <acronym>GIMP</acronym> "
#~ "2.2, you can create GFig layers, and re-edit these layers in GFig "
#~ "afterwards. This level of vector support is still quite primitive, "
#~ "however, in comparison to dedicated vector-graphics programs such as "
#~ "<application>Inkscape</application>."
#~ msgstr ""
#~ "<acronym>김프</acronym>는 GFig 플러그인을 통해 벡터 레이어의 기본 기능을 "
#~ "지원합니다. GFig 플러그인은 그라디언트로 채우기, 베지어 곡선, 곡선 그리기 "
#~ "등의 다양한 벡터 그래픽 기능들을 지원합니다. 또한 이를 이용해 규칙적 혹은 "
#~ "비규칙적인 다각형을 쉽게 만들 수 있습니다. <acronym>김프</acronym> 2.2에서"
#~ "는 GFig 레이어를 생성한 뒤 나중에 그 레이어를 편집할 수 있습니다. 하지만 "
#~ "이러한 벡터 지원은 <application>Inkscape</application> 등의 벡터그래픽 프"
#~ "로그램에서 제공하는 것에 비해서는 기초적인 수준입니다."

#~ msgid "Also . . ."
#~ msgstr "추가로 . . ."

#~ msgid ""
#~ "There are many other smaller user-visible features. A rapid-fire list of "
#~ "some of those features is below."
#~ msgstr ""
#~ "그 외에도 많은 기능들이 있는데, 아래는 그 기능들의 간략한 목록입니다."

#~ msgid ""
#~ "It is now possible to run the <acronym>GIMP</acronym> in batch mode "
#~ "without an X server."
#~ msgstr ""
#~ "리눅스에서 X 서버없이 배치모드로 <acronym>김프</acronym>를 실행할 수 있습"
#~ "니다."

#~ msgid ""
#~ "We have a <acronym>GIMP</acronym> binary (<acronym>GIMP</acronym>-"
#~ "console) which is not linked to GTK+ at all."
#~ msgstr ""
#~ "GTK+ 와 무관한 독립적인 <acronym>김프</acronym> 실행파일(<acronym>김프</"
#~ "acronym>-콘솔)이 제공됩니다."

#~ msgid "Improved interface for extended input devices"
#~ msgstr "확장 입력 도구를 위한 개선된 인터페이스"

#~ msgid ""
#~ "Editable toolbox: You can now decide which tools should be shown in the "
#~ "Toolbox, and their order. In particular, you can add any or all of the "
#~ "Color Tools to the Toolbox if you wish to."
#~ msgstr ""
#~ "편집가능한 도구 상자 : 도구 상자에 보여지는 도구들의 종류나 순서를 직접 결"
#~ "정할 수 있습니다. 특히 원하는 색상 도구들을 도구 상자에 추가할 수 있습니"
#~ "다."

#~ msgid ""
#~ "Histogram overlays R, G and B histograms on the Value histogram, and "
#~ "calculates the histogram only for the contents of the selection."
#~ msgstr "히스토그램의 R,G,B 그래프는 선택된 영역의 값만을 계산합니다."

#~ msgid "Shortcuts are now shared across all <acronym>GIMP</acronym> windows."
#~ msgstr "단축키는 모든 <acronym>김프</acronym> 창에서 사용할 수 있습니다."

#~ msgid "GIMP History"
#~ msgstr "김프 역사"

#~ msgid "History"
#~ msgstr "역사"

#~ msgid "The Very Beginning"
#~ msgstr "시작"

#~ msgid "The Early Days of GIMP"
#~ msgstr "김프 초기 버전"

#~ msgid "Version 0.54"
#~ msgstr "버전 0.54"

#~ msgid "Version 0.60"
#~ msgstr "버전 0.60"

#~ msgid "Version 0.99"
#~ msgstr "버전 0.99"

#~ msgid "The One to Change the World"
#~ msgstr "세상을 바꾼 한 가지"

#~ msgid "Version 1.0"
#~ msgstr "버전 1.0"

#~ msgid "Version 1.2"
#~ msgstr "버전 1.2"

#~ msgid ""
#~ "@@image: 'images/using/experimental-gegl-tool.png'; "
#~ "md5=32d24252343fa19d00cbf9cd2304c238"
#~ msgstr ""
#~ "@@image: 'images/using/experimental-gegl-tool.png'; "
#~ "md5=32d24252343fa19d00cbf9cd2304c238"

#, fuzzy
#~ msgid "What's New in GIMP 2.8?"
#~ msgstr "김프 2.10의 새로운 점은 ?"

#, fuzzy
#~ msgid "New single window mode"
#~ msgstr "새 블렌드 모드:"

#, fuzzy
#~ msgid "The new look of the single window mode"
#~ msgstr "김프 2.6 의 달라진 이미지 창"

#, fuzzy
#~ msgid "New file save workflow"
#~ msgstr "선형 색상 공간 작업"

#, fuzzy
#~ msgid "New resources tags"
#~ msgstr "온라인 자료"

#, fuzzy
#~ msgid "Minor changes"
#~ msgstr "API 바뀜"

#~ msgid "Tools, Filters and Plug-ins"
#~ msgstr "도구, 필터, 플러그인"

#, fuzzy
#~ msgid "A new tool: Cage Transform"
#~ msgstr "핸들 변형"

#, fuzzy
#~ msgid "Cage Transform"
#~ msgstr "핸들 변형"

#, fuzzy
#~ msgid "Improved Text Tool"
#~ msgstr "새롭고 향상된 도구"

#, fuzzy
#~ msgid "Improved text tool"
#~ msgstr "새롭고 향상된 도구"

#, fuzzy
#~ msgid "Rotating brushes"
#~ msgstr "복원 도구"

#, fuzzy
#~ msgid "Added optional diagonal guides to the crop tool."
#~ msgstr "이동 도구에 동작 제한 옵션 추가"

#, fuzzy
#~ msgid "Brush dynamics improved."
#~ msgstr "동적인 붓"

#~ msgid "Under the Hood"
#~ msgstr "내부적인 변화"

#, fuzzy
#~ msgid ""
#~ "In addition to porting color operations to <acronym>GEGL</acronym>, an "
#~ "experimental GEGL Operation tool has been added, found in the Tools menu. "
#~ "It enables applying <acronym>GEGL</acronym> operations to an image and it "
#~ "gives on-canvas previews of the results. The screenshot below shows this "
#~ "for a Gaussian Blur."
#~ msgstr ""
#~ "GEGL 로 색상 동작을 이전하는 것 외에도, 도구 메뉴에 GEGL 도구가 추가되었습"
#~ "니다. 이는 GEGL 동작들을 이미지에 적용하고 캔버스를 통해 직접 미리보기를 "
#~ "볼 수 있습니다. 위쪽의 스크린샷은 가우시언 블루어를 선택한 화면입니다."

#, fuzzy
#~ msgid "<acronym>GEGL</acronym> operation"
#~ msgstr "<acronym>김프</acronym> 문서팀"

#~ msgid "Miscellaneous"
#~ msgstr "기타"

#, fuzzy
#~ msgid "License change"
#~ msgstr "사소한 변화들"

#~ msgid "Backwards Compatibility"
#~ msgstr "하위 버전 호환성"

#~ msgid "Known Problems"
#~ msgstr "알려진 문제점"

#~ msgid ""
#~ "@@image: 'images/using/empty-image-window.png'; "
#~ "md5=8632e6215bde6e766574716d9073b371"
#~ msgstr ""
#~ "@@image: 'images/using/empty-image-window.png'; "
#~ "md5=8632e6215bde6e766574716d9073b371"

#~ msgid ""
#~ "@@image: 'images/using/scroll-beyond-border.png'; "
#~ "md5=1d4f34905e4be8d93bc5da0a64ce2db1"
#~ msgstr ""
#~ "@@image: 'images/using/scroll-beyond-border.png'; "
#~ "md5=1d4f34905e4be8d93bc5da0a64ce2db1"

#~ msgid ""
#~ "@@image: 'images/using/new-free-select-tool.png'; "
#~ "md5=aa8198be85c517579c54c33bb268a16f"
#~ msgstr ""
#~ "@@image: 'images/using/new-free-select-tool.png'; "
#~ "md5=aa8198be85c517579c54c33bb268a16f"

#~ msgid ""
#~ "@@image: 'images/using/brush-dynamics.jpg'; "
#~ "md5=778d34741199891877cde0c13d3f5859"
#~ msgstr ""
#~ "@@image: 'images/using/brush-dynamics.jpg'; "
#~ "md5=778d34741199891877cde0c13d3f5859"

#~ msgid ""
#~ "@@image: 'images/using/text-tool.png'; "
#~ "md5=5fa61661087477d18a368defb302a19f"
#~ msgstr ""
#~ "@@image: 'images/using/text-tool.png'; "
#~ "md5=5fa61661087477d18a368defb302a19f"

#~ msgid ""
#~ "@@image: 'images/using/rectangle-handles.png'; "
#~ "md5=fbab94363b8c6bca219fbdd9ee0392af"
#~ msgstr ""
#~ "@@image: 'images/using/rectangle-handles.png'; "
#~ "md5=fbab94363b8c6bca219fbdd9ee0392af"

#~ msgid ""
#~ "@@image: 'images/using/gimp-curves-tool-2-4-vs-2-6.png'; "
#~ "md5=f1851e8eb1214e4c5be9fdd03b4a194e"
#~ msgstr ""
#~ "@@image: 'images/using/gimp-curves-tool-2-4-vs-2-6.png'; "
#~ "md5=f1851e8eb1214e4c5be9fdd03b4a194e"

#, fuzzy
#~ msgid "What's New in GIMP 2.6?"
#~ msgstr "김프 2.10의 새로운 점은 ?"

#~ msgid ""
#~ "GIMP 2.6 is an important release from a development point of view. It "
#~ "features changes to the user interface addressing some often received "
#~ "complaints, and a tentative integration of GEGL, the graph based image "
#~ "processing library that will eventually bring high bit-depth and non-"
#~ "destructive editing to GIMP."
#~ msgstr ""
#~ "김프 2.6 은 개발 관점에서 중요한 의미를 가진 버전입니다. 그동안 많은 불만"
#~ "을 야기했던 사용자 인터페이스에 변화를 주었고, GEGL 이 시험적으로 통합되었"
#~ "습니다. GEGL 은 그래픽 기반 이미지 처리 라이브러리로 김프에서 높은 비트의 "
#~ "이미지를 지원할 수 있게 해주고, 손상없이 편집할 수 있게 해 줄 것입니다."

#~ msgid "Toolbox Menubar removed"
#~ msgstr "도구 상자의 메뉴 제거"

#~ msgid ""
#~ "The toolbox menubar has been removed and merged with the image window "
#~ "menubar. To be able to do this a window called the empty image window has "
#~ "been introduced. It hosts the menubar and keeps the application instance "
#~ "alive when no images are opened. It also acts as a drag and drop target. "
#~ "When opening the first image the empty image window is transformed into a "
#~ "normal image window, and when closing the last image, that window becomes "
#~ "the empty image window."
#~ msgstr ""
#~ "도구 상자의 메뉴가 사라지고, 메뉴들은 이미지 창의 메뉴에 통합되었습니다. "
#~ "이를 위해 \"빈 이미지 창\" 이라고 불리는 창이 새로 추가되었습니다. 이 창"
#~ "은 모든 메뉴를 가지고 있게 되며, 예전에 도구 상자가 그러했듯이 열린 이미지"
#~ "가 없더라도 김프 프로그램 자체를 유지시키는 역활을 합니다. 또한 이미지를 "
#~ "빈 이미지 창으로 끌어 놓기(Drag and Drop)해서 이미지를 열 수 있습니다. 처"
#~ "음 이미지를 열면 빈 이미지창은 일반 이미지 창으로 변하며, 마지막 이미지를 "
#~ "닫으면 다시 빈 이미지 창으로 바뀝니다."

#~ msgid "New Look of the image window in GIMP 2.6"
#~ msgstr "김프 2.6 의 달라진 이미지 창"

#~ msgid "Toolbox and docks are utility windows"
#~ msgstr "도구 상자와 독(dock)이 유틸리티 창으로 변경"

#~ msgid ""
#~ "With the empty image window acting as a natural main window, the Toolbox "
#~ "and Docks windows are now utility windows rather than main windows. This "
#~ "enables window managers to do a much better job of managing the GIMP "
#~ "windows, including omitting the Toolbox and Docks from the taskbar and "
#~ "ensuring that the Toolbox and Docks always are above image windows."
#~ msgstr ""
#~ "빈 이미지 창이 도구 상자의 역활을 대신해 마치 메인 창처럼 동작하며, 도구 "
#~ "상자와 독(dock)은 유틸리티 창으로 바뀌었습니다. 이를 통해 도구 상자와 독"
#~ "(dock) 창을 작업 막대에서 제외할 수 있게 되었고, 도구 상자와 독(dock)을 이"
#~ "미지 창 위에 항상 표시하게 하는 등 창 관리자가 김프 창들을 더 효율적으로 "
#~ "관리할 수 있도록 되었습니다."

#~ msgid "Ability to scroll beyond image border"
#~ msgstr "이미지 경계 너머로 스크롤 가능"

#~ msgid ""
#~ "The Navigation dialog now allows panning beyond the image border; so it "
#~ "is no longer a problem to use a brush on the edge of an image that fills "
#~ "the entire display window. Also, if a utility window covers the image, "
#~ "you can pan the image to view or edit the portion covered by the utility "
#~ "window."
#~ msgstr ""
#~ "내비게이션 대화 상자의 제한이 완화되어 이미지 경계 너머에서도 붓을 자유롭"
#~ "게 사용할 수 있게 되었습니다. 이에 따라 이미지를 확대한 상태에서 이미지의 "
#~ "가장자리에 붓의 가장자리를 이용해 아무 문제없이 칠을 할 수 있게 되었습니"
#~ "다. 또한 이미지가 유틸리티 창에 가려진 경우에도 가려진 부분을 이미지를 보"
#~ "거나 편집할 수 있게 되었습니다."

