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<title> Haskore Tutorial: Bibliography </title>
<body bgcolor="#ffffff"><i>The Haskore Tutorial</i><br><a href="index.html">top</a> <a href="GeneralMidi.html">back</a><hr>
<p>
<a name="$formula"></a>[AK92] 
D.P. Anderson and R. Kuivila.
Formula: A programming language for expressive computer music.
In Denis Baggi, editor, <I>Computer Generated Music</I>. IEEE Computer
  Society Press, 1992.<p>
<a name="$arya94"></a>[Ary94] 
K. Arya.
A functional animation starter-kit.
<I>Journal of Functional Programming</I>, 4(1):1--18, 1994.<p>
<a name="$balaban92"></a>[Bal92] 
M. Balaban.
Music structures: Interleaving the temporal and hierarchical aspects
  of music.
In M. Balaban, K. Ebcioglu, and O. Laske, editors, <I>Understanding
  Music With AI</I>, pages 110--139. AAAI Press, 1992.<p>
<a name="$birdwadler88"></a>[BW88] 
R. Bird and P. Wadler.
<I>Introduction to Functional Programming</I>.
Prentice Hall, New York, 1988.<p>
<a name="$moxie"></a>[Col84] 
D. Collinge.
Moxie: A languge for computer music performance.
In <I>Proc. Int'l Computer Music Conference</I>, pages 217--220.
  Computer Music Association, 1984.<p>
<a name="$formes"></a>[CR84] 
P. Cointe and X. Rodet.
Formes: an object and time oriented system for music composition and
  synthesis.
In <I>Proceedings of the 1984 ACM Symposium on Lisp and Functional
  Programmming</I>, pages 85--95. ACM, 1984.<p>
<a name="$canon"></a>[Dan89] 
R.B. Dannenberg.
The Canon score language.
<I>Computer Music Journal</I>, 13(1):47--56, 1989.<p>
<a name="$fugue"></a>[DFV92] 
R.B. Dannenberg, C.L. Fraley, and P. Velikonja.
A functional language for sound synthesis with behavioral abstraction
  and lazy evaluation.
In Denis Baggi, editor, <I>Computer Generated Music</I>. IEEE Computer
  Society Press, 1992.<p>
<a name="$forte"></a>[For73] 
A. Forte.
<I>The Structure of Atonal Music</I>.
Yale University Press, New Haven, CT, 1973.<p>
<a name="$hudakberger95"></a>[HB95] 
P. Hudak and J. Berger.
A model of performance, interaction, and improvisation.
In <I>Proceedings of International Computer Music Conference</I>.
  Int'l Computer Music Association, 1995.<p>
<a name="$henderson82"></a>[Hen82] 
P. Henderson.
Functional geometry.
In <I>Proceedings of the 1982 ACM Symposium on Lisp and Functional
  Programmming</I>. ACM, 1982.<p>
<a name="$haskell-tutorial"></a>[HF92] 
P. Hudak and J. Fasel.
A gentle introduction to Haskell.
<I>ACM SIGPLAN Notices</I>, 27(5), May 1992.<p>
<a name="$haskore"></a>[HMGW96] 
P. Hudak, T. Makucevich, S. Gadde, and B. Whong.
Haskore music notation -- an algebra of music.
<I>Journal of Functional Programming</I>, 6(3), June 1996.
available via<br>

<tt>  ftp://nebula.systemsz.cs.yale.edu/pub/yale-fp/papers/haskore/hmn-lhs.ps</tt>.<p>
<a name="$scoresynth"></a>[HS92] 
G. Haus and A. Sametti.
Scoresynth: A system for the synthesis of music scores based on petri
  nets and a music algebra.
In Denis Baggi, editor, <I>Computer Generated Music</I>. IEEE Computer
  Society Press, 1992.<p>
<a name="$midi"></a>[IMA90] 
Midi 1.0 detailed specification: Document version 4.1.1, February 1990.<p>
<a name="$musickit"></a>[JB91] 
D. Jaffe and L. Boynton.
An overview of the sound and music kits for the NeXT computer.
In S.T. Pope, editor, <I>The Well-Tempered Object</I>, pages 107--118.
  MIT Press, 1991.<p>
<a name="$grame94"></a>[OFLB94] 
O. Orlarey, D. Fober, S. Letz, and M. Bilton.
Lambda calculus and music calculi.
In <I>Proceedings of International Computer Music Conference</I>.
  Int'l Computer Music Association, 1994.<p>
<a name="$pla"></a>[Sch83] 
B. Schottstaedt.
Pla: A composer's idea of a language.
<I>Computer Music Journal</I>, 7(1):11--20, 1983.<p>
<a name="$csound"></a>[Ver86] 
B. Vercoe.
Csound: A manual for the audio processing system and supporting
  programs.
Technical report, MIT Media Lab, 1986.<p>

<hr><body bgcolor="#ffffff"><i>The Haskore Tutorial</i><br><a href="index.html">top</a> <a href="GeneralMidi.html">back</a>