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  HREF="node33.html#SECTION003310000000000000000">Overlapping Notes</A>
<LI><A NAME="tex2html1028"
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<H1><A NAME="SECTION003300000000000000000"></A>
<A NAME="sec-effects"></A>
<BR>
Creating Effects
</H1>

<P>
It's really quite amazing how easy and effective it is to create
different patterns, sequences and special effects. As 
<FONT Face="Serif"  Color="Navy"><I>MMA</I></FONT>  was
developed lots of silly things were tried ... this chapter is an
attempt to display and preserve some of them.

<P>
The examples don't show any music to apply the patterns or sequences
to. The manual assumes that if you've read this far you'll know
that you should have something like:

<P>

      <Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
        <tr><td>
    <B>1  C 
<BR>
2  G 
<BR>
3  G 
<BR>
4 C   </B> 
   
	    </td></tr>
      </Table>

<P>
as a simple test piece to apply tests to.

<P>

<H1><A NAME="SECTION003310000000000000000">
Overlapping Notes</A>
</H1>

<P>
As a general rule, you should not create patterns in which notes
overlap. However, here's an interesting effect which relies on
ignoring that rule:

<P>

      <Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
        <tr><td>
    <B>Begin Scale 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;define S1 1 1+1+1+1 90  
<BR>&nbsp;&nbsp;&nbsp;&nbsp;define S32 S1 * 32 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Sequence S32 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;ScaleType  
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Direction Both 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Voice Accordion 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Octave 5 
<BR>
End   </B> 
   
	    </td></tr>
      </Table>

<P>
``S1'' is defined with a note length of 4 whole notes (1+1+1+1) so that
when it is multiplied for S32 a pattern of 32 8th notes is created.
Of course, the notes overlap. Running this up and down a chromatic
scale is ``interesting''.  You might want to play with this a bit and
try changing ``S1'' to:

<P>

      <Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
        <tr><td>
    <B>define S1 1 1 90   </B> 
   
	    </td></tr>
      </Table>

<P>
to see what the effect is of the notes overlapping.

<P>

<H1><A NAME="SECTION003320000000000000000">
Jungle Birds</A>
</H1>

<P>
Here's another use for S<SMALL>CALE</SMALL>s. Someone (certainly not the
author) decided that some jungle sounds would be perfect as an
introduction to ``Yellow Bird''.

<P>

      <Table Hspace="40%" CellSpacing=0 CellPadding=10 BGColor="OldLace" Border=3>
        <tr><td>
    <B>groove Rhumba 
<BR>
Begin Scale 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;define S1 1 1 90  
<BR>&nbsp;&nbsp;&nbsp;&nbsp;define S32 S1 * 32 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Sequence S32 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;ScaleType Chromatic 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Direction  Random 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Voice BirdTweet 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Octave 5 6 4 5 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;RVolume 30 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Rtime 2 3 4 5 
<BR>&nbsp;&nbsp;&nbsp;&nbsp;Volume pp pp ppp ppp 
<BR>
End 
<BR>
DefGroove BirdRhumba   </B> 
   
	    </td></tr>
      </Table>

<P>
The above is an extract from the 
<FONT Face="Serif"  Color="Navy"><I>MMA</I></FONT>  score. The entire song is
included in the ``songs'' directory of this distribution.

<P>
A neat trick is to create the bird sound track and then add it to the
existing Rhumba groove. Then define a new groove. Now one can select
either the library ``rhumba'' or the enhanced ``BirdRhumba'' with a
simple G<SMALL>ROOVE</SMALL> directive.

<P>

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<ADDRESS>
Bob van der Poel
2016-06-11
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