#~ msgid "Scrolling beyond border"
#~ msgstr "이미지 경계 너머로 스크롤"

#~ msgid "Renamed Dialogs menu to Windows."
#~ msgstr "창 메뉴에서 대화상자 메뉴 이름 변경"

#~ msgid "Keep a list of recently closed Docks and allow reopening them."
#~ msgstr "최근에 닫은 독(dock) 목록을 유지하고, 다시 열 수 있는 기능 추가"

#~ msgid ""
#~ "Make opening images in already running GIMP instances work better on "
#~ "Windows."
#~ msgstr ""
#~ "MS 윈도에서 이미 실행되고 있는 김프를 이용해 이미지를 여는 동작 개선"

#~ msgid "You can now enter the image zoom ratio directly in the status bar."
#~ msgstr "상태표시줄에 확대/축소 비율값을 직접 입력 가능"

#~ msgid ""
#~ "Added support for using online help instead of a locally installed GIMP "
#~ "Help package."
#~ msgstr ""
#~ "설치된 김프 도움말 패키지 대신 온라인 도움말을 사용할 수 있는 기능 추가"

#~ msgid "Make it possible to lock tabs in docks to prevent accidental moving."
#~ msgstr ""
#~ "실수로 이동되는 것을 막기 위해 독(dock)에 탭을 잠글 수 있는 기능 추가"

#~ msgid "Improved Free Select Tool"
#~ msgstr "개선된 자유 선택 도구"

#~ msgid ""
#~ "The freehand select tool has been enhanced to support polygonal "
#~ "selections. It also allows mixing free hand segments with polygonal "
#~ "segments, editing of existing segments, applying angle-constraints to "
#~ "segments, and of course the normal selection tool operations like add and "
#~ "subtract. Altogether this ends up making the Free Select Tool a very "
#~ "versatile, powerful and easy-to-use selection tool."
#~ msgstr ""
#~ "자유 선택 도구에 다각형 선택 기능이 추가되었습니다. 기존의 자유 선택과 다"
#~ "각형 선택을 조합해 사용할 수 있으며, 기존의 선택을 수정하거나 제한적인 각"
#~ "도로 선택을 하는 등 다양한 작업을 할 수 있습니다. 물론 일반 선택처럼 선택"
#~ "을 더하거나 빼는 동작도 할 수 있습니다. 이로서 자유선택 도구는 유용하고, "
#~ "강력하며, 사용하기 편리한 선택 도구로 다시 태어났습니다."

#~ msgid "Polygonal Selection"
#~ msgstr "다각 선택"

#~ msgid "Brush Dynamics"
#~ msgstr "동적인 붓"

#~ msgid ""
#~ "Brush dynamics uses an input dynamic such as pressure, velocity, or "
#~ "random, to modify brush parameters such as opacity, hardness, size, or "
#~ "color; every brush supports size and opacity, most support more. Velocity "
#~ "and random are usable with a mouse. The Ink tool, that supported "
#~ "velocity, has been overhauled to better handle velocity-dependent "
#~ "painting."
#~ msgstr ""
#~ "동적인 붓의 압력, 속도, 무작위 등의 옵션을 이용해 붓의 불투명도, 경도, 크"
#~ "기, 색상 등을 조정할 수 있습니다. 모든 붓에서 크기와 불투명도를 지원하며, "
#~ "대부분의 경우 더 많은 옵션을 지원합니다. 속도와 무작위 항목은 마우스를 사"
#~ "용할 때 유용합니다. 그리고 이전에도 속도에 따른 변화가 지원되었던 잉크도구"
#~ "는 좀더 원활하게 지원됩니다."

#~ msgid ""
#~ "Brush dynamics have enabled a new feature in stroking paths. There is now "
#~ "a check box under the <quote>paint tool</quote> option, for emulating "
#~ "brush dynamics if you stroke using a paint tool. What this means is that "
#~ "when your stroke is painted, GIMP tells the brush that the pressure and "
#~ "velocity are varying along the length of the stroke. Pressure starts with "
#~ "no pressure, ramps up to full pressure, and then ramps down again to no "
#~ "pressure. Velocity starts from zero and ramps up to full speed by the end "
#~ "of the stroke."
#~ msgstr ""
#~ "동적인 붓 기능은 경로 따라그리기에서도 사용할 수 있습니다. 이를 위해 "
#~ "<quote>붓 도구</quote> 옵션 아래에 동적인 붓으로 에뮬레이팅하는 옵션이 추"
#~ "가되었습니다. 이 옵션을 선택하면, 경로를 따라그리기 할때 경로의 길이에 따"
#~ "라 붓의 압력과 속도가 변경됩니다. 압력은 0 에서 시작해서 최고 압력까지 상"
#~ "승했다가 다시 0 으로 되돌아오고, 속도는 0 에서 시작해서 선의 마지막에 이를"
#~ "때 최고 속도값을 가집니다."

#~ msgid ""
#~ "Added a bounding box for the Text Tool that supports automatic wrapping "
#~ "of text within that bounding box."
#~ msgstr ""
#~ "텍스트 도구에 경계 상자 추가. 이 상자안에 들어있는 텍스트는 자동으로 줄바"
#~ "꿈이 됨"

#~ msgid "Text tool bounding box"
#~ msgstr "텍스트 도구의 경계 상자"

#~ msgid ""
#~ "Move handles for rectangle based tools like Crop and Rectangle Select to "
#~ "the outside of the rectangle when the rectangle is narrow."
#~ msgstr ""
#~ "잘라내기나 사각 선택과 같은 사각형 모양의 도구들에서 사각형이 너무 작으면 "
#~ "선택 크기 조절 영역이 선택 밖으로 이동"

#~ msgid "Rectangle handles"
#~ msgstr "사각 조절 영역"

#~ msgid "Added motion constraints to the Move Tool."
#~ msgstr "이동 도구에 동작 제한 옵션 추가"

#~ msgid "Improved event smoothing for paint tools."
#~ msgstr "칠하기 도구의 부드러운 동작 이벤트 개선"

#~ msgid ""
#~ "Mark the center of rectangles while they are moved, and snap the center "
#~ "to grid and rulers."
#~ msgstr ""
#~ "개체를 움직일 때 중앙에 십자표시. 이를 이용해 가운데를 격자나 안내선에 맞"
#~ "출 수 있음."

#~ msgid "Enable brush scaling for the Smudge tool."
#~ msgstr "문지르기 도구에서 붓 크기를 조절할 수 있음"

#~ msgid ""
#~ "Added ability to save presets in all color tools for color adjustments "
#~ "you use frequently."
#~ msgstr "자주 사용하는 색상 조정을 위한 색상 도구 옵션을 저장할 수 있음"

#, fuzzy
#~ msgid ""
#~ "Allow to transfer settings from <emphasis>Brightness-Contrast </emphasis> "
#~ "to <emphasis>Levels</emphasis>, and from <emphasis>Levels</emphasis> to "
#~ "<emphasis>Curves</emphasis>."
#~ msgstr ""
#~ "LCH 레이어 모드: <emphasis>Hue</emphasis>, <emphasis>Chroma</emphasis>, "
#~ "<emphasis>Color</emphasis>, 그리고 <emphasis>Lightness</emphasis>."

#~ msgid "Allow changing opacity on transform tool previews."
#~ msgstr "변형 도구 미리보기에서 불투명도 변경 가능"

#~ msgid ""
#~ "The Screenshot plug-in has been given the ability to capture the mouse "
#~ "cursor (using Xfixes)."
#~ msgstr "스크린샷 플러그인에 마우스 커서를 포함하는 기능 추가(Xfixes 사용)"

#~ msgid ""
#~ "Display aspect ratio of the Crop and Rectangle Select Tool rectangles in "
#~ "the status bar."
#~ msgstr ""
#~ "잘라내기와 사각 선택도구에서 생성한 사각형의 비율을 상태표시줄에 표시"

#~ msgid "Desaturate has been given an on-canvas preview."
#~ msgstr "무채화 도구에 미리보기 기능 추가(미리보기가 캔버스에 표시됨)"

#~ msgid "The Flame plug-in has been extended with 22 new variations."
#~ msgstr "화염(flame) 플러그인에 22 가지 변화 포함"

#~ msgid ""
#~ "Data file folders like brush folders are searched recursively for files."
#~ msgstr "붓 폴더와 같은 데이터 파일 폴더의 하위 폴더 검색 추가"

#~ msgid ""
#~ "Replaced the PSD import plug-in with a rewritten version that does what "
#~ "the old version did plus some other things, for example reading of ICC "
#~ "color profiles."
#~ msgstr "PSD 가져오기 플러그인 교체(ICC 색상 프로필 읽기 등의 기능이 추가됨)"

#~ msgid "Several displays use Cairo library."
#~ msgstr "일부 화면에서 카이로(Cairo) 라이브러리 사용"

#~ msgid "Comparing 2.6 display vs 2.4"
#~ msgstr "2.6 과 2.4 의 화면 비교"

#, fuzzy
#~ msgid ""
#~ "Important progress towards high bit-depth and non-destructive editing in "
#~ "GIMP has been made. Most color operations in GIMP are now ported to the "
#~ "powerful graph based image processing framework GEGL <xref "
#~ "linkend=\"bibliography-online-gegl\"/>, meaning that the internal "
#~ "processing is done in 32bit floating point linear light RGBA. By default "
#~ "the legacy 8bit code paths are still used, but a curious user can turn on "
#~ "the use of GEGL for the color operations with <quote>Colors / Use GEGL</"
#~ "quote>."
#~ msgstr ""
#~ "GEGL 지원은 김프에서 높은 비트의 이미지를 처리하고 손실없는 편집을 하기 위"
#~ "한 중요한 단계입니다. 김프에서 이루어지는 대부분의 색상 관련 동작은 강력"
#~ "한 그래픽 베이스 이미지 처리 프레임워크인 GEGL <xref "
#~ "linkend=\"bibliography-online-gegl\"/>로 대체되었습니다. 이로서 32비트 선"
#~ "형 부동 포인트를 지원하는 RGBA 를 사용할 수 있게 되었습니다. 현재는 기본값"
#~ "으로 기존의 8비트 코드를 그대로 사용하며, <link linkend=\"gimp-config-use-"
#~ "gegl\">색상 / GEGL 사용</link> 옵션을 통해 색상 동작에 GEGL 을 사용하도록 "
#~ "설정할 수 있습니다."

#~ msgid ""
#~ "In addition to porting color operations to GEGL, an experimental GEGL "
#~ "Operation tool has been added, found in the Tools menu. It enables "
#~ "applying GEGL operations to an image and it gives on-canvas previews of "
#~ "the results. The screenshot below shows this for a Gaussian Blur."
#~ msgstr ""
#~ "GEGL 로 색상 동작을 이전하는 것 외에도, 도구 메뉴에 GEGL 도구가 추가되었습"
#~ "니다. 이는 GEGL 동작들을 이미지에 적용하고 캔버스를 통해 직접 미리보기를 "
#~ "볼 수 있습니다. 위쪽의 스크린샷은 가우시언 블루어를 선택한 화면입니다."

#~ msgid "GEGL operation"
#~ msgstr "GEGL 동작"

#~ msgid ""
#~ "Ported many widgets to use the 2D graphics library cairo <xref "
#~ "linkend=\"bibliography-online-cairo\"/> for drawing. See this <link "
#~ "linkend=\"gimp-cairo-2-4-vs-2-6\">comparison</link> for an example of how "
#~ "much better this looks."
#~ msgstr ""
#~ "그리기 동작에 2D 그래픽 라이브버리 카이로(cairo)를 사용하기 위한 많은 위젯"
#~ "이 추가되었습니다. 이를 통해 얼마나 달라졌는지 아래의 비교 화면을 확인하세"
#~ "요."

#~ msgid "Plug-in Development"
#~ msgstr "플러그인 개발"

#~ msgid ""
#~ "There are new things for a plug-in developer to enjoy as well. For "
#~ "example, procedures can now give a detailed error description in case of "
#~ "an error, and the error can be propagated to the user."
#~ msgstr ""
#~ "플러그인 개발자들을 위한 새로운 기능들이 추가되었습니다. 예를 들어 오류가 "
#~ "발생되면 오류에 대한 자세한 내용을 개발자에게 전달하는 프로세서가 추가되었"
#~ "습니다."

#~ msgid ""
#~ "GIMP 2.6 also further enhances its scripting abilities. In particular "
#~ "there is now a much richer API for the creation and manipulation of text "
#~ "layers. Here is a list of new symbols in GIMP 2.6: <xref "
#~ "linkend=\"bibliography-online-gimp-dev-new\"/>."
#~ msgstr ""
#~ "스크립트 기능도 향상되었습니다. 특히 텍스트 레이어의 생성과 편집에 관한 고"
#~ "급 API 가 많이 추가되었으며, 다음 문서에서 김프 2.6의 새 심볼 목록을 확인"
#~ "할 수 있습니다. <xref linkend=\"bibliography-online-gimp-dev-new\"/>."

#~ msgid ""
#~ "Some old scripts could not be used with GIMP-2.4. This has been improved "
#~ "and 2.6 should run 2.0 and 2.2 scripts."
#~ msgstr "김프 2.4 에서 사용하던 일부 스크립트들을 사용할 수 없습니다."

#~ msgid ""
#~ "The Utility window hint is currently only known to work well in the Linux "
#~ "GNOME desktop environment and on Windows starting with GIMP 2.6.1."
#~ msgstr ""
#~ "김프 2.6.1에 추가된 유틸리티 창의 간단 도움말은 현재 리눅스 그놈 데스크탑 "
#~ "환경과 윈도우즈에서만 동작합니다."

#~ msgid ""
#~ "Using the Text Tool is currently not an optimal experience. Making it "
#~ "work better is a goal for GIMP 2.8."
#~ msgstr ""
#~ "텍스트 도구는 아직 조금 불편합니다. 이는 김프 2.8 에 더욱 개선될 것입니다."

#~ msgid ""
#~ "If you build GIMP yourself and don't have GVfs support on your platform "
#~ "you need to explicitly pass <option>--without-gvfs</option> to "
#~ "<command>configure</command>, otherwise opening remote files will not "
#~ "work properly."
#~ msgstr ""
#~ "GVfs 를 지원하지 않는 플랫폼에서 김프를 직접 빌드할 경우, <option>--"
#~ "without-gvfs</option> <command>옵션</command>을 사용해야 합니다. 그렇지 않"
#~ "으면 연결 프로그램 동작이 올바르게 동작하지 않을 수 있습니다."

