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#N canvas 475 23 646 689 12;
#X floatatom 123 283 0 0 0 0 - - - 0;
#X obj 36 323 f;
#X obj 69 319 + 1;
#X msg 54 227 1;
#X msg 295 287 0;
#X obj 434 508 *;
#X obj 402 415 t f f;
#X obj 434 478 -;
#X msg 452 444 0;
#X obj 473 478 r delay-multiplier;
#X obj 161 132 inlet;
#X obj 211 607 outlet;
#X obj 364 607 outlet;
#X obj 287 607 outlet;
#X obj 332 444 t f b;
#X obj 36 366 select;
#X obj 161 167 trigger bang bang pointer bang, f 42;
#X obj 434 578 delay;
#X msg 364 486 0;
#X obj 131 309 element template-event \$1, f 17;
#X obj 131 357 get template-\$1 y w x;
#X obj 295 316 element template-event \$1, f 17;
#X obj 295 357 get template-\$1 y w;
#X obj 123 244 getsize template-event \$1, f 17;
#X text 208 131 pointer input;
#X text 213 631 new y value, f 5;
#X text 289 631 new w value, f 5;
#X text 357 631 time to ramp to new values, f 13;
#X text 41 17 This is an abstraction used in the sequencer example and loaded inside the [voice] abstraction. Here we take a pointer to a scalar and sequence an array belonging to it \, either the amplitude or the frequency (depending on the value of argument). Both arrays have x \, y and w parameters. The array for amplitude does not use the y value \, which represents pitch in the pitch array. The 'x' parameter is a time stamp and 'w' (width) is the amplitude value for the mplitude array and bandwidth for the pitch araay., f 78;
#X msg 471 539 stop;
#X obj 471 512 r reset;
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#X connect 1 0 15 0;
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#X connect 3 0 1 1;
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#X connect 8 0 7 1;
#X connect 9 0 5 1;
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#X connect 15 1 19 0;
#X connect 16 0 1 0;
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#X connect 16 2 19 1;
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#X connect 16 3 3 0;
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#X connect 17 0 1 0;
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#X connect 21 0 22 0;
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#X connect 22 1 14 0;
#X connect 23 0 0 0;
#X connect 29 0 17 0;
#X connect 30 0 29 0;
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