.TH siggen 1 "20 Aug 1999" "Release 2" "Linux System Manual"
.SH NAME
.I siggen \- an Ncurses based signal generator program
.SH SYNOPSIS
.IP siggen\ [options]\ [waveform\ [freq]]
.SH DESCRIPTION
.I siggen
is a simple signal generator program, with an Ncurses based user interface,
that can digitally generate standard waveforms on the LINUX /dev/dsp device.
8 or 16 bit samples can be generated depending on the hardware.
.PP
.I siggen
allows two independent waveforms to be generated.
In stereo the two signals appear on different channels. In mono the two
signals are digitally mixed onto the one mono channel.
.PP
The frequency is
specified as an integer number of Hertz. Fractional Hertz frequencies are
not supported. Of course, only frequencies less than half the samplerate
(number of samples/sec) are accurately meaningful. Higher frequencies can
be specified, but don't expect to hear them!
.PP
On screen values for individual fields can be locked to prevent 
accidental changes. The unlock facility unlocks all locked fields.
.PP
Corresponding values for the 2 channels can be set to track, the
values are made equal and a change to one causes a change to the other.
e.g. making the frequency values track will make both channels the same
frequency, and altering one freq. value alters both simultaneously.
.PP 
The waveforms that can be generated are:
.IP sine
A standard sine wave
.IP cosine
a sine wave with a 90 degree phase shift
.IP square
a standard square wave with a 50% mark space ratio
.IP triangle
a linear rise from 0 to peak, thru' 0 to negative peak, and back to 0
.IP sawtooth
a ramp waveform with 'infinitely' fast flyback (:-) An ideal oscilloscope
timebase signal.
.IP noise
This is weak. All it consists of is one second of pseudo-randomly generated
samples, played repeatedly. I'd love to do proper white/pink noise,
but I don't know enough, and I don't think the structure of the program
is conducive to accurate noise generation.
.IP pulse
A square waveform where the mark/space ratio (as a percentage) can be 
specified. The default value is 10% (mark/space ratio of 1:9).
.PP
A lot of thought has gone into the algorithms for generating the waveforms.
I believe the sin/cos wave to be very pure (modulo your sound card :-), but
I don't have access to a THD meter to measure it. For best signal accuracy
leave the gain setting at 100(%). The generator will then make the wave's
peak value fit the maximum digital values allowed. Use a mixer program to
control the output volume, or an external attenuator.
.PP
The gain factor option can be useful for simulating a signal that has been
subject to clipping, by specifying a gain of > 100%. In fact a trapezoid signal
can be made by generating a clipped sawtooth wave. The greater the gain,
the closer the signal approaches a square wave (the rise and fall times
decrease).
.PP
.I siggen
ordinarily
generates one seconds worth of 1 Hz samples at the specified samplerate,
for each waveform, and generates frequency F by circularly sampling every
Fth sample. Each buffer fragment is generated for the parameter(s) set at
that moment. Buffer fragment sizes are set so that aprox. 10 fragments/sec 
are generated. Changing a generation parameter, e.g. waveform, frequency, 
gain, will impact the next buffer fragment generated, and hence changes 
appear to be almost immediate.
.PP
The 
.I -res
option can be used to make siggen generate signals with 0.1Hz resolution,
or 0.01Hz resolution. However 
.I be\ warned
at 0.1Hz resolution the basic waveform sample
buffers generated are each 10 times
(and at 0.01Hz resolution 100 times) as big as the samplerate. It typically
requires 5.5Mbytes of memory to run at 0.1Hz resolution, 16bit 32000 
samples/sec. and 55Mbytes of memory to run at 0.01Hz resolution. Because of the large buffer sizes, the initial waveform calculation time can also be lengthy.
Remember also that the waveforms are re-calculated whenever the playing 
parameters, 8/16bit, mono/stereo, samplerate are changed.

.PP
If your sounds periodically 'breaks' up with clicks or breaks,
it is usually a sign
that siggen is not being scheduled sufficiently often. Either increase the
priority (see 
.I nice
et al.), kill off other processes, get a faster processor, or increase the
number of audio buffer fragments that siggen uses. This last will make
siggen respond more sluggishly to changes in generation parameters.