#~ msgid "What's new in GIMP 2.10?"
#~ msgstr "김프 2.10의 새로운 점은 ?"

#~ msgid ""
#~ "GIMP 2.10 is the result of six years of work that originally focused on "
#~ "porting the program to a new image processing engine, GEGL. However the "
#~ "new version ships with far more new features, including new and improved "
#~ "tools, better file formats support, various usability improvements, "
#~ "revamped color management support, a plethora of improvements targeted at "
#~ "digital painters and photographers, metadata editing, and much, much more."
#~ msgstr ""
#~ "김프 2.10은 원래 프로그램을 새 이미지 처리 엔진 GEGL로 이식하는 데 중점을 "
#~ "둔 6년 작업의 결과입니다. 그러나 새 버전은 새롭고 향상된 도구, 더 좋은 파"
#~ "일 형식 지원, 다양한 사용성 증진, 개선된 색상 관리 지원, 디지털 화가 및 사"
#~ "진 작가를 대상으로 한 많은 개선, 메타 데이터 편집, 그리고 더, 더 많은 기능"
#~ "을 담았습니다."

#~ msgid "Updated user interface and initial HiDPI support"
#~ msgstr "업데이트 된 사용자 인터페이스 및 초기 HiDPI 지원"

#~ msgid ""
#~ "One thing immediately noticeable about GIMP 2.10 is the new dark theme "
#~ "and symbolic icons enabled by default. This is meant to somewhat dim the "
#~ "environment and shift the focus towards content."
#~ msgstr ""
#~ "김프 2.10에서 바로 알 수 있는 하나는 어두운 테마와 기호 아이콘이 기본으로 "
#~ "활성화되는 겁니다. 이것은 환경을 어둡게 하고 내용에 초점을 맞추는 것을 뜻"
#~ "합니다."

#~ msgid ""
#~ "There are now 4 user interface themes available in GIMP: <emphasis>Dark</"
#~ "emphasis> (default), <emphasis>Gray</emphasis>, <emphasis>Light</"
#~ "emphasis>, and <emphasis>System</emphasis>. Icons are now separate from "
#~ "themes, and we maintain both color and symbolic icons, so you can "
#~ "configure GIMP to have <emphasis>System</emphasis> theme with color icons "
#~ "if you prefer the old look."
#~ msgstr ""
#~ "김프에서 4가지 사용자 인터페이스 테마가 가능합니다: <emphasis>Dark</"
#~ "emphasis> (기본값), <emphasis>Gray</emphasis>, <emphasis>Light</"
#~ "emphasis>, 그리고 <emphasis>System</emphasis>. 아이콘은 이제 테마에서 분리"
#~ "되며, 색상과 기호 아이콘이 모두 유지되므로, 김프를 <emphasis>System</"
#~ "emphasis> 테마로 설정해서 색상 아이콘을 갖게(옛 모양이 좋으면) 할 수 있습"
#~ "니다."

#~ msgid ""
#~ "Moreover, icons are available in four sizes now, so that GIMP would look "
#~ "better on HiDPI displays. GIMP will do its best to detect which size to "
#~ "use, but you can manually override that selection in "
#~ "<menuchoice><guimenu>Edit</guimenu><guisubmenu>Preferences</"
#~ "guisubmenu><guisubmenu>Interface</guisubmenu><guisubmenu>Icon Themes</"
#~ "guisubmenu></menuchoice>."
#~ msgstr ""
#~ "게다가, 아이콘은 4가지 크기가 가능하므로, 김프는 HiDPI 디스플레이에서 더 "
#~ "좋게 보일 겁니다. 김프는 어떤 크기가 가장 좋은지 검출할 것이지만, 수동으"
#~ "로 선택을 무시(<menuchoice><guimenu>편집</guimenu><guisubmenu>기본 설정</"
#~ "guisubmenu><guisubmenu>인터페이스</guisubmenu><guisubmenu>Icon Themes</"
#~ "guisubmenu></menuchoice> )할 수 있습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Benoit Touchette, Klaus Staedtler, "
#~ "Ville Pätsi, Aryeom Han, Jehan Pagès, Alexandre Prokoudine…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Benoit Touchette, Klaus Staedtler, Ville "
#~ "Pätsi, 한 아렴, Jehan Pagès, Alexandre Prokoudine…"

#~ msgid "GEGL port, high bit depth support, multi-threading, and more"
#~ msgstr "GEGL port, high bit depth 지원, 멀티쓰레딩, 등"

#~ msgid ""
#~ "The ultimate goal for v2.10 was completing the port to GEGL image "
#~ "processing library, started with v2.6 when we introduced optional use of "
#~ "GEGL for color tools and an experimental GEGL tool, and continued with "
#~ "v2.8 where we added GEGL-based projection of layers."
#~ msgstr ""
#~ "김프 v2.10의 궁극 목적은 GEGL 이미지 처리 프로세싱 라이브러리로 이식을 완"
#~ "성하는 것으로, 색상 도구와 실험적 GEGL 도구의 사용을 선택적으로 도입한 "
#~ "v2.6에서 시작해서, v2.8에도 계속되는데 여기에 GEGL 기반 레이어의 프로젝션"
#~ "을 더했습니다."

#~ msgid ""
#~ "Now GIMP uses GEGL for all tile management and builds an acyclic graph "
#~ "for every project. This is a prerequisite for adding non-destructive "
#~ "editing planned for v3.2."
#~ msgstr ""
#~ "이제 김프는 모든 타일 관리에 GEGL을 사용하며 모든 프로젝트에 비순환 그래프"
#~ "를 만듭니다. 이는 v3.2에 계획된 비파괴 편집을 더하기 위한 전제조건입니다."

#~ msgid ""
#~ "There are many benefits from using GEGL, and some of them you can already "
#~ "enjoy in GIMP 2.10."
#~ msgstr ""
#~ "GEGL을 사용하면 많은 이점이 있으며, 그중 몇은 이미 김프 2.10에서 즐길 수 "
#~ "있습니다."

#~ msgid ""
#~ "<emphasis>High bit depth support</emphasis> allows processing images with "
#~ "up to 32-bit per color channel precision and open/export PSD, TIFF, PNG, "
#~ "EXR, and RGBE files in their native fidelity. Additionally, FITS images "
#~ "can be opened with up to 64-bit per channel precision."
#~ msgstr ""
#~ "<emphasis>High bit depth support</emphasis>는 이미지 처리를 색상 채널 당 "
#~ "32비트 정밀도까지 하고 PSD, TIFF, PNG, EXR, 그리고 RGBE 파일을 기본 충실도"
#~ "로 열기/내보내기 할 수 있게 합니다. 게다가, FITS 이미지는 채널 당 64비트 "
#~ "정밀도로 열릴 수 있습니다."

#~ msgid ""
#~ "<emphasis>Multi-threading</emphasis> allows making use of multiple cores "
#~ "for processing. Not all features in GIMP make use of that, it's something "
#~ "we intend to work on further. A point of interest is that multi-threading "
#~ "happens through GEGL processing, but also in core GIMP itself, for "
#~ "instance to separate painting from display code."
#~ msgstr ""
#~ "<emphasis>Multi-threading</emphasis>은 여러 코어를 쓸 수 있게 합니다. 김프"
#~ "의 모든 기능이 그걸 쓰지는 않고, 앞으로 하려고 합니다. 흥미로운 점은 멀티"
#~ "쓰레딩이 GEGL 처리를 통해 발생하지만, 페인팅을 디스플레이 코드에서 분리하"
#~ "려 코어 김프 자체 안에서도 그러합니다."

#~ msgid ""
#~ "<emphasis>GPU-side processing</emphasis> is still optional, but available "
#~ "for systems with stable OpenCL drivers."
#~ msgstr ""
#~ "<emphasis>GPU-side processing</emphasis>은 아직 선택사항이지만, 안정적 "
#~ "OpenGL 드라이버를 가진 시스템에서 쓸 수 있습니다."

#~ msgid ""
#~ "You can find configuration options for multi-threading and hardware "
#~ "acceleration in <menuchoice><guimenu>Edit</"
#~ "guimenu><guisubmenu>Preferences</guisubmenu><guisubmenu>System Resources</"
#~ "guisubmenu></menuchoice>."
#~ msgstr ""
#~ "멀티쓰레딩과 하드웨어 가속에 대한 구성 옵션을 <menuchoice><guimenu>편집</"
#~ "guimenu><guisubmenu>기본 설정</guisubmenu><guisubmenu>System Resources</"
#~ "guisubmenu></menuchoice>에서 찾을 수 있습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Øyvind Kolås, Ell, "
#~ "Jehan Pagès…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Øyvind Kolås, Ell, Jehan "
#~ "Pagès…"

#~ msgid "Linear color space workflow"
#~ msgstr "선형 색상 공간 작업"

#~ msgid ""
#~ "Another benefit of using GEGL is being able to work on images in a linear "
#~ "RGB color space as opposed to gamma-corrected (perceptual) RGB color "
#~ "space."
#~ msgstr ""
#~ "GEGL 사용의 다른 이점은 감마 보정(지각) RGB 색상 공간과 반대로 선형 RGB 공"
#~ "간에서 작업이 가능한 겁니다."

#~ msgid "Here is what it boils down to:"
#~ msgstr "요약하면 아래와 같습니다:"

#~ msgid ""
#~ "You now have both linear and perceptual versions of most blending modes."
#~ msgstr "대부분의 혼합 모드에 선형과 지각 버전 둘 다 있습니다."

#~ msgid "There is now a linear version of the _Color Invert_ command."
#~ msgstr "_Color Invert_ 명령의 선형 버전이 있습니다."

#~ msgid ""
#~ "You can freely switch between the two at any time via "
#~ "<menuchoice><guimenu>Image</guimenu><guisubmenu>Precision</guisubmenu></"
#~ "menuchoice> submenu."
#~ msgstr ""
#~ "<menuchoice><guimenu>이미지</guimenu><guisubmenu>Precision</guisubmenu></"
#~ "menuchoice> 서브메뉴를 통해 아무 때나 자유롭게 둘을 전환할 수 있습니다."

#~ msgid ""
#~ "You can choose which mode is displayed in the <emphasis>Histogram</"
#~ "emphasis> docker."
#~ msgstr ""
#~ "<emphasis>Histogram</emphasis> 도커 안에 어느 모드가 표시될지 고를 수 있습"
#~ "니다."

#~ msgid ""
#~ "You can apply <emphasis>Levels</emphasis> and <emphasis>Curves</emphasis> "
#~ "filters in either perceptual or linear mode."
#~ msgstr ""
#~ "<emphasis>Levels</emphasis> 및 <emphasis>Curves</emphasis> 필터를 지각 또"
#~ "는 선형 모드에서 적용할 수 있습니다."

#~ msgid ""
#~ "When higher than 8-bit per channel precision is used, all channels data "
#~ "is linear."
#~ msgstr "채널 당 8비트 이상 정밀도를 쓸 때, 모든 채널 데이터는 선형입니다."

#~ msgid ""
#~ "You can choose whether the gradient tool should work in perceptual RGB, "
#~ "linear RGB, or CIE LAB color space."
#~ msgstr ""
#~ "그라디언트 도구가 지각 RGB, 선형 RGB 또는 CIE LAB 색상 공간에서 작동할지 "
#~ "여부를 선택할 수 있습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Øyvind Kolås, Ell…"
#~ msgstr "<emphasis>기여자:</emphasis> Michael Natterer, Øyvind Kolås, Ell…"

#~ msgid "Color management revamped"
#~ msgstr "색상 관리 향상"

#~ msgid ""
#~ "Color management is now a core feature of GIMP rather than a plug-in. "
#~ "This made it possible, in particular, to introduce color management to "
#~ "all custom widgets we could think of: image previews, color and pattern "
#~ "previews etc."
#~ msgstr ""
#~ "색상 관리는 이제 플러그인보다 김프의 핵심 기능입니다. 색상 관리를 우리가 "
#~ "생각할 수 있는 모든 커스텀 위젯에 도입히는 것을 가능하게 만들었습니다: 이"
#~ "미지 미리보기, 색상과 패턴 미리보기 등."

#~ msgid ""
#~ "GIMP now uses LittleCMS v2, which allows it to use ICC v4 color profiles. "
#~ "It also partially relies on the babl library for handling color "
#~ "transforms, since babl is simply up to 10 times faster than LCMS2 for the "
#~ "cases we tested both of them on. Eventually babl could replace LittleCMS "
#~ "in GIMP."
#~ msgstr ""
#~ "김프는 이제 LittleCMS v2를 쓰는데 그것은 ICC v4 색상 프로필을 쓸 수 있게 "
#~ "합니다. 색상 변환을 다루기 위한 babl 라이브러리에 부분적으로 의존하는데, "
#~ "그 둘 모두를 우리가 테스트해 본 경우에서 babl이 LCMS2보다 10배 빠르기 때문"
#~ "입니다. 결국 김프에서 babl은 LittleCMS를 바꿀 수 있습니다."

#~ msgid "<emphasis>Contributors:</emphasis> Michael Natterer, Øyvind Kolås…"
#~ msgstr "<emphasis>기여자:</emphasis> Michael Natterer, Øyvind Kolås…"

#~ msgid "Layers and masks"
#~ msgstr "레이어와 마스크"

#~ msgid ""
#~ "GIMP now ships with two groups of blending modes: legacy (perceptual, "
#~ "mostly to make old XCF files look exactly as before) and default (mostly "
#~ "linear)."
#~ msgstr ""
#~ "김프는 지금 블렌딩 모드에 두 가지 혼합 모드가 있습니다: 레거시(지각, 대부"
#~ "분 엣 xcf 파일을 전과 정확히 같게 보이게 함.) 및 기본(대부분 선형)."

#~ msgid "New blend modes are:"
#~ msgstr "새 블렌드 모드:"

#~ msgid ""
#~ "LCH layer modes: <emphasis>Hue</emphasis>, <emphasis>Chroma</emphasis>, "
#~ "<emphasis>Color</emphasis>, and <emphasis>Lightness</emphasis>."
#~ msgstr ""
#~ "LCH 레이어 모드: <emphasis>Hue</emphasis>, <emphasis>Chroma</emphasis>, "
#~ "<emphasis>Color</emphasis>, 그리고 <emphasis>Lightness</emphasis>."

#~ msgid "<emphasis>Pass-Through</emphasis> mode for layer groups."
#~ msgstr "레이어 그룹 용 <emphasis>Pass-Through</emphasis> 모드."

#~ msgid ""
#~ "<emphasis>Linear Burn</emphasis>, <emphasis>Vivid Light</emphasis>, "
#~ "<emphasis>Linear Light</emphasis>, <emphasis>Pin Light</emphasis>, "
#~ "<emphasis>Hard Mix</emphasis>, <emphasis>Exclusion</emphasis>, "
#~ "<emphasis>Merge</emphasis>, and <emphasis>Split</emphasis>."
#~ msgstr ""
#~ "<emphasis>Linear Burn</emphasis>, <emphasis>Vivid Light</emphasis>, "
#~ "<emphasis>Linear Light</emphasis>, <emphasis>Pin Light</emphasis>, "
#~ "<emphasis>Hard Mix</emphasis>, <emphasis>Exclusion</emphasis>, "
#~ "<emphasis>Merge</emphasis>, 그리고 <emphasis>Split</emphasis>."

#~ msgid ""
#~ "Layers, paths, and channels can also be tagged with color labels to "
#~ "improve project organization. This will be even more useful once we add "
#~ "multi-layer selection later on."
#~ msgstr ""
#~ "레이어, 경로, 그리고 채널은 색상 라벨에 태그되어 프로젝트 구성을 향상시킬 "
#~ "수 있습니다. 다중 레이어 섹션을 올려놓으면 더욱 쓸모 있을 겁니다."

#~ msgid ""
#~ "Compositing options for layers are exposed to users now, and all layer-"
#~ "related settings are finally available in the <emphasis>Layer Attributes</"
#~ "emphasis> dialog."
#~ msgstr ""
#~ "레이어에 대한 합성 옵션은 이제 사용자에게 노출되며, 레이어 관련 모든 설정"
#~ "은 마지막으로 <emphasis>Layer Attributes</emphasis> 대화상자에서 사용가능"
#~ "합니다."

#~ msgid ""
#~ "Moreover, if you always need alpha in your layers, you can enable "
#~ "automatic generation of the alpha channel in imported images upon opening "
#~ "them. See <menuchoice><guimenu>Edit</guimenu><guisubmenu>Preferences</"
#~ "guisubmenu><guisubmenu>Image Import &amp; Export</guisubmenu></"
#~ "menuchoice> page for this and more policies."
#~ msgstr ""
#~ "게다가, 레이어에 항상 알파가 필요하면, 운영체제이서 이미지의 알파 채낼의 "
#~ "자동 생성이 가능합니다. <menuchoice><guimenu>편집</guimenu><guisubmenu>기"
#~ "본 설정</guisubmenu><guisubmenu>Image Import &amp; Export</guisubmenu></"
#~ "menuchoice> 페이지를 보세요."

#~ msgid "Layer groups can finally have masks on:"
#~ msgstr "레이어 그룹은 최종적으로 마스크를 쓸 수 있습니다:"

#~ msgid "More use for CIE LAB and CIE LCH"
#~ msgstr "CIE LAB 및 CIE LCH 사용 더 보기"

#~ msgid ""
#~ "With GIMP 2.10, we introduced a number of features that make use of CIE "
#~ "LAB and CIE LCH color spaces:"
#~ msgstr ""
#~ "김프 2.10에서, 우리는 CIE LAB 및 CIE LCH 색상 공간을 사용하는 여러 기능을 "
#~ "도입했습니다:"

#~ msgid ""
#~ "Color dialogs now have an LCH color selector you can use instead of HSV. "
#~ "The LCH selector also displays out-of-gamut warning."
#~ msgstr ""
#~ "색상 대화상자에 이제 LCH 선택기가 있어서 HSV 대신 쓸 수 있습니다. LCH 선택"
#~ "기는 out-of-gamut 경고를 표시합니다."

#~ msgid ""
#~ "A new <emphasis>Hue-Chroma</emphasis> filter in the <emphasis>Colors</"
#~ "emphasis> menu works much like <emphasis>Hue-Saturation</emphasis>, but "
#~ "operates in CIE LCH color space."
#~ msgstr ""
#~ "<emphasis>색상</emphasis> 메뉴에 있는 새 <emphasis>Hue-Chroma</emphasis> "
#~ "필터는 <emphasis>Hue-Saturation</emphasis> 비슷하게 일하지만, CIE LCH 색"
#~ "상 공간에서 동작합니다."

#~ msgid ""
#~ "The <emphasis>Fuzzy Select</emphasis> and the <emphasis>Bucket Fill</"
#~ "emphasis> tools can now select colors by their values in CIE <emphasis>L</"
#~ "emphasis>, <emphasis>C</emphasis>, and <emphasis>H</emphasis> channels."
#~ msgstr ""
#~ "<emphasis>퍼지 선택</emphasis>과 <emphasis>영역 채우기</emphasis> 도구는 "
#~ "이제 색상을 CIE <emphasis>L</emphasis>, <emphasis>C</emphasis>, 그리고 "
#~ "<emphasis>H</emphasis> 채널 안의 값으로 선택할 수 있습니다."

#~ msgid ""
#~ "Both the <emphasis>Color Picker</emphasis> and the <emphasis>Sample "
#~ "Points</emphasis> dialog now display pixel values in CIE LAB and CIE LCH "
#~ "at your preference."
#~ msgstr ""
#~ "<emphasis>색상 추출</emphasis> 그리고 <emphasis>Sample Points</emphasis> "
#~ "대화상자는 이제 필셀 값을 여러분의 기본 설정에 있는 CIE LAB 및 CIE LCH 안"
#~ "에 표시합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Elle Stone, Ell…"
#~ msgstr "<emphasis>기여자:</emphasis> Michael Natterer, Elle Stone, Ell…"

#~ msgid "New and improved tools"
#~ msgstr "새롭고 향상된 도구"

#~ msgid "Unified Transform"
#~ msgstr "통합 변형"

#~ msgid ""
#~ "New <emphasis>Unified Transform</emphasis> tool (<keycombo><keycap>Shift</"
#~ "keycap><keycap>L</keycap></keycombo>) simplifies making multiple "
#~ "transforms, such as scaling, rotating, and correcting perspective in one "
#~ "go. The design is based on a functional spec written by our former UX "
#~ "expert Peter Sikking."
#~ msgstr ""
#~ "새 <emphasis>통합 변형</emphasis> 도구(<keycombo><keycap>Shift</"
#~ "keycap><keycap>L</keycap></keycombo>)는 다중 변형, 예를 들어 크기조절, 회"
#~ "전, 원근 보정을 한번에 단순하게 만듭니다. 디자인은 우리의 이전 UX 전문가 "
#~ "Peter Sikking의 기능 사양 기반입니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Mikael Magnusson, Michael Natterer…"
#~ msgstr "<emphasis>기여자:</emphasis> Mikael Magnusson, Michael Natterer…"

#~ msgid "Warp Transform"
#~ msgstr "Warp 변형"

#~ msgid ""
#~ "The new <emphasis>Warp Transform</emphasis> tool (<keycap>W</keycap>) "
#~ "allows doing localized transforms like growing or shifting pixels with a "
#~ "soft brush and undo support. Such tools are commonly used in fashion "
#~ "photography for retouching."
#~ msgstr ""
#~ "새 <emphasis>Warp 변형</emphasis> 도구(<keycap>W</keycap>)는 부드러운 붓으"
#~ "로 픽셀을 늘이거나 이동하는 것 같은 지역 변형을 할 수 있고 실행취소를 지원"
#~ "합니다. 그런 도구는 주로 패션 사진에 보정에 쓰입니다."

#~ msgid ""
#~ "As such, the new tool retires the old <emphasis>iWarp</emphasis> filter "
#~ "that was innovative at the time of its inception (and pre-dated "
#~ "Photoshop's <emphasis>Liquify</emphasis> filter), but was ultimately "
#~ "cumbersome to use. The <emphasis>Warp Transform</emphasis> tool also "
#~ "features an <guilabel>Eraser</guilabel> mode to selectively remove "
#~ "changes, previously unavailable in the <emphasis>iWarp</emphasis> filter."
#~ msgstr ""
#~ "따라서 새 도구는 처음 출시된 당시의 혁신적인 <emphasis>iWarp</emphasis> "
#~ "(및 이전 Photoshop의 <emphasis>Liquify</emphasis> 필터)를 폐기하지만 궁극"
#~ "적으로는 사용하기가 번거롭습니다. <emphasis>Warp 변형</emphasis> 도구는 이"
#~ "전에 <emphasis>iWarp</emphasis> 필터에서 사용할 수 없었던 바뀐 사항을 선택"
#~ "적으로 제거하는 <guilabel>지우개</guilabel> 모드도 제공합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Muré, Michael Natterer, "
#~ "Jonathan Tait…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Muré, Michael Natterer, Jonathan "
#~ "Tait…"

#~ msgid "Handle Transform"
#~ msgstr "핸들 변형"

#~ msgid ""
#~ "The new <emphasis>Handle Transform</emphasis> tool "
#~ "(<keycombo><keycap>Shift</keycap><keycap>L</keycap></keycombo>) provides "
#~ "an interesting approach at applying scaling, rotating, and perspective "
#~ "correction using handles placed on the canvas. People who are used to "
#~ "editing on touch surfaces might find this tool strangely easy to grasp."
#~ msgstr ""
#~ "<emphasis>핸들 변형</emphasis> 도구 (<keycombo><keycap>Shift</"
#~ "keycap><keycap>L</keycap></keycombo>)는 캔버스에 있는 핸들을 써서 크기조"
#~ "절, 회전, 원근 보정 적용에 흥미로운 접근을 제공합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Johannes Matschke, Michael Natterer, "
#~ "Ell…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Johannes Matschke, Michael Natterer, Ell…"

#~ msgid "Blend tool becomes Gradient tool and gets on-canvas editing"
#~ msgstr "블렌드 도구가 그라디언트 도구로 되었고 캔버스에서 편집"

#~ msgid ""
#~ "We renamed the <emphasis>Blend</emphasis> tool to <emphasis>Gradient</"
#~ "emphasis> tool and changed its default shortcut to <keycap>G</keycap>. "
#~ "But this pales in comparison to what the tool can actually do now, and "
#~ "it's a lot."
#~ msgstr ""
#~ "<emphasis>Blend</emphasis> 도구를 <emphasis>Gradient</emphasis> 도구로 이"
#~ "를을 바꾸고 기본 바로 가기를 <keycap>G</keycap>로 바꾸었습니다. 그러나 이"
#~ "것은 실제로 할 수 있는 것과 비교하면 약하고, 그것은 많습니다."

#~ msgid ""
#~ "The new tool pretty much obsoletes the old <emphasis>Gradient Editor</"
#~ "emphasis> dialog. Now you can create and delete color stops, select and "
#~ "shift them, assign colors to color stops, change blending and coloring "
#~ "for segments between color stops and create new color stops from "
#~ "midpoints <emphasis>right on the canvas</emphasis>."
#~ msgstr ""
#~ "새 도구는 오래된 <emphasis>Gradient Editor</emphasis> 대화상자를 거의 안 "
#~ "씁니다. 이제 색상 정지를 만들고 지우고, 선택하고 옮기고, 색상 정지들 사이"
#~ "에 색상을 할당하고, 세그먼트를 위한 혼합과 색상을 바꾸고 새 색상 정지를"
#~ "<emphasis>캔버스 중간에서</emphasis> 만들 수 있습니다."

#~ msgid ""
#~ "All gradients available by default are also \"editable\" now. What it "
#~ "means is that when you try to change an existing gradient from a system "
#~ "folder, GIMP will create a copy of it, call it a <emphasis>Custom "
#~ "Gradient</emphasis> and preserve it across sessions. Unless, of course, "
#~ "you edit another 'system' gradient, in which case it will become the new "
#~ "custom gradient."
#~ msgstr ""
#~ "이제 모든 그라디언트도 기본적으로 \"편집가능\"합니다. 즉, 존재하는 그라디"
#~ "언트를 시스템 폴더에서 바꾸려고 하면, 김프는 그것의 사본을 만들고, "
#~ "<emphasis>커스텀 그라디언트</emphasis>라고 부르고 세션동안 보존합니다. 물"
#~ "론 '시스템' 그라디언트를 편집하지 않으면, 새 커스텀 그라디언트가 됩니다."

#~ msgid ""
#~ "We intend to use the generic implementation of this later for brushes and "
#~ "other types of resources."
#~ msgstr "우리는 붓과 다른 형식의 자원에 대해 일반적 구현을 사용하려 합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Henning, Michael Natterer, "
#~ "Ell, Øyvind Kolås…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Henning, Michael Natterer, Ell, "
#~ "Øyvind Kolås…"

#~ msgid "Better selection tools"
#~ msgstr "더 좋은 선택 도구"

#~ msgid ""
#~ "The <emphasis>Foreground Select</emphasis> tool can finally make subpixel "
#~ "selections in complex cases such as strays of hair on textured "
#~ "background. Two new masking methods are now available for that."
#~ msgstr ""
#~ "<emphasis>전경 선택</emphasis> 도구는 질감 배경에 머리카락의 흩어짐 같은 "
#~ "복잡한 경우 부분픽셀 선택할 수 있습니다. 2가지 새 마스킹 방법이 가능합니"
#~ "다."

#~ msgid ""
#~ "The <emphasis>Select by Color</emphasis> and <emphasis>Fuzzy Select</"
#~ "emphasis> tools now both feature a <guilabel>Draw mask</guilabel> option "
#~ "to display future selection area with a magenta fill, and the latter tool "
#~ "also got a <guilabel>Diagonal neighbors</guilabel> option to select "
#~ "diagonally neighboring pixels."
#~ msgstr ""
#~ "The <emphasis>색상으로 선택</emphasis> 및 <emphasis>퍼지 선택</emphasis> "
#~ "도구는 이제 <guilabel>Draw mask</guilabel> 옵션으로 미래 선택 영역을 자홍"
#~ "색으로 채우고, 나중 도구도 <guilabel>대각 이웃</guilabel> 옵션으로 대각 이"
#~ "웃 픽셀을 선택합니다."