.I syslogd
and
.I crond
are two processes that I've found useful to kill off - YMMV.
.IP Defaults
output to /dev/dsp, 22050 samples/sec, stereo if stereo card else mono,
16 bit samples if possible, else 8 bit, 3 audio buffer fragments.
.SH CONFIGURATION\ FILES
.PP
Three possible configuration files can be used: a LOCAL config file (usually
in current directory), a HOME config file in user's $HOME directory and a
GLOBAL config file.
.PP
All the siggen suite of programs are compiled with the names of the config
files built in. By default the configuration files are:
.IP ./.siggen.conf
is the LOCAL config file.
.IP $HOME/.siggen.conf
is the HOME config file.
.IP /etc/siggen.conf
is the GLOBAL config file.
.IP siggen\ -h
will indicate which config files will be searched for.
.PP
The config files do not have to exist. If they exist and are readable by the
program they are used, otherwise they are simply ignored.
.PP
The config files are always searched for configuration values in the order
LOCAL, HOME, GLOBAL. This allows a scheme where the sysadmin sets up default
config values in the GLOBAL config file, but allows a user to set some or
all different values in their own HOME config file, and to set yet more
specific values when run from a particular directory.
.PP
If no configuration files exist, the program provides builtin
default values, and most of these values can be set
by appropriate command line switches and flags.
.PP
See siggen.conf(5) for details of the configuration files.
.PP
.I siggen
looks for configuration values BUFFERSPERSEC, CHANNELS, DACFILE, FRAGMENTS,
RESOLUTION, SAMPLERATE, SAMPLESIZE, VERBOSE, VI_KEYS.
.IP BUFFERSPERSEC
The aprox. number of sound buffer fragments to play every second
(Sound buffersize is always a power of 2).
.IP CHANNELS
sets the number of channels, see '\-c' option.
.IP DACFILE
allows the name of the DAC/DSP/PCM device to be changed from /dev/dsp
.IP FRAGMENTS
The number of Audio Buffers to configure in the driver.
.IP RESOLUTION
The minimum change possible to the frequency setting. Only 3 values allowed:
1Hz , 0.1Hz or 0.01Hz
.IP SAMPLERATE
sets the number of samples/sec for the DAC device
.IP SAMPLESIZE
sets whether 8 or 16 bit samples to be generated
.IP VERBOSE
sets whether or not to run in verbose mode.
.IP VI_KEYS
if set then the VI cursor moving keys "HJKL" are enabled
.SH OPTIONS
.IP -h
display usage and help info
.IP -BPS\ n
configure to play aprox. n audio buffers per second.
.IP -C\ configfile
Use configfile as the LOCAL configuration file.
.IP -NB\ n
set number of audio buffers to n
.IP -v
be verbose
.IP -s\ samples
generate with samplerate of samples/sec
.IP -8|-16\ or\ -b\ 8|16
force 8 bit or 16 bit mode.
.IP -1|-2
mono or stereo
.IP -res\ n
set resolution of frequency generation. Valid values are: 1Hz, 0.l1Hz or 0.01Hz
.SH EXAMPLES
.SH
.SH FILES
.SH
.SH SEE ALSO
signalgen, swgen, tones, sweepgen, siggen.conf
.SH BUGS
.SH
.SH COPYING
.I Copyright\ 1995-2008\ Jim\ Jackson
.PP
The software described by this manual is covered by the GNU General
Public License, Version 2, June 1991, issued by :































.IP
Free Software Foundation, Inc.,
.br
675 Mass Ave,
.br
Cambridge, MA 02139, USA
.PP
Permission is granted to make and distribute verbatim copies of
this manual provided the copyright notice and this permission notice
are preserved on all copies.
.PP
Permission is granted to copy and distribute modified versions of this
manual under the conditions for verbatim copying, provided that the
entire resulting derived work is distributed under the terms of a
permission notice identical to this one.
.PP
Permission is granted to copy and distribute translations of this
manual into another language, under the above conditions for modified
versions, except that this permission notice may be included in
translation instead of in the original English.
.SH AUTHOR
.I Jim Jackson
.br
.sp
.I Email: jj@franjam.org.uk
.br