#~ msgid ""
#~ "For the <emphasis>Free Select</emphasis> tool, closing a polygonal/free "
#~ "selection now doesn't confirm the selection automatically. Instead you "
#~ "still can tweak positions of nodes (where applicable), then press "
#~ "<keycap>Enter</keycap>, double-click inside the selection, or switch to "
#~ "another tool to confirm the selection."
#~ msgstr ""
#~ "<emphasis>자유 선택</emphasis> 도구에서 다각/자유 선택을 닫는 것은 이제는 "
#~ "자동으로 확인하지 않습니다. 대신 여러분이 노드의 위치를 조정할 수 있고(가"
#~ "능할 경우), <keycap>Enter</keycap> 누르기, 선택 안을 더블클릭, 또는 다른 "
#~ "도구로 전환하여 선택을 확인합니다."

#~ msgid ""
#~ "The <emphasis>Intelligent Scissors</emphasis> tool finally allows to "
#~ "remove the last added segment with <keycap>Backspace</keycap> key, and "
#~ "GIMP now checks, whether the first and the last segments are distinct "
#~ "before closing the curve."
#~ msgstr ""
#~ "<emphasis>똑똑한 가위</emphasis> 도구는 마침내 마지막에 더해진 세그먼트를 "
#~ "<keycap>Backspace</keycap> 키로 없앨 수 있게 되었고, 김프는 이제 처음과 마"
#~ "지막 세그먼트가 다른지 곡선을 닫기 전에 체크합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Jan Rüegg, Daniel "
#~ "Sabo, Ell…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Jan Rüegg, Daniel Sabo, "
#~ "Ell…"

#~ msgid "Color tools"
#~ msgstr "색상 도구"

#~ msgid ""
#~ "All color tools have been refactored to become GEGL-based filters, so "
#~ "they could be properly used later on when we introduce non-destructive "
#~ "editing. Hence, the <emphasis>Color</emphasis> submenu in the "
#~ "<emphasis>Tools</emphasis> menu has been removed, and these filters are "
#~ "now mostly unavailable in the toolbox."
#~ msgstr ""
#~ "모든 색상 도구는 GEGL 기반 필터로 리팩토링 되어서, 나중에 비파괴 편집을 도"
#~ "입할 때 적절히 쓰일 수 있습니다. 따라서 <emphasis>색상</emphasis> 서브메뉴"
#~ "는 <emphasis>도구</emphasis> 메뉴에서 없어졌으며, 그 필터는 이제 도구상자"
#~ "에서 거의 대부분 사용할 수 없습니다."

#~ msgid "<emphasis>Contributors:</emphasis> Michael Natterer…"
#~ msgstr "<emphasis>기여자:</emphasis> Michael Natterer…"

#~ msgid "Text tool supports CJK and more writing systems"
#~ msgstr "텍스트 도구는 CJK와 더 많은 쓰기 시스템을 지원"

#~ msgid ""
#~ "The <emphasis>Text</emphasis> tool now fully supports advanced input "
#~ "methods for CJK and other non-western languages. The pre-edit text is now "
#~ "displayed just as expected, depending on your platform and input method "
#~ "engine (IME). Several input method-related bugs and crashes have also "
#~ "been fixed."
#~ msgstr ""
#~ "<emphasis>텍스트</emphasis> 도구는 이제 CJK를 위한 고급 입력 방법과 비서"
#~ "구 언어를 완전히 지원합니다. 미리편집 텍스트는 이제 여러분의 플랫폼과 입력"
#~ "기에 따라 기대한 대로 표시됩니다. 여러 입력 방법 관련 버그와 충돌을 고쳤습"
#~ "니다."

#~ msgid "<emphasis>Contributors:</emphasis> Jehan Pagès…"
#~ msgstr "<emphasis>기여자:</emphasis> Jehan Pagès…"

#~ msgid "Experimental tools"
#~ msgstr "실험적 도구"

#~ msgid ""
#~ "Two new tools were incomplete for inclusion to GIMP 2.10 by default, but "
#~ "still can be enabled. Please note that they are highly experimental and "
#~ "likely to be broken for you (up to have GIMP crash). We only mention "
#~ "them, because we need contributors to get them into the releasable state."
#~ msgstr ""
#~ "두 도구가 김프 2.10에 기본으로 포함되기는 불완전했지만, 아직 활성가능합니"
#~ "다. 그것은 매우 실험적이며 망가질 수 있습니다(김프 깨질 때까지). 우리는 그"
#~ "것을 언급하기만 하는데, 왜냐면 우리는 릴리스 가능한 상태로 하려면 기여자"
#~ "가 필요하기 때문입니다."

#~ msgid ""
#~ "<emphasis>N-Point Deformation</emphasis> tool introduces the kind of "
#~ "smooth, as little rigid as possible warping you would expect physical "
#~ "objects to have."
#~ msgstr ""
#~ "<emphasis>N-Point Deformation</emphasis> 도구는 물리적인 물체가 가질 것으"
#~ "로 기대되는 뒤틀림이 부드럽고, 적은 종류를 도입합니다."

#~ msgid ""
#~ "The <emphasis>Seamless Clone</emphasis> tool is aimed to simplify making "
#~ "layered compositions. Typically when you paste one image into another, "
#~ "there are all sorts of mismatches: color temperature, brightness etc. "
#~ "This new experimental tool tries to adapt various properties of a pasted "
#~ "image with regards to its backdrop."
#~ msgstr ""
#~ "<emphasis>원활한 복제</emphasis> 도구는 계층 있는 조성물을 만드는 것을 단"
#~ "순하게 하는 것을 목표로 합니다. 전형적으로 한 이미지를 다른 데 붙일 때, 모"
#~ "든 종류의 불일치가 있습니다: 색상 온도, 밝기 등. 이 새 실험적 도구는 배경 "
#~ "관련 붙여진 이미지에 다양한 성질을 적용하려고 시도합니다."

#~ msgid ""
#~ "To enable these tools, you need to first enable the <emphasis>Playground</"
#~ "emphasis> page of the <emphasis>Preferences</emphasis> dialog. Do it by "
#~ "running GIMP with a <command>--show-playground</command> switch (for "
#~ "Windows, you might want tweaking the path to GIMP in the shortcut "
#~ "properties accordingly). Then you need to go to "
#~ "<menuchoice><guimenu>Edit</guimenu><guisubmenu>Preferences</"
#~ "guisubmenu><guisubmenu>Playground</guisubmenu></menuchoice> and enable "
#~ "the respective options, so that the tools would show up in the toolbox."
#~ msgstr ""
#~ "이 도구를 활성화하려면,<emphasis>Playground</emphasis> 페이지를 <emphasis>"
#~ "기본설정</emphasis> 대화상자에서 활성화해야 합니다. 그러려면 김프를 "
#~ "<command>--show-playground</command> 스위치로 실행합니다(윈도에서는 김프 "
#~ "경로를 바로 가기 속성에서 경로를 조절해야 할 수 있음). 그러면 "
#~ "<menuchoice><guimenu>편집</guimenu><guisubmenu>기본 설정</"
#~ "guisubmenu><guisubmenu>Playground</guisubmenu></menuchoice> 으로 가서 기대"
#~ "하는 옵션을 활성화하면, 도구가 도구상자에 나타납니다."

#~ msgid ""
#~ "We need to stress again that you should only do so either if you are very "
#~ "curious, or (which we hope for) intend to help us fix them."
#~ msgstr ""
#~ "여러분이 매우 호기심 있거나 (우리가 바라는) 우리가 그것을 고치는 것을 돕기"
#~ "를 바라는 의도일 때만 그렇게 해야 됨을 다시 강조합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Marek Dvoroznak, Barak Itkin, Jehan "
#~ "Pagès, Michael Natterer…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Marek Dvoroznak, Barak Itkin, Jehan Pagès, "
#~ "Michael Natterer…"

#~ msgid "Digital painting improvements"
#~ msgstr "디지털 페인팅 향상"

#~ msgid ""
#~ "GIMP 2.10 ships with a number of improvements requested by digital "
#~ "painters. One of the most interesting new additions here is the "
#~ "<emphasis>MyPaint Brush</emphasis> tool (<keycap>Y</keycap>) that first "
#~ "appeared in the GIMP-Painter fork."
#~ msgstr ""
#~ "김프 2.10은 디지털 화가가 요청한 많은 개선을 담았습니다. 가장 흥미로운 새 "
#~ "추가기능 중 하나는<emphasis>MyPaint 붓</emphasis> 도구 (<keycap>Y</"
#~ "keycap>)이며 GIMP-Painter 포크에 처음 나타납니다."

#~ msgid ""
#~ "The <emphasis>Smudge</emphasis> tool got updates specifically targeted in "
#~ "painting use case. The new <guilabel>No erase effect</guilabel> option "
#~ "prevents the tools from changing alpha of pixels. And the foreground "
#~ "color can now be blended into smudged pixels, controlled by a new "
#~ "<guilabel>Flow</guilabel> slider, where 0 means no blending."
#~ msgstr ""
#~ "<emphasis>문지르기</emphasis> 도구는 특히 그림을 사용하는 경우 특정 목표"
#~ "를 업데이트를 합니다. <guilabel>지우기 효과 없음</guilabel>은 픽셀의 알파"
#~ "를 바꾸지 못하게 합니다. 전경색은 문질러진 픽셀에 섞을 수 있으며, 새 "
#~ "<guilabel>Flow</guilabel>슬라이더로 조절하며 0은 혼합 없음을 뜻합니다."

#~ msgid ""
#~ "All painting tools now have explicit <guilabel>Hardness</guilabel> and "
#~ "<guilabel>Force</guilabel> sliders except for the <emphasis>MyPaint "
#~ "Brush</emphasis> tool that only has the <guilabel>Hardness</guilabel> "
#~ "slider."
#~ msgstr ""
#~ "모든 페인팅 도구에는 이제 <guilabel>Hardness</guilabel> 슬라이더만 있는"
#~ "<emphasis>MyPaint Brush</emphasis> 도구를 제외하고 명시적 "
#~ "<guilabel>Hardness</guilabel> 및<guilabel>Force</guilabel> 슬라이더가 있습"
#~ "니다."

#~ msgid ""
#~ "Most importantly, GIMP now supports canvas rotation and flipping to help "
#~ "illustrators checking proportions and perspective."
#~ msgstr ""
#~ "가장 중요한 건, 김프는 이제 캔버스 회전과 뒤집기를 제공하여 일러스트레이터"
#~ "가 비율과 원근을 묘사하는 것을 돕는 겁니다."

#~ msgid ""
#~ "A new <guilabel>Brush lock to view</guilabel> option gives you a choice "
#~ "whether you want a brush locked to a certain zoom level and rotation "
#~ "angle of the canvas. The option is available for all painting tools that "
#~ "use a brush except for the <emphasis>MyPaint Brush</emphasis> tool."
#~ msgstr ""
#~ "새로운 <guilabel>Brush lock to view</guilabel> 옵션을 사용하면 특정 확대/"
#~ "축소 수준과 캔버스 회전 각도로 브러시를 고정할지 여부를 선택할 수 있습니"
#~ "다. 이 옵션은 <emphasis>MyPaint Brush</emphasis> 도구를 제외한 브러시를 사"
#~ "용하는 모든 페인팅 도구에서 사용할 수 있습니다."

#~ msgid ""
#~ "New <emphasis>Symmetry Painting</emphasis> dockable dialog, enabled on "
#~ "per-image basis, allows to use all painting tools with various symmetries "
#~ "(mirror, mandala, tiling…)."
#~ msgstr ""
#~ "새 <emphasis>대칭 페인팅</emphasis> 도킹 가능한 대화 상자는 이미지 단위로 "
#~ "활성화되어 다양한 대칭 (미러, 만다라, 바둑판 식 배열 ...)으로 모든 페인팅 "
#~ "도구를 사용할 수 있습니다."

#~ msgid ""
#~ "This new version of GIMP also ships with more new brushes available by "
#~ "default."
#~ msgstr "새 버전의 김프는 더 많은 새 붓을 기본으로 가능하게 담았습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Alexia Death, Daniel "
#~ "Sabo, shark0r, Jehan Pagès, Ell, Jose Americo Gobbo, Aryeom Han…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Alexia Death, Daniel Sabo, "
#~ "shark0r, Jehan Pagès, Ell, Jose Americo Gobbo, 한 아렴 …"

#~ msgid "Digital photography improvements"
#~ msgstr "디지털 사진 향상"

#~ msgid ""
#~ "Some of the new GEGL-based filters are specifically targeted at "
#~ "photographers: <emphasis>Exposure</emphasis>, <emphasis>Shadows-"
#~ "Highlights</emphasis>, <emphasis>High-pass</emphasis>, <emphasis>Wavelet "
#~ "Decompose</emphasis>, <emphasis>Panorama Projection</emphasis> and others "
#~ "will be an important addition to your toolbox."
#~ msgstr ""
#~ "새 GEGL기반 필터 중 몇은 특히 사진가를 겨냥합니다: <emphasis>Exposure</"
#~ "emphasis>, <emphasis>Shadows-Highlights</emphasis>, <emphasis>High-pass</"
#~ "emphasis>, <emphasis>Wavelet Decompose</emphasis>, <emphasis>Panorama "
#~ "Projection</emphasis> 그리고 다른 것은 도구상자에 중요한 추가항목이 될 겁"
#~ "니다."

#~ msgid ""
#~ "On top of that, the new <emphasis>Extract Component</emphasis> filter "
#~ "simplifies extracting a channel of an arbitrary color model (LAB, LCH, "
#~ "CMYK etc.) from currently selected layer. If you were used to decomposing "
#~ "and recomposing images just for this, your work will be that easier now."
#~ msgstr ""
#~ "그 밖에도 새 <emphasis>Extract Component</emphasis> 필터는 현재 선택된 레"
#~ "이어에서 임의 색상 모델 (LAB, LCH, CMYK 등.)의 채널 추출을 단순화합니다. "
#~ "이미지를 분해하고 재구성하는 데 익숙하다면 작업이 훨씬 쉬워질 겁니다."

#~ msgid ""
#~ "Moreover, you can now use either <emphasis>darktable</emphasis> or "
#~ "<emphasis>RawTherapee</emphasis> as GIMP plug-ins for opening raw digital "
#~ "photos. Any recent version of either application will do."
#~ msgstr ""
#~ "게다가, <emphasis>darktable</emphasis> or <emphasis>RawTherapee</emphasis>"
#~ "를 김프 플러그인으로 사용해서 원 디지털 사진을 열 수 있습니다. 어느 최신 "
#~ "프로그램도 그럴 겁니다."

#~ msgid ""
#~ "A new <emphasis>Clip Warning</emphasis> display filter will visualize "
#~ "underexposed and overexposed areas of a photo for you, with customizable "
#~ "colors. For now, it’s mostly geared towards images where colors are "
#~ "stored with floating point precision. You will mostly benefit from this "
#~ "if you work on 16/32 bit per channel float images such as EXR and TIFF."
#~ msgstr ""
#~ "새로운 <emphasis>Clip Warning</emphasis> 표시 필터는 사용자 정의 색상으로 "
#~ "사진의 노출 부족 및 과다 노출 영역을 시각화합니다. 지금은 주로 색상이 부"
#~ "동 소수점 정밀도로 저장되는 이미지에 맞춰져 있습니다. EXR 및 TIFF와 같은 "
#~ "채널 당 16/32 비트 부동 소수점 이미지를 작업하면 대부분 이점을 얻을 수 있"
#~ "습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Ell, Thomas Manni, "
#~ "Tobias Ellinghaus, Øyvind Kolås, Jehan Pagès, Alberto Griggio…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Ell, Thomas Manni, Tobias "
#~ "Ellinghaus, Øyvind Kolås, Jehan Pagès, Alberto Griggio…"

#~ msgid "Effects"
#~ msgstr "효과"

#~ msgid ""
#~ "GIMP now ships with over <emphasis>80</emphasis> GEGL-based filters. A "
#~ "lot of those are former GIMP effects. Here is why GEGL-based "
#~ "implementations are better:"
#~ msgstr ""
#~ "김프는 이제 <emphasis>80</emphasis>개 넘는 GEGL 기반 필터를 제공됩니다. "
#~ "그 중 많은 것은 이전 김프 효과입니다. GEGL 기반 구현이 더 나은 까닭입니다:"

#~ msgid ""
#~ "You can apply them on images in 32-bit per color channel precision mode."
#~ msgstr "32 비트/컬러 채널 정밀도 모드로 이미지에 적용할 수 있습니다."

#~ msgid ""
#~ "You can preview them right on the canvas, and if an image is larger than "
#~ "the viewport, GIMP will render the viewport first for immediate feedback."
#~ msgstr ""
#~ "이미지를 캔버스에서 미리 볼 수 있으며, 이미지가 뷰포트보다 크면, 김프는 뷰"
#~ "포트를 렌더링하여 즉각 피드백을 줍니다."

#~ msgid ""
#~ "You can use split preview to compare original image with its processed "
#~ "version and swap before/after sides both horizontally and vertically."
#~ msgstr ""
#~ "분할 미리보기를 사용하여 원본 이미지를 처리된 버전과 비교하고 가로/세로 양"
#~ "쪽의 앞/뒤 교체를 사용할 수 있습니다."

#~ msgid ""
#~ "In a future non-destructive GIMP, you will be able to adjust settings of "
#~ "those filters without undoing a ton of steps."
#~ msgstr ""
#~ "미래 비파괴 김프에서, 김프는 여러 단계 실행취소 안 하고 설정을 조정할 수 "
#~ "있게 될 겁니다."

#~ msgid ""
#~ "Some of the GEGL-based filters have OpenCL version for hardware "
#~ "acceleration. This will come in handy, if OpenCL drivers work well for "
#~ "you. Furthermore many operations can come multi-threaded to use your "
#~ "processor at their full power."
#~ msgstr ""
#~ "일부 GEGL 기반 필터에는 하드웨어 가속을위한 OpenCL 버전이 있습니다. "
#~ "OpenCL 드라이버가 잘 작동한다면 이것은 유용합니다. 또한 많은 작업이 프로세"
#~ "서를 최대한 활용할 수 있도록 멀티 스레드 방식으로 제공될 수 있습니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Øyvind Kolås, Thomas "
#~ "Manni…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Øyvind Kolås, Thomas Manni…"

#~ msgid "Usability improvements"
#~ msgstr "사용성 향상"

#~ msgid ""
#~ "While working with active users, we got rid of quite a few usability "
#~ "issues. Here are just some of these changes:"
#~ msgstr ""
#~ "능동적인 사용자와 일하면서, 우리는 꽤 많은 사용성 이슈를 없앴습니다. 여기"
#~ "에 그 변화 중 일부만 있습니다:"

#~ msgid ""
#~ "All transformation tools now automatically disable original layer view so "
#~ "that you could clearly see adjustments against the backdrop."
#~ msgstr ""
#~ "모든 변형 도구는 이제 원본 레이어 보기를 자동으로 비활성화므로 배경에 대"
#~ "한 조정을 명확하게 볼 수 있습니다."

#~ msgid ""
#~ "Masks can now easily be created with last values you used by just "
#~ "pressing <keycap>Shift</keycap> and clicking on respective layer's "
#~ "preview."
#~ msgstr ""
#~ "마스크는 이제 <keycap>Shift</keycap>를 누르고 각 레이어의 미리보기를 클릭"
#~ "하면 쉽게 만들 수 있습니다."

#~ msgid ""
#~ "All dialogs except the ones like <emphasis>Scale</emphasis> now remember "
#~ "last values you used across sessions."
#~ msgstr ""
#~ "<emphasis>Scale</emphasis>과 같은 대화 상자를 제외한 모든 대화 상자는 세션"
#~ "에서 사용한 마지막 값을 기억합니다."

#~ msgid ""
#~ "All GEGL-based filters allow saving named presets and automatically make "
#~ "timestamped presets for the last time you used them."
#~ msgstr ""
#~ "모든 GEGL 기반 필터는 사용하면 이름붙인 프리셋을 저장하고 마지막으로 사용"
#~ "한 시간에 대한 타임 스탬프 프리셋을 자동으로 만들 수 있게 합니다."

#~ msgid ""
#~ "You can now choose fill color or pattern for empty spaces after resizing "
#~ "the canvas."
#~ msgstr ""
#~ "이제 캔버스 크기를 조정 한 후 빈 공간에 채우기 색상 또는 패턴을 선택할 수 "
#~ "있습니다."

#~ msgid ""
#~ "There is a lot to improve to make GIMP better suited for professional "
#~ "workflows. As usual, we welcome constructive discussion and recently "
#~ "created a <ulink url=\"https://mail.gnome.org/mailman/listinfo/gimp-gui-"
#~ "list\">mailing list</ulink> to discuss the topic of improving GIMP's "
#~ "usability. This is a long-term enhancement process, which can take more "
#~ "time than localized changes and features."
#~ msgstr ""
#~ "김프가 전문적인 워크 플로우에 더 적합하도록 개선해야 할 부분이 많이 있습니"
#~ "다. 늘 그렇듯이 우리는 건설적인 토론을 환영하며 최근에 김프의 유용성을 향"
#~ "상시키는 주제를 토론하려 <ulink url=\"https://mail.gnome.org/mailman/"
#~ "listinfo/gimp-gui-list\">메일링 리스트</ulink>를 만들었습니다. 이는 장기적"
#~ "인 개선 프로세스로, 현지화된 바뀜 및 기능보다 시간이 오래 걸릴 수 있습니"
#~ "다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Daniel Sabo, Benoit "
#~ "Touchette, Massimo Valentini, Jehan Pagès…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Daniel Sabo, Benoit "
#~ "Touchette, Massimo Valentini, Jehan Pagès…"

#~ msgid "File formats support"
#~ msgstr "파일 형식 지원"

#~ msgid ""
#~ "GIMP is now capable of reading and writing TIFF, PNG, PSD, and FITS files "
#~ "with up to 32-bit per channel precision where applicable."
#~ msgstr ""
#~ "김프는 이제 TIFF, PNG, PSD 및 FITS 파일을 읽고 쓸 수 있습니다. 적용 가능"
#~ "한 경우 채널당 32 비트 정밀도까지 지원합니다."

#~ msgid ""
#~ "The PSD plug-in additionally supports <emphasis>pass-through</emphasis>, "
#~ "<emphasis>hard mix</emphasis>, <emphasis>pin light</emphasis>, "
#~ "<emphasis>vivid light</emphasis>, and <emphasis>linear light</emphasis> "
#~ "blending modes."
#~ msgstr ""
#~ "PSD 플러그인은 <emphasis>pass-through</emphasis>, <emphasis>hard mix</"
#~ "emphasis>, <emphasis>pin light</emphasis>, <emphasis>vivid light</"
#~ "emphasis>, and <emphasis>linear light</emphasis> 그리고 블렌딩 모드를 추"
#~ "가 지원합니다."

#~ msgid ""
#~ "GIMP now also ships with native WebP support, including features like "
#~ "animation, ICC profiles, and metadata. Both importing and exporting are "
#~ "supported."
#~ msgstr ""
#~ "김프에는 이제 애니메이션, ICC 프로파일 및 메타 데이터와 같은 기능이 들어있"
#~ "으며 기본 WebP 지원이 함께 제공됩니다. 가져오기 및 내보내기가 모두 지원됩"
#~ "니다."

#~ msgid ""
#~ "The JPEG 2000 plug-in was rewritten to use the <emphasis>OpenJPEG</"
#~ "emphasis> library rather than the somewhat obsolete <emphasis>Jasper</"
#~ "emphasis> library."
#~ msgstr ""
#~ "JPEG 2000 플러그인은 좀 오래된 <emphasis>Jasper</emphasis> 라이브러리 대"
#~ "신 <emphasis>OpenJPEG</emphasis> 라이브러리를 사용하려고 만들어졌습니다."

#~ msgid ""
#~ "Finally, the PDF plug-in now supports importing password-protected files "
#~ "(you need to know the password) and exporting multipage PDF documents "
#~ "(each layer will be a page)."
#~ msgstr ""
#~ "마지막으로, pdf 플러그인은 암호로 보호된 파일 가져오기(암호를 알아야 함)"
#~ "와 여러 페이지 PDF 문서 내보내기(각 레이어가 한 페이지)를 이제 지원합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Michael Natterer, Mukund Sivamaran, "
#~ "Ell, Jehan Pagès, Lionel N, Darshan Kadu…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Michael Natterer, Mukund Sivamaran, Ell, "
#~ "Jehan Pagès, Lionel N, Darshan Kadu…"

#~ msgid "Metadata viewing, editing, and preservation"
#~ msgstr "메타데이터 보기, 편집 및 보존"

#~ msgid ""
#~ "GIMP now ships with plug-ins for viewing and editing Exif, XMP, IPTC, "
#~ "GPS, and DICOM metadata. They are available via the "
#~ "<menuchoice><guimenu>Image</guimenu><guisubmenu>Metadata</guisubmenu></"
#~ "menuchoice> submenu."
#~ msgstr ""
#~ "김프는 Exif, XMP, IPTC, GPS 및 DICOM 메타데이터를 보고 편집하는 플러그인"
#~ "을 담았습니다. 그것은<menuchoice><guimenu>이미지</guimenu><guisubmenu>메타"
#~ "데이터</guisubmenu></menuchoice> 서브메뉴를 통해 가능합니다."

#~ msgid ""
#~ "GIMP will also preserve existing metadata in TIFF, PNG, JPEG, and WebP "
#~ "files. Each plug-in has respective options when exporting to enable or "
#~ "disable exporting the metadata."
#~ msgstr ""
#~ "김프는 TIFF, PNG, JPEG 및 WebP 파일의 기존 메타 데이터도 보존할 겁니다. "
#~ "각 플러그인은 메타 데이터 내보내기를 활성화 또는 비활성화하도록 내보낼 때 "
#~ "각각 옵션을 갖습니다."

#~ msgid ""
#~ "Additionally, users now can set defaults to preserving or not preserving "
#~ "metadata in all affected file format plug-ins at once depending on "
#~ "whether they want complete privacy or, instead, do a lot of microstock "
#~ "photography. The settings are available on the <emphasis>Image Import "
#~ "&amp; Export</emphasis> page in <emphasis>Preferences</emphasis>."
#~ msgstr ""
#~ "게다가, 사용자는 완전한 프라이버시가 필요한지 또는 대신 많은 마이크로 사"
#~ "진 촬영을 할 것인지에 따라 영향을받는 모든 파일 형식 플러그인에서 메타 데"
#~ "이터를 보존하거나 유지하지 않도록 기본값을 설정할 수 있습니다. 설정은 "
#~ "<emphasis>기본 설정</emphasis> 페이지에서 <emphasis>Image Import &amp; "
#~ "Export</emphasis>에서 가능합니다."

#~ msgid ""
#~ "<emphasis>Contributors:</emphasis> Benoit Touchette, Michael Natterer, "
#~ "Jehan Pagès…"
#~ msgstr ""
#~ "<emphasis>기여자:</emphasis> Benoit Touchette, Michael Natterer, Jehan "
#~ "Pagès…"

#~ msgid "On-canvas interaction"
#~ msgstr "캔버스 위 상호작용"

#~ msgid ""
#~ "GIMP 2.10 ships with a new feature that allows some GEGL-based filters to "
#~ "render on-canvas controls. For now, this applies to just three filters: "
#~ "<emphasis>Spiral</emphasis>, <emphasis>Supernova</emphasis>, and "
#~ "<emphasis>Panorama Projection</emphasis>. But there will be more in the "
#~ "future."
#~ msgstr ""
#~ "김프 2.10은 GEGL기반 필터 캔버스 위 제어를 렌더링할 수 있는 새 기능을 담았"
#~ "습니다. 지금, 이것은 3개 필터에 적용됩니다: <emphasis>나선</emphasis>, "
#~ "<emphasis>초신성</emphasis>, 그리고 <emphasis>Panorama Projection</"
#~ "emphasis>. 그러나 미래에는 더 많을 겁니다."

#~ msgid "<emphasis>Contributors:</emphasis> Michael Natterer, Ell…"
#~ msgstr "<emphasis>기여자:</emphasis> Michael Natterer, Ell…"

#~ msgid "Simplified bug reporting and crash recovery"
#~ msgstr "단순화된 버그 보고 및 충돌 복구"

#~ msgid ""
#~ "We need good bug reports to make GIMP better for you, so we introduced a "
#~ "new feature to watch and intercept critical errors and crashes, then "
#~ "generate a useful error log that you can copy/paste to a bug report."
#~ msgstr ""
#~ "김프를 여러분에게 더 좋게 만들려면 좋은 버그 보고가 필요하므로, 새 기능을 "
#~ "도입하여 심각한 에러와 충돌을 지켜보고 차단하고, 버그 리포트에 복사/붙이"
#~ "기 할 수 있는 쓸만한 에러 로그를 만듭니다."

#~ msgid ""
#~ "On development versions, the dialog will be raised on all kind of errors "
#~ "(even minor ones). On stable releases, it will be raised only during "
#~ "crashes. The default behavior can be customized in "
#~ "<menuchoice><guimenu>Edit</guimenu><guisubmenu>Preferences</"
#~ "guisubmenu><guisubmenu>Debugging</guisubmenu></menuchoice>."
#~ msgstr ""
#~ "개발 버전에서, 모든 종류의 오류(사소한 오류라도)에 대해서도 대화 상자가 뜹"
#~ "니다. 안정 릴리스에서, 충돌 동안만 뜹니다. 기본 행동은 "
#~ "<menuchoice><guimenu>편집</guimenu><guisubmenu>기본 설정</"
#~ "guisubmenu><guisubmenu>Debugging</guisubmenu></menuchoice> 에서 설정할 수 "
#~ "있습니다."

#~ msgid ""
#~ "Please note that we still need you to provide context, e.g. what you were "
#~ "doing when a crash occurred. A step-by-step description of how to "
#~ "reproduce this bug will be most helpful."
#~ msgstr ""
#~ "문맥을 제공해야 함을 주의하세요. 예를 들어, 충돌이 일어났을 때 여러분이 무"
#~ "엇을 했는지. 이 버그를 어떻게 재현하는지 단계별 설명이 가장 도움이 될 겁니"
#~ "다."

#~ msgid ""
#~ "Additionally, in case of a crash, GIMP will now attempt to backup all "
#~ "images with unsaved changes, then suggest to reopen them the next time "
#~ "you start the application."
#~ msgstr ""
#~ "게다가, 충돌이 발생한 경우, 김프는 이제 저장 안 된 바뀐 모든 이미지를 백업"
#~ "하려고 시도하고, 다음에 프로그램을 시작할 때 이미지를 다시 열 것을 제안합"
#~ "니다."

#~ msgid ""
#~ "We cannot guarantee 100% success, but it will succeed sometimes, and this "
#~ "might rescue your unsaved work!"
#~ msgstr ""
#~ "100% 성공을 보장할 수는 없지만, 언젠가 성공할 거고, 여러분의 저장되지 않"
#~ "은 작업을 복구할 겁니다!"

#~ msgid "API changes"
#~ msgstr "API 바뀜"

#~ msgid ""
#~ "Over the course of this development cycle, we deprecated a lot of API, "
#~ "providing a compatibility layer for 3rd party developers who write "
#~ "scripts and plug-ins."
#~ msgstr ""
#~ "이 개발 주기 동안, 스크립트와 플러그인을 만드는 제3자 개발자를 위한 호환 "
#~ "레이어를 제공하는 많은 API를 더 이상 안 쓰게 되었습니다."

#~ msgid ""
#~ "For the full list of changes in PDB, please <ulink url=\"https://"
#~ "wiki.gimp.org/wiki/Release:2.10_changelog#API_Changes\">see the wiki</"
#~ "ulink>. This ChangeLog page also has a verbose list of all other changes "
#~ "in 2.10."
#~ msgstr ""
#~ "PDD 바뀐 전체 목록은, <ulink url=\"https://wiki.gimp.org/wiki/"
#~ "Release:2.10_changelog#API_Changes\">위키</ulink>를 보세요. 바뀐 로그 페이"
#~ "지는 2.10의 다른 모든 변화의 자세한 목록도 갖고 있습니다."

#~ msgid "Roadmap and what's next"
#~ msgstr "로드맵 및 다음 단계"

#~ msgid ""
#~ "We maintain a <ulink url=\"http://wiki.gimp.org/index.php/"
#~ "Roadmap\">roadmap for GIMP development</ulink> that outlines the order of "
#~ "features to be implemented based on priorities."
#~ msgstr ""
#~ "우리는 <ulink url=\"http://wiki.gimp.org/index.php/Roadmap\">김프 개발 로"
#~ "드맵</ulink>을 유지하는데, 그것은 우선순위에 따라 구현될 기능의 순서를 설"
#~ "명합니다."

#~ msgid ""
#~ "The next big update will be v3.0 that will feature GTK+3 port and a lot "
#~ "of internal changes. For users, this will mostly mean: updated user "
#~ "interface, better support for graphic tablets, better support for HiDPI "
#~ "displays, better support for Wayland on Linux."
#~ msgstr ""
#~ "다음 큰 업데이트는 v3.0이 될 것이며 그것은 GTK+3 포트와 많은 내부 변화를 "
#~ "특징으로 할 겁니다. 사용자들에게 거의 다음을 뜻할 겁니다: 업데이트된 사용"
#~ "자 인터페이스, 더 나은 그래픽 태블릿 지원, 더 나은 HiDPI 디스플레이 지원, "
#~ "리눅스에서 Wayland에 대한 더 나은 지원."

#~ msgid ""
#~ "We are also opening the 2.10.x series for new features. This means you "
#~ "don't have to wait for exciting improvements for years anymore: any new "
#~ "feature can indeed be backported to a 2.10.x release as long as its code "
#~ "is not too invasive and making maintenance difficult."
#~ msgstr ""
#~ "우리는 새 기능을 위한 2.10.x 시리즈도 열었습니다. 이것은 여러분이 몇년동"
#~ "안 흥미로운 개선을 기다릴 필요가 없음을 뜻합니다: 새 기능은 사심 코드가 너"
#~ "무 침해적이 아니고 유지가 어려우면 2.10.x 릴리스로 백포트 될 수 있습니다."

#~ msgid "All the new features from 2.10.x will be part of 3.0 as well."
#~ msgstr "2.10.x부터의 새 기능은 모두 3.0의 일부도 될 겁니다."

#~ msgid "2006"
#~ msgstr "2006"

#~ msgid "ISBN 1-59059-587-4"
#~ msgstr "ISBN 1-59059-587-4"

#~ msgid "http://gimpbook.com/"
#~ msgstr "http://gimpbook.com/"

#~ msgid "1990"
#~ msgstr "1990"

#~ msgid "Addison Wesley"
#~ msgstr "Addison Wesley"

#~ msgid "2nd Ed. (Addison Wesley, 1990)"
#~ msgstr "두번째판 (Addison Wesley, 1990)"

#~ msgid "GROKKING"
#~ msgstr "GROKKING"

#~ msgid "Grokking the Gimp"
#~ msgstr "Grokking the Gimp"

#~ msgid "2000"
#~ msgstr "2000"

#~ msgid "Michael"
#~ msgstr "Michael"

#~ msgid "http://darwinports.org"
#~ msgstr "http://darwinports.org"

#~ msgid "http://sourceforge.net/projects/ghostscript"
#~ msgstr "http://sourceforge.net/projects/ghostscript"

#~ msgid "http://jimmac.musichall.cz/zip/GIMP-Greyscale-tools-0.1.tar.bz2"
#~ msgstr "http://jimmac.musichall.cz/zip/GIMP-Greyscale-tools-0.1.tar.bz2"

#~ msgid "MSKB-294714"
#~ msgstr "MSKB-294714"

#~ msgid "http://support.microsoft.com/kb/294714"
#~ msgstr "http://support.microsoft.com/kb/294714"

#~ msgid "Microsoft sRVB Workspace"
#~ msgstr "Microsoft sRVB Workspace"

#~ msgid "http://www.microsoft.com/whdc/device/display/color/default.mspx"
#~ msgstr "http://www.microsoft.com/whdc/device/display/color/default.mspx"

#~ msgid "PLUGIN-EXIF"
#~ msgstr "PLUGIN-EXIF"

#~ msgid "GIMP-Plugin Exif Browser"
#~ msgstr "GIMP-Plugin Exif 브라우저"

#~ msgid "PLUGIN-REDEYE"
#~ msgstr "PLUGIN-REDEYE"

#~ msgid "http://registry.gimp.org/plugin?id=4212"
#~ msgstr "http://registry.gimp.org/plugin?id=4212"

#~ msgid "http://scale2x.sourceforge.net/"
#~ msgstr "http://scale2x.sourceforge.net/"

#~ msgid "Carol"
#~ msgstr "Carol"

#~ msgid "Spears"
#~ msgstr "Spears"

#~ msgid "carolNOSPAM@gimp.org"
#~ msgstr "carolNOSPAM@gimp.org"

#~ msgid "UNICODE"
#~ msgstr "UNICODE"

#~ msgid "Unicode"
#~ msgstr "유니코드"

#~ msgid "http://www.unicode.org"
#~ msgstr "http://www.unicode.org"

#~ msgid "Wikipedia Foundation"
#~ msgstr "위키백과 재단"

#~ msgid ""
#~ "@@image: 'images/using/24-refreshed-look.png'; "
#~ "md5=28374080d1406f067bb3d4f9d3682d37"
#~ msgstr ""
#~ "@@image: 'images/using/24-refreshed-look.png'; "
#~ "md5=28374080d1406f067bb3d4f9d3682d37"

#~ msgid ""
#~ "@@image: 'images/using/24-scalable-brushes.png'; "
#~ "md5=7df74fdd0eccb97c5315eaebb7cd3912"
#~ msgstr ""
#~ "@@image: 'images/using/24-scalable-brushes.png'; "
#~ "md5=7df74fdd0eccb97c5315eaebb7cd3912"

#~ msgid ""
#~ "@@image: 'images/using/24-selection-tools.png'; "
#~ "md5=426677743dbbc464cb752369238c2200"
#~ msgstr ""
#~ "@@image: 'images/using/24-selection-tools.png'; "
#~ "md5=426677743dbbc464cb752369238c2200"

#~ msgid ""
#~ "@@image: 'images/using/24-color-management.png'; "
#~ "md5=7c027121798c6eb6f018a90f653abdee"
#~ msgstr ""
#~ "@@image: 'images/using/24-color-management.png'; "
#~ "md5=7c027121798c6eb6f018a90f653abdee"

#, fuzzy
#~ msgid "What's New in GIMP 2.4?"
#~ msgstr "김프 2.10의 새로운 점은 ?"

#~ msgid "Refreshed Look"
#~ msgstr "새로워진 테마"

#~ msgid ""
#~ "A whole new default icon theme has been created for 2.4. The icons comply "
#~ "with the Tango style guidelines so GIMP doesn't feel out of place on any "
#~ "of the supported platforms. Regardless of whether you run GIMP under "
#~ "Microsoft Windows, Mac OS X or Linux (GNOME, KDE or Xfce), GIMP provides "
#~ "a polished, consistent look."
#~ msgstr ""
#~ "김프 2.4 의 새 기본 테u마는 탕고 스타일이 적용되었으며, 각 플랫폼의 스타일"
#~ "을 따라가도록 설계되었습니다. 김프를 어느 플랫폼(마이크로소프트 윈도, 맥 "
#~ "OSX, 리눅스(그놈, KDE, Xfce))에서 실행하든지 해당 플랫폼의 인터페이스가 적"
#~ "용되어 일관적이며 멋진 모습을 볼 수 있습니다."

#~ msgid "New Look of the toolbox in GIMP 2.4"
#~ msgstr "김프 2.4 의 달라진 이미지 창"

#~ msgid ""
#~ "Additionally the icons also have enhanced usability on dark widget "
#~ "themes, which is a common setting among digital artists."
#~ msgstr ""
#~ "또한 어두운 위젯 테마에서도 사용이 편리하도록 아이콘들이 디자인 되었습니"
#~ "다."

#~ msgid ""
#~ "For artists preferring more desaturated color theme for their icons is an "
#~ "alternative icon theme available for download <xref "
#~ "linkend=\"bibliography-online-jimmac01\"/>."
#~ msgstr ""
#~ "무채색 계열의 테마를 선호하는 사용자들은 <xref linkend=\"bibliography-"
#~ "online-jimmac01\"/> 에서 다른 아이콘 테마를 다운로드받아 사용할 수도 있습"
#~ "니다."

#~ msgid "Scalable Brushes"
#~ msgstr "크기 조정이 가능한 붓"

#~ msgid ""
#~ "The tool options now include a brush size slider that affects both the "
#~ "parametric and bitmap brushes. This has been an oft-requested feature "
#~ "from both digital painters and photo editors."
#~ msgstr ""
#~ "도구 옵션에 브러시 크기 조절 슬라이드가 포함되어, 파라매트릭 브러시와 비트"
#~ "맵 브러시 모두의 크기를 조절할 수 있게 되었습니다. 이는 디지털 작가와 사"
#~ "진 편집가들에 의해 자주 요청되었던 기능입니다."

#~ msgid "Scalable brushes in GIMP 2.4"
#~ msgstr "김프 2.4의 크기 조정이 가능한 붓"

#~ msgid ""
#~ "Unlike previous versions of GIMP, regardless of whether you're using a "
#~ "bitmap brush, parametric brush or even a picture tube (multiple bitmaps), "
#~ "you can easily set the brush size with either the tool options dock "
#~ "slider or an external device such as a MIDI slider or knob or a USB "
#~ "device like the Griffin Powermate."
#~ msgstr ""
#~ "이전 버전과는 달리, 비트맵 브러쉬, 파라매트릭 브러쉬, 픽쳐 튜브(다중 비트"
#~ "맵) 브러쉬 중 어느것을 사용하더라도, 도구 옵션의 조절 막대, MIDI 슬라이더"
#~ "와 같은 외부 장치, knob, 그리핀 파워메이트과 같은 USB 장치 등을 이용해 손"
#~ "쉽게 브러쉬 크기를 조절할 수 있습니다."

#, fuzzy
#~ msgid "Selection Tools"
#~ msgstr "더 좋은 선택 도구"

#~ msgid ""
#~ "The selection tools have been rewritten from scratch to allow resizing of "
#~ "existing selections. Additionally the rectangular selection tool includes "
#~ "a setting for creating rounded corners as this has been identified as a "
#~ "very common task among web designers."
#~ msgstr ""
#~ "선택도구가 완전히 새로 만들어져 이제는 기존의 선택을 변경할 수 있습니다. "
#~ "또한 사각 선택 도구에는 웹 디자이너들이 자주 사용하는 둥근 모서리 만들기 "
#~ "기능이 추가되었습니다."

#~ msgid "Selection tools in GIMP 2.4"
#~ msgstr "김프 2.4 의 선택 도구"

#~ msgid ""
#~ "The learning curve for the tools has been flattened as the key "
#~ "functionality is available without obscure shortcuts that confused GIMP "
#~ "beginners. Most of the existing shortcuts still work, but the "
#~ "functionality is either available through the tool options or made "
#~ "obsolete due to the interactive move and resize on canvas."
#~ msgstr ""
#~ "단축키가 없어 초보자들을 헷갈리게 만들었던 부분들을 키 조합으로 사용할 수 "
#~ "있게 되었습니다. 기존의 단축키들은 대부분 사용이 가능하고, 도구 옵션이나 "
#~ "캔버스에서의 이동/크기 조절 기능 덕분에 불필요해진 기능들도 여전히 사용 가"
#~ "능합니다."

#~ msgid ""
#~ "While the tools have been redesigned to make them easier to understand "
#~ "for the newbies, all the former functionality is there. You can still "
#~ "constrain aspect ratios or specific sizes."
#~ msgstr ""
#~ "그리고 초보자들이 조금더 쉽게 이해할 수 있도록 도구들이 재구성되었습니다. "
#~ "하지만 기존 기능들은 큰 변동이 없으며, 고정 비율이나 특정 크기 등의 기능들"
#~ "도 이전과 마찬가지로 사용이 가능합니다."

#~ msgid "Foreground Select Tool"
#~ msgstr "물체 선택 도구"

#~ msgid ""
#~ "Selecting individual objects on images is easier now with a new <link "
#~ "linkend=\"gimp-tool-foreground-select\">foreground select tool</link>. It "
#~ "is done in two steps. First, you make select region of interest which "
#~ "contains the entire object. Then you paint over selected area with a "
#~ "brush, not crossing object’s border. Release mouse button when you’re "
#~ "done and look, if there are dark blue spots on your objects. If there are "
#~ "some, paint with a brush over them again and release to refine selection. "
#~ "When there are no more blue areas inside the object, press Enter and "
#~ "there you have a perfectly selected object."
#~ msgstr ""
#~ "새 도구인 <link linkend=\"gimp-tool-foreground-select\">물체 선택 도구</"
#~ "link>를 이용하면 이미지에 있는 각각의 물체(오브젝트)를 손쉽게 선택할 수 있"
#~ "습니다. 먼저 선택하려는 물체가 포함된 영역을 선택합니다. 그리고 브러시로 "
#~ "물체의 테두리를 칠하지 않도록 주의하며 선택 영역 안쪽을 칠합니다. 칠이 다"
#~ "하고 마우스 버튼을 놓습니다. 만약 선택하려는 물체 안쪽에 군청색의 점들이 "
#~ "남아있다면, 브러시로 다시 칠을 하여 선택을 재설정합니다. 군청색의 점이 없"
#~ "으면, 엔터를 눌러 물체를 선택합니다."

#~ msgid "Align Tool"
#~ msgstr "정렬 도구"

#~ msgid ""
#~ "While GIMP has provided a grid and guideline functionality, the actual "
#~ "alignment of objects had to be done manually. A new tool comes at rescue "
#~ "<link linkend=\"gimp-tool-align\">...</link>"
#~ msgstr ""
#~ "김프에는 모눈과 안내선 기능이 있지만, 실제 정렬은 수동으로 해야만 했습니"
#~ "다. 하지만 이제는 몇 번의 클릭만으로 레이어, 경로, 안내선 등을 정렬하거나 "
#~ "배치할 수 있습니다. 또한 몇 개의 물체를 한꺼번에 정렬할 수도 있고, 선택이"
#~ "나 이미지와 함께 정렬할 수도 있습니다. 정렬 도구에 대한 더 자세한 사항은 "
#~ "<link linkend=\"gimp-tool-align\">정렬 도구</link>를 참조하십시오."

#~ msgid "Changes in menus"
#~ msgstr "메뉴 변경 사항"

#~ msgid ""
#~ "Most notable is the new top-level Color menu that accumulates most tools, "
#~ "plug-ins and scripts that adjust colors in RGB/Grayscale mode and color "
#~ "palettes in Indexed mode. So now you can reach functions like Levels or "
#~ "Curves much faster than before, unless you define your own keyboard "
#~ "shortcuts for them using the improved keyboard shortcuts manager."
#~ msgstr ""
#~ "가장 큰 변화는 색상 메뉴가 생긴 것입니다. 색상 메뉴 아래에는 색상 관련 도"
#~ "구들, RGB/그레이스케일 모드에서 색상 조정을 하는 플러그인과 스크립트들, 인"
#~ "덱스 모드의 색상표 등이 있습니다. 이 메뉴를 이용해 레벨이나 곡선과 같이 색"
#~ "상에 관련된 도구들은 사용할 수 있습니다. 그리고 개선된 키보드 단축키 관리"
#~ "자를 이용해 키보드 단축키를 할당해 사용할 수도 있습니다."

#~ msgid ""
#~ "In the new version of GIMP, some menu entries have changed their names "
#~ "and position. It was done mostly to simplify learning curve and improve "
#~ "user experience. After all, \"HSV Noise\" and \"RGB Noise\" sound more "
#~ "meaningful than \"Scatter HSV\" and \"Scatter RGB\", don't they? And "
#~ "status bar hints for all plug-ins and scripts are quite helpful too."
#~ msgstr ""
#~ "그 외로 몇 가지 메뉴 항목의 이름이나 위치가 바뀌었습니다. 이는 대부분 학"
#~ "습 과정을 쉽게 하고, 사용자 경험을 축적하는데 초점이 맞춰졌습니다. 예를 들"
#~ "어 \"Scatter HSV\" 나 \"Scatter RGB\" 는 \"HSV Noise\" 와 \"RGB Noise\" "
#~ "로 조금더 이해하기 쉬운 이름으로 바뀌었습니다. 그리고 상태바에 플러그인과 "
#~ "스크립트에 관한 자세한 설명이 표시됩니다."

#~ msgid "Support for file formats"
#~ msgstr "다양한 파일 형식 지원"

#~ msgid "Support for Photoshop ABR brush format;"
#~ msgstr "포토샵 ABR 브러시 형식 지원"

#~ msgid "Improved reading/writing EXIF in JPEG;"
#~ msgstr "JPEG 파일의 EXIF 정보 읽기/쓰기 기능 향상"

#~ msgid "Importing clipping paths in TIFF;"
#~ msgstr "TIFF 의 경로 가져오기"

#~ msgid "Layer masks can be saved to PSD;"
#~ msgstr "PSD 포맷으로 저장시 레이어 마스크도 저장 가능"

#~ msgid "16/32 bit bitmaps and alpha-channel support in BMP;"
#~ msgstr "비트맵 파일에서 16/32 비트와 알파채널 지원"

#~ msgid "24 bit and Vista icons can be opened and saved."
#~ msgstr "24비트 아이콘 및 비스타 아이콘 열기/저장 가능"

#~ msgid "Fullscreen Editing"
#~ msgstr "전체 화면으로 편집"

#~ msgid ""
#~ "The fullscreen mode has been improved to not only allow getting a full "
#~ "scale preview of the artwork, but also allow comfortable editing. The "
#~ "artist has maximum screen estate available while all functionality is "
#~ "quickly accessible by pressing the <keycap>Tab</keycap> key (toggles "
#~ "visibility of all docks) when working fullscreen."
#~ msgstr ""
#~ "전체화면 모드는 작업물을 원본 비율로 보면서 작업할 수 있을 뿐만 아니라 편"
#~ "리한 편집 환경을 제공합니다. 또한 전체화면 작업시 탭키(모든 독 보여주기 토"
#~ "글모드)를 이용해 도구 관련 창들을 표시하거나 숨길 수 있습니다."

#~ msgid ""
#~ "Whether painting or touching up photos, fullscreen editing keeps all the "
#~ "distracting elements out of sight on a key press. It's like observing "
#~ "stars in a field as opposed to a light-polluted city."
#~ msgstr ""
#~ "전체화면 모드에서 그림이나 사진을 편집할 때, 탭 키를 눌러 거추장스러운 여"
#~ "러 창들을 숨겨버리면, 마치 불빛으로 오염되지 않은 시골에서 별을 보는 것과 "
#~ "같은 느낌이 들 것입니다."

#, fuzzy
#~ msgid "Color Management and Soft-proofing"
#~ msgstr "색상 관리 향상"

#~ msgid ""
#~ "GIMP now provides full support for color profiles allowing precise color "
#~ "modification throughout the whole <quote>digital darkroom</quote> process."
#~ msgstr ""
#~ "김프는 <quote>디지털 암실</quote> 과정을 통하여, 정밀한 색상 수정이 가능"
#~ "한 색상 프로필을 완벽히 지원합니다."

#, fuzzy
#~ msgid "Color management in GIMP 2.4"
#~ msgstr "색상 관리 향상"

#~ msgid "New Crop Tool"
#~ msgstr "새 잘라내기 도구"

#~ msgid ""
#~ "Just like the selection tools, the new crop tool has been enhanced since "
#~ "the last release. The resize handles actually resize the crop rectangle "
#~ "instead of providing both resize and move functionality. The tool behaves "
#~ "more naturally and consistently with other GIMP tools. For details see "
#~ "<xref linkend=\"gimp-tool-crop\"/>."
#~ msgstr ""
#~ "선택 도구들과 마찬가지로 잘라내기 도구도 새로워졌습니다. 잘라내는 영역의 "
#~ "크기 조절 영역은 크기 조절과 이동 기능 대신, 영역의 사각을 직접 조정할 수 "
#~ "있습니다. 잘라내기 도구는 다른 김프 도구들과 연계하여 좀 더 자연스럽고 일"
#~ "관성있게 작동합니다. 더 자세한 내용은 잘라내기 도구(<xref linkend=\"gimp-"
#~ "tool-crop\"/>)를 참조하십시오."

#~ msgid ""
#~ "To move, simply drag the rectangle clicking within the area. Resizing is "
#~ "possible in one or two axes at the same time dragging the handle-bars on "
#~ "the sides and corners. The outside area is darkened with a nice "
#~ "passepartout effect to better get the idea of how the final crop will "
#~ "look like."
#~ msgstr ""
#~ "영역 내부를 클릭해 드래그하면 간단히 영역을 이동시킬 수 있습니다. 그리고 "
#~ "사각형의 구석의 조절부분을 이용해 한번에 하나 이상의 축을 조절할 수도 있습"
#~ "니다. 사각형의 바깥쪽은 어두운 색으로 채워져 틀과 같은 효과를 줌으로써 최"
#~ "종적으로 어떻게 잘라질지 알기 쉽습니다."

#~ msgid "Red Eye Removal"
#~ msgstr "적목현상 제거"

#~ msgid ""
#~ "While numerous red-eye workflows exist already, GIMP now features a very "
#~ "convenient auto-magic filter to remove red eye from your shots."
#~ msgstr ""
#~ "사진에 많은 적목 현상이 있더라도, 자동 필터를 이용해 손쉽게 적목 현상을 제"
#~ "거할 수 있습니다."

#~ msgid "Healing Brush"
#~ msgstr "복원 도구"

#~ msgid ""
#~ "The healing brush is a new tool, similar in the working of the clone "
#~ "tool, that permits to quickly fix small defects or imperfections due to "
#~ "scratching or dust. In fact the tool is smart enough to being able to "
#~ "<emphasis>understand</emphasis> where and how to modify an image to cure "
#~ "these defects based on image color context."
#~ msgstr ""
#~ "복원 도구는 새롭게 추가된 도구입니다. 이는 이미지의 잡티나 먼지 등을 빠르"
#~ "고 쉽게 수정하기 위한 도구로 도장 도구와 비슷하게 동작합니다. 이 도구는 이"
#~ "미지의 주변 색상을 참고하여 어디를, 어떻게 수정해야 할지 <emphasis>스스로"
#~ "</emphasis> 알아낼 정도로 훌륭합니다."

#~ msgid "Perspective Clone"
#~ msgstr "원근 복제"

#~ msgid ""
#~ "Here is another clone-like new tool that is able to adapt the destination "
#~ "geometry, instead of color as does the healing brush, based on "
#~ "preselected distortion settings. As the name suggests, perfect when "
#~ "copying images blocks with some type of prospective changes."
#~ msgstr ""
#~ "이 도구는 복원 도구와 비슷하나, 색상대신 미리 설정한 왜곡 설정을 기반으로 "
#~ "대상의 기하학적인 상태를 반영하여 복제를 하는 도구입니다. 이름에서 알수 있"
#~ "듯 원근 변화를 주며 복제를 할때 유용한 도구입니다."

#~ msgid "Lens Distortion"
#~ msgstr "렌즈 왜곡"

#~ msgid ""
#~ "A very common problem exposing itself especially when using cheaper "
#~ "lenses is barrel distortion and vignetting. Luckily GIMP provides a brand "
#~ "new filter to compensate for both problems. Saving photographer's pocket "
#~ "is our mission!"
#~ msgstr ""
#~ "값싼 렌즈를 사용하거나 비싼 렌즈라도 그 한계를 넘어 사용하게 되면, 원통형 "
#~ "굴곡과 흐릿하게 번지는 현상(비네팅)이 나타나게 됩니다. 김프는 이러한 문제"
#~ "들을 수정할 수 있는 필터를 제공합니다."

#, fuzzy
#~ msgid "Various Other Improvements"
#~ msgstr "사용성 향상"

#~ msgid ""
#~ "In addition to all the above, GIMP has been improved in other areas such "
#~ "as:"
#~ msgstr "위에 언급된 것 외에 다음과 같은 점들이 개선되었습니다."

#~ msgid "Better status information for tools in the window status bar."
#~ msgstr "창 상태바의 도구 상태 정보 표시 개선"

#~ msgid "Various speedups in composing functions and gradient drawing."
#~ msgstr "합성 기능이나 그라디언트의 동작 속도 향상"

#~ msgid "Zoomable preview widget for plugins."
#~ msgstr "플러그인용 미리보기 위젯에 확대기능 추가"